Inbunden, Engelska, 2016
Extreme Cinema
The Transgressive Rhetoric of Today's Art Film Culture
Av Mattias Frey
1680 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2016-03-15
- Mått: 152 x 229 x 25 mm
- Vikt: 594 g
- Format: Inbunden
- Språk: Engelska
- Antal sidor: 298
- Förlag: Rutgers University Press
- ISBN: 9780813576503
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MATTIAS FREY is the managing director of the Centre for Film and Media Research, an editor of the journal Film Studies, and a reader in film at the University of Kent, UK. He is the author or coeditor of several books, including The Permanent Crisis of Film Criticism; Cine-Ethics; and Film Criticism in the Digital Age (Rutgers University Press).
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"Extreme Cinema is an outstanding addition to the body of works that investigate the intersection of art cinema, sex, and violence and the intricate relationships among the three." - Cindy Hing-Yuk Wong (College of Staten Island, CUNY) “In this lively, detailed analysis of ‘taboo cinema,’ Mattias Frey views ‘extreme cinema’ from an entirely new angle, offering rich insights into contemporary violence and cruelty on the screen.” - Wheeler Winston Dixon (author of Black and White Cinema: A Short History) "Extreme Cinema enlightens the reader by example … Frey has given film connoisseurs a text book worthy of examination that may even inspire self examination." (Genreonline.net) "Extreme Cinema delves into what it is that motivates these film makers and our general fascination with this body of film works that exploit sex, violence, and art in an almost voyeuristic way." (Horrornews.net) "Frey’s well researched and precise discursive analysis on extreme cinema laid the first stone to further industrial and aesthetic investigations." (Historical Journal of Film, Radio and Television) "[The book] arrives at a juncture in which one form of extreme cinema studies is perhaps at its end. Frey convincingly demonstrates how scholars’ appeal to an ideal spectator, use of unrefined affect theories, and overemphasis on aesthetics often generates tautological conclusions." (Canadian Review of Comparative Literature)
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