Cinzia Sicca is associate professor of history of European art at the Univeristy of Pisa. Alison Yarrington is professor of history of art at the University of Leicester.

• Introduction, Cinzia Sicca and Alison Yarrington; recasting George I - sculpture, the royal image and the market, Barbara Arciszweska; Camillo Rusconi in English collections, Frank Martin; the trade of luxury goods in Livorno and Florence in the 18th century, Elena Lazzarini; gentlemen of virtue - morality and representation in English 18th century tomb sculpture, Christiano Giometti; contacts and contracts - Sir Henry Cheere and the formation of a new commercial world of sculpture in mid-18th century London, Matthew Craske; "the ornaments of building" - the use of sculpture in English neo-Palladian architecture, Cinzia Sicca; sheep, shepherds and wild beasts cut artificially in stone - production and consumption of garden sculpture in 18th century Genoa, Lauro Magnani; Anglo-Italian attitudes - Chantrey and Canova, Alison Yarrington; the marble trade - the Lazzerini workshop and the arts, crafts and entrepreneurs of Carrara in the early 19th century, Luisa Passegia; Carlo Marochetti - maintaining distinction in an international sculpture market, Phillip Ward Jackson; Belzoni's collecting and the Egyptian taste, Susan M.Pearce; between fine art and manufacture - the beginnings of Italian Mediaeval and Renaissance sculpture at the South Kensington Museum, Donata Levi; "enjoyment for the thousands" -sculpture as fine and ornamental art at South Kensington, Christopher Whitehead.

Cinzia Sicca is associate professor of history of European art at the Univeristy of Pisa. Alison Yarrington is professor of history of art at the University of Leicester.

• Introduction, Cinzia Sicca and Alison Yarrington; recasting George I - sculpture, the royal image and the market, Barbara Arciszweska; Camillo Rusconi in English collections, Frank Martin; the trade of luxury goods in Livorno and Florence in the 18th century, Elena Lazzarini; gentlemen of virtue - morality and representation in English 18th century tomb sculpture, Christiano Giometti; contacts and contracts - Sir Henry Cheere and the formation of a new commercial world of sculpture in mid-18th century London, Matthew Craske; "the ornaments of building" - the use of sculpture in English neo-Palladian architecture, Cinzia Sicca; sheep, shepherds and wild beasts cut artificially in stone - production and consumption of garden sculpture in 18th century Genoa, Lauro Magnani; Anglo-Italian attitudes - Chantrey and Canova, Alison Yarrington; the marble trade - the Lazzerini workshop and the arts, crafts and entrepreneurs of Carrara in the early 19th century, Luisa Passegia; Carlo Marochetti - maintaining distinction in an international sculpture market, Phillip Ward Jackson; Belzoni's collecting and the Egyptian taste, Susan M.Pearce; between fine art and manufacture - the beginnings of Italian Mediaeval and Renaissance sculpture at the South Kensington Museum, Donata Levi; "enjoyment for the thousands" -sculpture as fine and ornamental art at South Kensington, Christopher Whitehead.

Cinzia Sicca is associate professor of history of European art at the Univeristy of Pisa. Alison Yarrington is professor of history of art at the University of Leicester.

• Introduction, Cinzia Sicca and Alison Yarrington; recasting George I - sculpture, the royal image and the market, Barbara Arciszweska; Camillo Rusconi in English collections, Frank Martin; the trade of luxury goods in Livorno and Florence in the 18th century, Elena Lazzarini; gentlemen of virtue - morality and representation in English 18th century tomb sculpture, Christiano Giometti; contacts and contracts - Sir Henry Cheere and the formation of a new commercial world of sculpture in mid-18th century London, Matthew Craske; "the ornaments of building" - the use of sculpture in English neo-Palladian architecture, Cinzia Sicca; sheep, shepherds and wild beasts cut artificially in stone - production and consumption of garden sculpture in 18th century Genoa, Lauro Magnani; Anglo-Italian attitudes - Chantrey and Canova, Alison Yarrington; the marble trade - the Lazzerini workshop and the arts, crafts and entrepreneurs of Carrara in the early 19th century, Luisa Passegia; Carlo Marochetti - maintaining distinction in an international sculpture market, Phillip Ward Jackson; Belzoni's collecting and the Egyptian taste, Susan M.Pearce; between fine art and manufacture - the beginnings of Italian Mediaeval and Renaissance sculpture at the South Kensington Museum, Donata Levi; "enjoyment for the thousands" -sculpture as fine and ornamental art at South Kensington, Christopher Whitehead.