Porous Boundaries

Cyril Reade is Associate Professor of Art History and Director of the Rutgers-Camden Center for the Arts at Rutgers, The State University of New JerseyDavid Peters Corbett is Professor of Art History and American Studies at the University of East Anglia

• Introduction: Porous boundaries: Art and essays – Cyril Reade and David Peters Corbett I. Monroe Avenue Branch, Rochester, New York; The Bakken Library, Minneapolis, Minnesota, Roger Mertin II. Michael Ann Holly and Keith Moxey interview with Janet Wolff III. ‘I photographed an old dinette table…’ – Allen Topolski IV. Janet Wolff’s artists – Howard Singerman V. Woman in an Ermine Collar, after Kathleen McEnery Cunningham – Ruth Kessler VI. Unprofessional painting: mass observation, modern art, and everyday life – Lucy Curzon VII. The Catalogue – Cheryl Sourkes VLLL. Creative marginality, collectors of the avant-garde – Vera Zolberg IX. Reklame, Partisan Review – RB Kitaj X. Dancing with Janet Wolff – Mark Franko XI. Days of quiet, days of growth – Nancy Topolski XII. Beauty and affect, time and art in our post-traumatic moment – Griselda PollockXIII. Minyan – Cyril Reade XIV. New blueprints for knowledge production – Margot Bouman XV. Preface to the third edition – Walid Raad XVI. A certain modesty, or the ethics of gray – Jackie Stacey XVII. Moving Shadows II/Reflections on Crossing LVI – Anne Subercaseaux XVIII. Principles of Uncertainty – Joanna Scott XIX. Pacific original – Arch Miller XX. A few scattered (my own and borrowed) thoughts on the fate of intimacy, friendship and love in our liquid modern age – Zygmunt Bauman XXI. Acropolis Revisited – Carl Chiarenza XXII. Contributors XXIII. Janet Wolff publications Index