Andrew J. Mitchell is Assistant Professor of Philosophy at Emory University. He is co-translator of Heidegger's Four Seminars (2003).

"Heidegger Among the Sculptors is an insightful exploration of the role sculpture plays in Heidegger's thinking of the interrelationship between corporeality and space."—Sculpture Journal "This is a truly exceptional book: beautifully written, carefully argued, and deploying a detailed knowledge of Heidegger's oeuvre with a light touch. It is the first to be written on Heidegger and art that concentrates on sculpture and looks at the specific sculptural works discussed by Heidegger. Mitchell's achievement in this area is truly significant. Not only will this book appeal to Heidegger scholars, it will be of genuine interest to anyone who studies or is moved by sculpture."—Andrew Benjamin, Monash University "In Heidegger Among the Sculptors, Andrew Mitchell offers an abundance of detailed information, as well as subtle and insightful reflections. His book is interspersed with extremely well-chosen images of works of sculpture. Throughout his discussions, Mitchell is attentive to the works and their specific character, and yet he never loses sight of the major philosophical questions that inform his reflections. This is a work of absolutely first-rate scholarship, of acute artistic sensitivity, and of philosophical profundity."—John Sallis, Boston College

Andrew J. Mitchell is Assistant Professor of Philosophy at Emory University. He is co-translator of Heidegger's Four Seminars (2003).

"Heidegger Among the Sculptors is an insightful exploration of the role sculpture plays in Heidegger's thinking of the interrelationship between corporeality and space."—Sculpture Journal "This is a truly exceptional book: beautifully written, carefully argued, and deploying a detailed knowledge of Heidegger's oeuvre with a light touch. It is the first to be written on Heidegger and art that concentrates on sculpture and looks at the specific sculptural works discussed by Heidegger. Mitchell's achievement in this area is truly significant. Not only will this book appeal to Heidegger scholars, it will be of genuine interest to anyone who studies or is moved by sculpture."—Andrew Benjamin, Monash University "In Heidegger Among the Sculptors, Andrew Mitchell offers an abundance of detailed information, as well as subtle and insightful reflections. His book is interspersed with extremely well-chosen images of works of sculpture. Throughout his discussions, Mitchell is attentive to the works and their specific character, and yet he never loses sight of the major philosophical questions that inform his reflections. This is a work of absolutely first-rate scholarship, of acute artistic sensitivity, and of philosophical profundity."—John Sallis, Boston College

Andrew J. Mitchell is Assistant Professor of Philosophy at Emory University. He is co-translator of Heidegger's Four Seminars (2003).

"Heidegger Among the Sculptors is an insightful exploration of the role sculpture plays in Heidegger's thinking of the interrelationship between corporeality and space."—Sculpture Journal "This is a truly exceptional book: beautifully written, carefully argued, and deploying a detailed knowledge of Heidegger's oeuvre with a light touch. It is the first to be written on Heidegger and art that concentrates on sculpture and looks at the specific sculptural works discussed by Heidegger. Mitchell's achievement in this area is truly significant. Not only will this book appeal to Heidegger scholars, it will be of genuine interest to anyone who studies or is moved by sculpture."—Andrew Benjamin, Monash University "In Heidegger Among the Sculptors, Andrew Mitchell offers an abundance of detailed information, as well as subtle and insightful reflections. His book is interspersed with extremely well-chosen images of works of sculpture. Throughout his discussions, Mitchell is attentive to the works and their specific character, and yet he never loses sight of the major philosophical questions that inform his reflections. This is a work of absolutely first-rate scholarship, of acute artistic sensitivity, and of philosophical profundity."—John Sallis, Boston College