Häftad, Engelska, 1991
Strange Weather
Culture, Science and Technology in the Age of Limits
Av Andrew Ross
Del i serien Haymarket
325 kr
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Beskrivning
Who speaks for science in a technologically dominated society? In his latest work of cultural criticism Andrew Ross contends that this question yields no simple or easy answer. In our present technoculture a wide variety of people, both inside and outside the scientific community, have become increasingly vocal in exercising their right to speak about, on behalf of, and often against, science and technology.Arguing that science can only ever be understood as a social artifact, Strange Weather is a manifesto which calls on cultural critics to abandon their technophobia and contribute to the debates which shape our future. Each chapter focuses on an idea, a practice or community that has established an influential presence in our culture: New Age, computer hacking, cyberpunk, futurology, and global warming.In a book brimming over with intelligence-both human and electronic-Ross examines the state of scientific countercultures in an age when the development of advanced information technologies coexists uneasily with ecological warnings about the perils of unchecked growth. Intended as a contribution to a "green" cultural criticism, Strange Weather is a provocative investigation of the ways in which science is shaping the popular imagination of today, and delimiting the possibilities of tomorrow.
Produktinformation
- Utgivningsdatum: 1991-09-17
- Mått: 157 x 236 x 15 mm
- Vikt: 445 g
- Format: Häftad
- Språk: Engelska
- Serie: Haymarket
- Antal sidor: 292
- Förlag: Verso Books
- ISBN: 9780860915676
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Andrew Ross is Professor of Social and Cultural Analysis at New York University, and a social activist. A contributor to The Nation, the Village Voice, New York Times, and Artforum, he is the author of many books, including, most recently, Bird on Fire: Lessons from the World's Least Sustainable City and Nice Work if You Can Get It: Life and Labor in Precarious Times. He lives in New York.
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A marvellous, sceptical history of the culture of prediction. Between the technocrat's theme-park dreams and the catastrophist's ominous signs, he sees futures that we can live in.
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