2026 Association for Theatre in Higher Education Outstanding Book Award FinalistMass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea. While other scholars have studied specific mass performances, this study synthesizes the phenomenon across centuries and countries, focusing on its systemization. Modern nations defining or redefining their identities not only organized mass performances, but also planned to make those performances a permanent component of nationhood. Kimberly Jannarone reveals that mass performance systems, from synchronized gymnastics to choreographed rallies, encapsulate ideals and debates within emerging nations about the relationship of citizens to each other and to their leaders, playing a generative and reflective role in the culture and politics of the modern era. Mass Performance analyzes the specifics of performance choreography and design, the organizational planning and thinking behind the systems, the material circumstances of each system’s emergence, and the broader intellectual milieu in which they developed. Although not a comprehensive study of such events, Jannarone’s analysis of the selected mass performance systems yields new theoretical perspectives on these phenomena, a central focus of her study being how political leaders find ways to create a physically coordinated mass body politic, even during times of hardship and war. By interpreting and historicizing mass assemblies of bodies, this study analyzes the choreographies and organizations that brought thousands of people together as an ensemble and kept them together in meaning-making motion.

2026 Association for Theatre in Higher Education Outstanding Book Award FinalistMass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea. While other scholars have studied specific mass performances, this study synthesizes the phenomenon across centuries and countries, focusing on its systemization. Modern nations defining or redefining their identities not only organized mass performances, but also planned to make those performances a permanent component of nationhood. Kimberly Jannarone reveals that mass performance systems, from synchronized gymnastics to choreographed rallies, encapsulate ideals and debates within emerging nations about the relationship of citizens to each other and to their leaders, playing a generative and reflective role in the culture and politics of the modern era. Mass Performance analyzes the specifics of performance choreography and design, the organizational planning and thinking behind the systems, the material circumstances of each system’s emergence, and the broader intellectual milieu in which they developed. Although not a comprehensive study of such events, Jannarone’s analysis of the selected mass performance systems yields new theoretical perspectives on these phenomena, a central focus of her study being how political leaders find ways to create a physically coordinated mass body politic, even during times of hardship and war. By interpreting and historicizing mass assemblies of bodies, this study analyzes the choreographies and organizations that brought thousands of people together as an ensemble and kept them together in meaning-making motion.