Glyn Davis is Lecturer in Screen History and Theory at Edinburgh College of Art, UK.Kay Dickinson is Lecturer in Film Studies at King's College London, UK, and is the editor of Movie Music: The Film Reader (2003).

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• Notes on ContributorsIntroductionGlyn Davis and Kay DickinsonI: Genre1. A Boy for All Planets: Roswell, Smallville and the Teen Male Melodrama, Miranda ]. Banks, University of California, Los Angeles, USA2. Teen Futures: Discourses of Alienation, the Social and Technology in Australian Science-Fiction Television Series, Leonie Rutherford, University of New England, Australia3. Chosen Ones: Reading the Contemporary Teen Heroine, Jenny Bavidge, University of Greenwich, UK4. Dawson's Creek: 'Quality Teen TV' and 'Mainstream Cult'? Matt Hills, Cardiff University, UKII: Consumption5. 'So Who's Got Time for Adults!': Femininity, Consumption and the Development of Teen TV – from Gidget to Buffy, Bill Osgerby, London Metropolitan University, UK6. Selling Teen Culture: How American Multimedia Conglomeration Reshaped Teen Television in the 1990s, Valerie Wee, National University of Singapore7. 'My Generation': Popular Music, Age and Influence in Teen Drama of the 1990s, Kay Dickinson, King's College, London, UK8. Total Request Live and the Creation of Virtual Community, Richard K. Olsen, University of North Carolina, Wilmington, USAIII: Identity9.'Saying It Out Loud': Revealing Television's Queer Teens, Glyn Davis, Edinburgh College of Art, UK10. Dormant Dormitory Friendships: Race and Gender in Felicity, Sharon Ross, University of Texas, Austin, USA11. 'We Don't Need No Education': Adolescents and the School in Contemporary Australian Teen TV, Kate Douglas and Kelly McWilliam, University of Queensland, Australia12. Roswell High, Alien Chic and the In/Human, Neil Badmington, Cardiff University, UK13. 'Feels Like Home': Dawson's Creek, Nostalgia and the Young Adult Viewer, Clare Birchall, Middlesex University, UKIndex

Glyn Davis is Lecturer in Screen History and Theory at Edinburgh College of Art, UK.Kay Dickinson is Lecturer in Film Studies at King's College London, UK, and is the editor of Movie Music: The Film Reader (2003).

Select Guide Rating

• Notes on ContributorsIntroductionGlyn Davis and Kay DickinsonI: Genre1. A Boy for All Planets: Roswell, Smallville and the Teen Male Melodrama, Miranda ]. Banks, University of California, Los Angeles, USA2. Teen Futures: Discourses of Alienation, the Social and Technology in Australian Science-Fiction Television Series, Leonie Rutherford, University of New England, Australia3. Chosen Ones: Reading the Contemporary Teen Heroine, Jenny Bavidge, University of Greenwich, UK4. Dawson's Creek: 'Quality Teen TV' and 'Mainstream Cult'? Matt Hills, Cardiff University, UKII: Consumption5. 'So Who's Got Time for Adults!': Femininity, Consumption and the Development of Teen TV – from Gidget to Buffy, Bill Osgerby, London Metropolitan University, UK6. Selling Teen Culture: How American Multimedia Conglomeration Reshaped Teen Television in the 1990s, Valerie Wee, National University of Singapore7. 'My Generation': Popular Music, Age and Influence in Teen Drama of the 1990s, Kay Dickinson, King's College, London, UK8. Total Request Live and the Creation of Virtual Community, Richard K. Olsen, University of North Carolina, Wilmington, USAIII: Identity9.'Saying It Out Loud': Revealing Television's Queer Teens, Glyn Davis, Edinburgh College of Art, UK10. Dormant Dormitory Friendships: Race and Gender in Felicity, Sharon Ross, University of Texas, Austin, USA11. 'We Don't Need No Education': Adolescents and the School in Contemporary Australian Teen TV, Kate Douglas and Kelly McWilliam, University of Queensland, Australia12. Roswell High, Alien Chic and the In/Human, Neil Badmington, Cardiff University, UK13. 'Feels Like Home': Dawson's Creek, Nostalgia and the Young Adult Viewer, Clare Birchall, Middlesex University, UKIndex