Paul Fleet is a Senior Lecturer in Music at Newcastle University, UK with research specialty in Authentic Music Theory. He is also a QAA Subject Expert and Reviewer, HEA-qualified External Examiner, Senior Fellow of the HEA all whilst remaining a music theory lecturer, keynote popular-music education speaker, and a published author.

• Introduction1. Mining the Gap of Musics with and after TonalityPaul Fleet (Newcastle University, UK)2. Mining the Gap: What Gap?Alistair Hinton (Composer and founder of the Sorabji Archive, UK)3. Savage Minds in British Early-Twentieth Century MusicAnnika Forkert (Royal Northern College of Music, UK)4. Space and Structure in Metatonal MusicsPaul Fleet (Newcastle University, UK)5. Carl Nielsen’s Musical VitalismChristopher Tarrant (Newcastle University, UK)6. ‘The cautious experiments of M. K. Čiurlionis (1875-1911): tonalities and realisms in his art and music’George Kennaway (Performer and Conductor, UK)7. J.S. Bach and Metatonality in the Early Piano Pieces of Ferruccio BusoniErinn Knyt (University of Massachusetts Amherst, USA)8. Ferrruccio Busoni - mirror and enigma: transcendence and the later piano worksFred Scott (City, University of London, UK) 9. Diatonic refraction through metatonal spacesKenneth Smith (University of Liverpool, UK)10. Transformed Desire: Scriabin’s Transition Away from Functional TonalityJeff Yunek (Kennesaw State University, USA)11. Musicology, Mediation, Metatonality: Rethinking the Music of Rebecca Clarke and Erwin SchulhoffChris Dromey (Middlesex University, UK)

Paul Fleet is a Senior Lecturer in Music at Newcastle University, UK with research specialty in Authentic Music Theory. He is also a QAA Subject Expert and Reviewer, HEA-qualified External Examiner, Senior Fellow of the HEA all whilst remaining a music theory lecturer, keynote popular-music education speaker, and a published author.

• Introduction1. Mining the Gap of Musics with and after TonalityPaul Fleet (Newcastle University, UK)2. Mining the Gap: What Gap?Alistair Hinton (Composer and founder of the Sorabji Archive, UK)3. Savage Minds in British Early-Twentieth Century MusicAnnika Forkert (Royal Northern College of Music, UK)4. Space and Structure in Metatonal MusicsPaul Fleet (Newcastle University, UK)5. Carl Nielsen’s Musical VitalismChristopher Tarrant (Newcastle University, UK)6. ‘The cautious experiments of M. K. Čiurlionis (1875-1911): tonalities and realisms in his art and music’George Kennaway (Performer and Conductor, UK)7. J.S. Bach and Metatonality in the Early Piano Pieces of Ferruccio BusoniErinn Knyt (University of Massachusetts Amherst, USA)8. Ferrruccio Busoni - mirror and enigma: transcendence and the later piano worksFred Scott (City, University of London, UK) 9. Diatonic refraction through metatonal spacesKenneth Smith (University of Liverpool, UK)10. Transformed Desire: Scriabin’s Transition Away from Functional TonalityJeff Yunek (Kennesaw State University, USA)11. Musicology, Mediation, Metatonality: Rethinking the Music of Rebecca Clarke and Erwin SchulhoffChris Dromey (Middlesex University, UK)

Paul Fleet is a Senior Lecturer in Music at Newcastle University, UK with research specialty in Authentic Music Theory. He is also a QAA Subject Expert and Reviewer, HEA-qualified External Examiner, Senior Fellow of the HEA all whilst remaining a music theory lecturer, keynote popular-music education speaker, and a published author.

• Introduction1. Mining the Gap of Musics with and after TonalityPaul Fleet (Newcastle University, UK)2. Mining the Gap: What Gap?Alistair Hinton (Composer and founder of the Sorabji Archive, UK)3. Savage Minds in British Early-Twentieth Century MusicAnnika Forkert (Royal Northern College of Music, UK)4. Space and Structure in Metatonal MusicsPaul Fleet (Newcastle University, UK)5. Carl Nielsen’s Musical VitalismChristopher Tarrant (Newcastle University, UK)6. ‘The cautious experiments of M. K. Čiurlionis (1875-1911): tonalities and realisms in his art and music’George Kennaway (Performer and Conductor, UK)7. J.S. Bach and Metatonality in the Early Piano Pieces of Ferruccio BusoniErinn Knyt (University of Massachusetts Amherst, USA)8. Ferrruccio Busoni - mirror and enigma: transcendence and the later piano worksFred Scott (City, University of London, UK) 9. Diatonic refraction through metatonal spacesKenneth Smith (University of Liverpool, UK)10. Transformed Desire: Scriabin’s Transition Away from Functional TonalityJeff Yunek (Kennesaw State University, USA)11. Musicology, Mediation, Metatonality: Rethinking the Music of Rebecca Clarke and Erwin SchulhoffChris Dromey (Middlesex University, UK)