Martin Nedbal is Associate Professor of Musicology at the University of Kansas. He is the author of Morality and Viennese Opera in the Age of Mozart and Beethoven (Routledge, 2016) and translator and editor of The Published Theoretical Works of Leoš Janáček (Editio Janáček, 2020).

'An original, seminal, inherently fascinating, and scholastically meticulous study … enhanced for the reader with the inclusion of lists for figures, tables, and musical examples.' James A. Cox, Midwest Book Review

• Part I. Authenticity and Ethnicity: 1. Werktreue, patriotism, and nationalism in Prague productions of Mozart's operas; 2. Mozart and ethnic identity; Part II. Monuments and Politics: 3. Bertramka and the politics of Prague's Mozart monuments; 4. La clemenza di Tito and the Habsburg dynasty in Bohemia, 1791–1891; Part III. Translations and Adaptations: 5. Wenzel Mihule and Don Giovanni; 6. Die Zauberflöte and Czech National theater.

Martin Nedbal is Associate Professor of Musicology at the University of Kansas. He is the author of Morality and Viennese Opera in the Age of Mozart and Beethoven (Routledge, 2016) and translator and editor of The Published Theoretical Works of Leoš Janáček (Editio Janáček, 2020).

'An original, seminal, inherently fascinating, and scholastically meticulous study … enhanced for the reader with the inclusion of lists for figures, tables, and musical examples.' James A. Cox, Midwest Book Review

• Part I. Authenticity and Ethnicity: 1. Werktreue, patriotism, and nationalism in Prague productions of Mozart's operas; 2. Mozart and ethnic identity; Part II. Monuments and Politics: 3. Bertramka and the politics of Prague's Mozart monuments; 4. La clemenza di Tito and the Habsburg dynasty in Bohemia, 1791–1891; Part III. Translations and Adaptations: 5. Wenzel Mihule and Don Giovanni; 6. Die Zauberflöte and Czech National theater.