Nina Rowe is an Assistant Professor of Art History at Fordham University. The recipient of numerous fellowships and grants, she co-authored (with Sandra Hindman, Michael Camille and Rowan Watson) Manuscript Illumination in the Modern Age: Recovery and Reconstruction and co-edited (with David Areford) Excavating the Medieval Image: Manuscripts, Artists, Audiences - Essays in Honor of Sandra Hindman. She has published articles in the journals Gesta and Studies in Iconography, as well as in various edited volumes.

'Rowe's approach to her work is impressively versatile, drawing historical, textual, and material evidence into synthesis with formal and stylistic observations to walk the line attentively between the worm's-eye and the bird's-eye view of her subject. The breadth and soundness of the resulting book will interest a wide range of scholars in fields from art history and Jewish studies to theology, anthropology and beyond. The Jew, the Cathedral and the Medieval City … represents a masterful scholarly accomplishment and a signal contribution to medieval studies.' The Medieval Review

• Introduction: the Jew, the cathedral and the city; Part I. Imagining Jews and Judaism in Life and Art: 1. The Jew in a Christian world: denunciation and restraint in the age of cathedrals; 2. Ecclesia and Synagoga: the life of a motif; Part II. Art and Life on the Ecclesiastical Stage - Three Case Studies: Introduction to Part II: nature, antiquity and sculpture in the early thirteenth century; 3. Reims: 'our Jews' and the royal sphere; 4. Bamberg: the empire, the Jews and earthly order; 5. Strasbourg: clerics, burghers and Jews in the medieval city; Epilogue: the afterlife of an image.