Marsha Kinder is Professor of Critical Studies in the School of Cinema-Television at the University of Southern California. Her most recent books are Playing With Power in Movies, Television, and Video Games (California, 1991) and Remapping the Post-Franco Cinema, a special issue of Quarterly Review of Film and Video (1991).

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• AcknowledgmentsIntroduction: Beyond the Boundaries of a National CinemaPART I. TRANSCULTURAL REINSCRIPTIONI . The Ideological Reinscription of Neorealist and HollywoodConventions in Spanish Cinema of the 1950s: Falangist Neorealismin Surcos2. The Subversive Reinscription of Melodrama in Muerte de un ciclista3. Breaking New Ground in Los golfos, El cochecito, and El esplritude Ia colmenaPART II. THE REPRESENTATION OF VIOLENCE IN THESPANISH OEDIPAL NARRATIVE4. Sacrifice and Massacre: On the Cultural Specificity of Violence5. The Spanish Oedipal Narrative and Its SubversionPART III. EXILE AND DIASPORA6. Exile and Ideological Reinscription: The Unique Case ofLuis Bufiuel7. The Economics of Exile: Borau On the Line of theNational/International InterfacePART IV. MICRO- AND MACROREGIONALISM8. Micro- and Macroregionalism in Catalan Cinema, EuropeanCoproductions, and Global TelevisionEpilogue: El Sol Also RisesNotesBibliographyIndex

Marsha Kinder is Professor of Critical Studies in the School of Cinema-Television at the University of Southern California. Her most recent books are Playing With Power in Movies, Television, and Video Games (California, 1991) and Remapping the Post-Franco Cinema, a special issue of Quarterly Review of Film and Video (1991).

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• AcknowledgmentsIntroduction: Beyond the Boundaries of a National CinemaPART I. TRANSCULTURAL REINSCRIPTIONI . The Ideological Reinscription of Neorealist and HollywoodConventions in Spanish Cinema of the 1950s: Falangist Neorealismin Surcos2. The Subversive Reinscription of Melodrama in Muerte de un ciclista3. Breaking New Ground in Los golfos, El cochecito, and El esplritude Ia colmenaPART II. THE REPRESENTATION OF VIOLENCE IN THESPANISH OEDIPAL NARRATIVE4. Sacrifice and Massacre: On the Cultural Specificity of Violence5. The Spanish Oedipal Narrative and Its SubversionPART III. EXILE AND DIASPORA6. Exile and Ideological Reinscription: The Unique Case ofLuis Bufiuel7. The Economics of Exile: Borau On the Line of theNational/International InterfacePART IV. MICRO- AND MACROREGIONALISM8. Micro- and Macroregionalism in Catalan Cinema, EuropeanCoproductions, and Global TelevisionEpilogue: El Sol Also RisesNotesBibliographyIndex