'… the translations are elegant and thoughtfully done, with helpful annotations and there are useful introductory essays on Sulzer and Koch by the two editors … the extracts translated provide a very useful indication of the musical intellectual thought in German-speaking countries in the late 18th century.' Musical Times

• Foreword Ian Bent; Part I. Johann Georg Sulzer: General Theory of the Fine Arts (1771–74): Selected Articles; Introduction Thomas Christensen; 1. Aesthetic foundations; 2. The creative process; 3. Musical issues; Part II. Heinrich Christoph Koch: Introductory Essay on Composition, Vol. II (1787); Introduction Nancy Kovaleff Baker; Preface; Introduction; 4. The aim and the inner nature of compositions and, above all, the way in which they arise; Index.

'… the translations are elegant and thoughtfully done, with helpful annotations and there are useful introductory essays on Sulzer and Koch by the two editors … the extracts translated provide a very useful indication of the musical intellectual thought in German-speaking countries in the late 18th century.' Musical Times

• Foreword Ian Bent; Part I. Johann Georg Sulzer: General Theory of the Fine Arts (1771–74): Selected Articles; Introduction Thomas Christensen; 1. Aesthetic foundations; 2. The creative process; 3. Musical issues; Part II. Heinrich Christoph Koch: Introductory Essay on Composition, Vol. II (1787); Introduction Nancy Kovaleff Baker; Preface; Introduction; 4. The aim and the inner nature of compositions and, above all, the way in which they arise; Index.

'… the translations are elegant and thoughtfully done, with helpful annotations and there are useful introductory essays on Sulzer and Koch by the two editors … the extracts translated provide a very useful indication of the musical intellectual thought in German-speaking countries in the late 18th century.' Musical Times

• Foreword Ian Bent; Part I. Johann Georg Sulzer: General Theory of the Fine Arts (1771–74): Selected Articles; Introduction Thomas Christensen; 1. Aesthetic foundations; 2. The creative process; 3. Musical issues; Part II. Heinrich Christoph Koch: Introductory Essay on Composition, Vol. II (1787); Introduction Nancy Kovaleff Baker; Preface; Introduction; 4. The aim and the inner nature of compositions and, above all, the way in which they arise; Index.