Agnieszka Piotrowska, PhD, is an award-winning filmmaker, writer, and psychoanalytic life coach. She has published widely on cinema and psychoanalysis, including Psychoanalysis and Ethics in Documentary (Routledge, now in its second edition). She has held senior academic positions in the UK and internationally and is a Founding Scholar of the British Psychoanalytic Council.

"This beautiful and inspirational work on Agnieszka Holland is a personal project for both author and filmmaker. Agnieszka Piotrowska draws on a stunning array of previously unseen photographs from Holland’s family album and personal archive, and sets these in a context that is culturally, historically and theoretically feminist. Drawing on interviews, recollections and analysis, this is a long overdue investigation - and celebration - of the work of this important filmmaker along her creative and political journey."-- Lucy Bolton, Professor of Film Studies and Film Philosophy, Queen Mary University"Agnieszka Piotrowska’s ground-breaking and highly original study of Holland’s film-making is also a study of the position of women in Poland as it emerged from communism, as well as Holland’s own journey as a film maker in the male dominated world of film-making in Eastern Europe and world wide where she was ‘praised for her "masculine" filmmaking whilst encountering gender-based limitations. Piotrowska draws on psychoanalysis to understand the choices made by Holland in her films and those of her characters, notably in Bitter Harvest which Holland spoke of as "a meditation on an impossible love, where trauma and intimacy become inextricably bound." Drawing on her extensive interviews with Holland and her detailed analysis of Holland’s films, Piotrowska demonstrates the importance for Holland ‘of creating meaningful connections beyond national, cultural, or familial boundaries …. suggesting the possibility of human solidarity in the face of nationalist division. Most of all, Piotrowska makes a very forceful case for revisiting Holland’s early films, and for the importance of her most recent ones that ‘offer no easy comfort’ but which suggest ‘that meaning can be created through acts of care and recognition’."-- Elizabeth Cowie, Professor Emeritus of Film Studies, University of Kent"Agnieszka Piotrowska, writer, filmmaker, and psychoanalytic life coach, explores in this work areas rarely addressed by interpreters of Agnieszka Holland’s oeuvre. The book offers a valuable psychoanalytic perspective, presenting the artist and her work in relation to the history of her homeland, Poland, to growing up under communism, but also to private narratives and to complex family and social relationships. The Agnieszka Holland we know, an outstanding, versatile artist and also one of the most important female voices in the cinematic art of the twentieth and twenty-first centuries, emerges in Piotrowska’s account as a many-hued figure, still open to new interpretation and reinterpretation, much like her fascinating body of work."-- Lukasz Maciejewski, writer, film critic and festival curator, Krakow, Poland "This volume is an unusual and important work, confirming Agnieszka Holland’s unique place in world cinema. It is fascinating to see how the author of this volume and the filmmaker have turned their complicated pasts into beautiful and instructive works of the imagination. Different forms require different modes of interpretation. Putting these ideas into constructive dialogue offers a magnificent way out of the darkness.”-- Sandy Flitterman-Lewis, scholar and author of To Desire Differently: Feminism and the French Cinema

• Preface. Finding Voice: Between Theory and Experience Introduction: The Transformational Cinema of Agnieszka Holland1. Holland's Background and Influences2. Early Films: Trapped in Patriarchal Structures3. The Ethics of Survival: Women under Historical Oppression4. Conversations with the Invisible: Trauma, Spirituality, and the Healing Imagination in Holland's Cinema5. Washington Square and (the Beginnings) of Female Agency6. Spoor: Culmination of Holland's Feminist Vision7. Green Border: Crossing Political and Ethical Boundaries8. Critical Reception and Cultural ImpactIndex

Agnieszka Piotrowska, PhD, is an award-winning filmmaker, writer, and psychoanalytic life coach. She has published widely on cinema and psychoanalysis, including Psychoanalysis and Ethics in Documentary (Routledge, now in its second edition). She has held senior academic positions in the UK and internationally and is a Founding Scholar of the British Psychoanalytic Council.

"This beautiful and inspirational work on Agnieszka Holland is a personal project for both author and filmmaker. Agnieszka Piotrowska draws on a stunning array of previously unseen photographs from Holland’s family album and personal archive, and sets these in a context that is culturally, historically and theoretically feminist. Drawing on interviews, recollections and analysis, this is a long overdue investigation - and celebration - of the work of this important filmmaker along her creative and political journey."-- Lucy Bolton, Professor of Film Studies and Film Philosophy, Queen Mary University"Agnieszka Piotrowska’s ground-breaking and highly original study of Holland’s film-making is also a study of the position of women in Poland as it emerged from communism, as well as Holland’s own journey as a film maker in the male dominated world of film-making in Eastern Europe and world wide where she was ‘praised for her "masculine" filmmaking whilst encountering gender-based limitations. Piotrowska draws on psychoanalysis to understand the choices made by Holland in her films and those of her characters, notably in Bitter Harvest which Holland spoke of as "a meditation on an impossible love, where trauma and intimacy become inextricably bound." Drawing on her extensive interviews with Holland and her detailed analysis of Holland’s films, Piotrowska demonstrates the importance for Holland ‘of creating meaningful connections beyond national, cultural, or familial boundaries …. suggesting the possibility of human solidarity in the face of nationalist division. Most of all, Piotrowska makes a very forceful case for revisiting Holland’s early films, and for the importance of her most recent ones that ‘offer no easy comfort’ but which suggest ‘that meaning can be created through acts of care and recognition’."-- Elizabeth Cowie, Professor Emeritus of Film Studies, University of Kent"Agnieszka Piotrowska, writer, filmmaker, and psychoanalytic life coach, explores in this work areas rarely addressed by interpreters of Agnieszka Holland’s oeuvre. The book offers a valuable psychoanalytic perspective, presenting the artist and her work in relation to the history of her homeland, Poland, to growing up under communism, but also to private narratives and to complex family and social relationships. The Agnieszka Holland we know, an outstanding, versatile artist and also one of the most important female voices in the cinematic art of the twentieth and twenty-first centuries, emerges in Piotrowska’s account as a many-hued figure, still open to new interpretation and reinterpretation, much like her fascinating body of work."-- Lukasz Maciejewski, writer, film critic and festival curator, Krakow, Poland "This volume is an unusual and important work, confirming Agnieszka Holland’s unique place in world cinema. It is fascinating to see how the author of this volume and the filmmaker have turned their complicated pasts into beautiful and instructive works of the imagination. Different forms require different modes of interpretation. Putting these ideas into constructive dialogue offers a magnificent way out of the darkness.”-- Sandy Flitterman-Lewis, scholar and author of To Desire Differently: Feminism and the French Cinema

• Preface. Finding Voice: Between Theory and Experience Introduction: The Transformational Cinema of Agnieszka Holland1. Holland's Background and Influences2. Early Films: Trapped in Patriarchal Structures3. The Ethics of Survival: Women under Historical Oppression4. Conversations with the Invisible: Trauma, Spirituality, and the Healing Imagination in Holland's Cinema5. Washington Square and (the Beginnings) of Female Agency6. Spoor: Culmination of Holland's Feminist Vision7. Green Border: Crossing Political and Ethical Boundaries8. Critical Reception and Cultural ImpactIndex

Agnieszka Piotrowska, PhD, is an award-winning filmmaker, writer, and psychoanalytic life coach. She has published widely on cinema and psychoanalysis, including Psychoanalysis and Ethics in Documentary (Routledge, now in its second edition). She has held senior academic positions in the UK and internationally and is a Founding Scholar of the British Psychoanalytic Council.

"This beautiful and inspirational work on Agnieszka Holland is a personal project for both author and filmmaker. Agnieszka Piotrowska draws on a stunning array of previously unseen photographs from Holland’s family album and personal archive, and sets these in a context that is culturally, historically and theoretically feminist. Drawing on interviews, recollections and analysis, this is a long overdue investigation - and celebration - of the work of this important filmmaker along her creative and political journey."-- Lucy Bolton, Professor of Film Studies and Film Philosophy, Queen Mary University"Agnieszka Piotrowska’s ground-breaking and highly original study of Holland’s film-making is also a study of the position of women in Poland as it emerged from communism, as well as Holland’s own journey as a film maker in the male dominated world of film-making in Eastern Europe and world wide where she was ‘praised for her "masculine" filmmaking whilst encountering gender-based limitations. Piotrowska draws on psychoanalysis to understand the choices made by Holland in her films and those of her characters, notably in Bitter Harvest which Holland spoke of as "a meditation on an impossible love, where trauma and intimacy become inextricably bound." Drawing on her extensive interviews with Holland and her detailed analysis of Holland’s films, Piotrowska demonstrates the importance for Holland ‘of creating meaningful connections beyond national, cultural, or familial boundaries …. suggesting the possibility of human solidarity in the face of nationalist division. Most of all, Piotrowska makes a very forceful case for revisiting Holland’s early films, and for the importance of her most recent ones that ‘offer no easy comfort’ but which suggest ‘that meaning can be created through acts of care and recognition’."-- Elizabeth Cowie, Professor Emeritus of Film Studies, University of Kent"Agnieszka Piotrowska, writer, filmmaker, and psychoanalytic life coach, explores in this work areas rarely addressed by interpreters of Agnieszka Holland’s oeuvre. The book offers a valuable psychoanalytic perspective, presenting the artist and her work in relation to the history of her homeland, Poland, to growing up under communism, but also to private narratives and to complex family and social relationships. The Agnieszka Holland we know, an outstanding, versatile artist and also one of the most important female voices in the cinematic art of the twentieth and twenty-first centuries, emerges in Piotrowska’s account as a many-hued figure, still open to new interpretation and reinterpretation, much like her fascinating body of work."-- Lukasz Maciejewski, writer, film critic and festival curator, Krakow, Poland "This volume is an unusual and important work, confirming Agnieszka Holland’s unique place in world cinema. It is fascinating to see how the author of this volume and the filmmaker have turned their complicated pasts into beautiful and instructive works of the imagination. Different forms require different modes of interpretation. Putting these ideas into constructive dialogue offers a magnificent way out of the darkness.”-- Sandy Flitterman-Lewis, scholar and author of To Desire Differently: Feminism and the French Cinema

• Preface. Finding Voice: Between Theory and Experience Introduction: The Transformational Cinema of Agnieszka Holland1. Holland's Background and Influences2. Early Films: Trapped in Patriarchal Structures3. The Ethics of Survival: Women under Historical Oppression4. Conversations with the Invisible: Trauma, Spirituality, and the Healing Imagination in Holland's Cinema5. Washington Square and (the Beginnings) of Female Agency6. Spoor: Culmination of Holland's Feminist Vision7. Green Border: Crossing Political and Ethical Boundaries8. Critical Reception and Cultural ImpactIndex