In 2015 the artist Nicky Loutit began making paintings and putting down thoughts which evolved as she walked the coast of North Norfolk. New Year's Day Is Black is a visualization of memory; of how our past returns to us when we least expect or want it to. It is a meditation on motherhood, ageing and the journey of a life fully lived. As the child of prominent members of London's cultural elite in the '40s and '50s, her place was that of an infant hanger-on, mostly ignored by the artistic and intellectual crowd she was born into. But beneath that veneer of bohemian eccentricity, Loutit silently endured a life marked by physical, mental and sexual abuse at the hands of some of those responsible for her. Recounting the occasional kindness of the people she knew, including George Orwell, Cyril Connolly and Francis Partridge, alongside the trauma of her abuse, Loutit paints a life which triumphs over regret and adversity. Her story affords those who experience it the chance to be moved and inspired by a remarkable woman in a remarkable way.

In 2015 the artist Nicky Loutit began making paintings and putting down thoughts which evolved as she walked the coast of North Norfolk. New Year's Day Is Black is a visualization of memory; of how our past returns to us when we least expect or want it to. It is a meditation on motherhood, ageing and the journey of a life fully lived. As the child of prominent members of London's cultural elite in the '40s and '50s, her place was that of an infant hanger-on, mostly ignored by the artistic and intellectual crowd she was born into. But beneath that veneer of bohemian eccentricity, Loutit silently endured a life marked by physical, mental and sexual abuse at the hands of some of those responsible for her. Recounting the occasional kindness of the people she knew, including George Orwell, Cyril Connolly and Francis Partridge, alongside the trauma of her abuse, Loutit paints a life which triumphs over regret and adversity. Her story affords those who experience it the chance to be moved and inspired by a remarkable woman in a remarkable way.

In 2015 the artist Nicky Loutit began making paintings and putting down thoughts which evolved as she walked the coast of North Norfolk. New Year's Day Is Black is a visualization of memory; of how our past returns to us when we least expect or want it to. It is a meditation on motherhood, ageing and the journey of a life fully lived. As the child of prominent members of London's cultural elite in the '40s and '50s, her place was that of an infant hanger-on, mostly ignored by the artistic and intellectual crowd she was born into. But beneath that veneer of bohemian eccentricity, Loutit silently endured a life marked by physical, mental and sexual abuse at the hands of some of those responsible for her. Recounting the occasional kindness of the people she knew, including George Orwell, Cyril Connolly and Francis Partridge, alongside the trauma of her abuse, Loutit paints a life which triumphs over regret and adversity. Her story affords those who experience it the chance to be moved and inspired by a remarkable woman in a remarkable way.