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    1. Samhälle och politik
    2. Samhälle och kultur
    3. Kultur och medier
    4. Medievetenskap

    Routledge Companion to Gender, Violence, and Popular Culture

    AvKaren Boyle,Susan Berridge

    Inbunden, Engelska, 2026

    Del i serien Routledge Companions to Gender

    3 658 kr

    Slutsåld

    Beskrivning

    The Routledge Companion to Gender, Violence and Popular Culture examines how gender and violence are co‑constituted across contemporary popular cultural forms.Drawing on contributions from more than 50 interdisciplinary scholars across over 20 countries, the volume explores a wide range of media—including film, television, games, music, literature, podcasts, social media, street art, photography and pornography—through four thematic sections on conducive contexts, representations, resistance and reclamation, and audiences. It attends to both production and reception, encompassing practices such as performance, protest, podcasting, creative production, cultural consumption, and critical curation, and situates these within current debates shaped by movements such as #MeToo. Building on the editors’ earlier work, The Routledge Companion to Gender, Media and Violence, this companion extends the conversation to fictional and entertainment contexts, enabling rich cross‑cultural comparison.This collection is essential reading for undergraduate and postgraduate students, as well as researchers in Gender and Women’s Studies, Media and Communication, Film and Television Studies, Cultural Studies, Journalism Studies, Sociology and Criminology.

    Produktinformation

    • Utgivningsdatum:2026-12-04
    • Mått:174 x 246 x undefined mm
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Routledge Companions to Gender
    • Antal sidor:730
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781032696577

    Utforska kategorier

    • Medievetenskap inom Samhälle och politik
    • Genusvetenskap inom Samhälle och politik

    Mer om författaren

    Karen Boyle is Professor of Feminist Media Studies and Head of the Department of Humanities at the University of Strathclyde. She is the co-editor (with Susan Berridge) of the Routledge Companion to Gender, Media and Violence (2024).Susan Berridge is Senior Lecturer in Film and Media at the Open University, UK. Her current research focuses on gender inequalities in the film and television industries. She is co-editor (with Karen Boyle) of the Routledge Companion to Gender, Media and Violence (2024).

    Innehållsförteckning

    • IList of figures and tablesList of contributorsAcknowledgementsIntroductionKaren Boyle and Susan BerridgePART 1Conducive Contexts 1. The Body Politic / The Body National. Constructions of nation and gendered violence in Hungarian popular discoursesJúlia Havas 2. Children, complicity and consent: contemporary French memoirs and #MeToo Emma Flynn3. “In the name of love”: mediating militarised masculinities in times of war Polly Withers4. Media culture, gender violence and feminist politics in ChinaSara Liao5. Dispatches from the UK gender warsFinn Mackay6. Where are the Women Talking? On rape, history and the limits of therapeutic media Kathryn Claire Higgins7. Mediated misogynoir: a framework for recognising gender-based violence against Black women and girlsKalima Young8. Deepfake pornography and the exploitation of everyday digital lifeGraham Meikle9. Rape pornographyFiona Vera-Gray and Clare McGlynn10. Online anti-press attacks and the double precarity of South Korean female journalistsJane Yeahin Pyo11. Denmark’s film, television and theatre sector after #MeToo Kenneth Reinicke12. “Rape is for cowards”: Marilyn Manson, ironic sexism and the “abuser-persona”Amy Beddows13. “Wake up in the morning like, fuck P Diddy”: Gender based violence in the popular music industriesBianca Fileborn and Catherine Strong14. Stand-up comedy, gender inequality and sexual violenceEllie Tomsett15. Shooting scenes of sexual violence: the role of intimacy coordination in the UK screen industriesSusan Berridge and Tanya Horeck16. Following the money: giving an account of sexual violence and celebrity cultureSabrina Moro17. Survivor-authors and the published book: the challenges of collaborating with publishers and transforming personal trauma for the cultural marketplace Winnie M Li18. “Is this a case of crazy wokery I see before me?”: trigger warnings, popular culture, higher culture and gender-based violenceKaren Boyle and Melody HousePART 2Representations Representations: Introduction to Part 2Susan Berridge and Karen Boyle19. Gender and violence in video gamesStephanie Rennick and Seán G. Roberts 20. Laughing at male rape: men’s prison sexual victimisation in film and televisionVictoria M. Nagy21. Women who kill or don’t in women’s cinemaCristelle Maury and David Roche22. Taking a beating: historicising the US action heroine as “punchbag”Lisa Purse23. Truth, reparations and justice in the #MeToo novelRobin E. Field24. Audio-visual representation of gender-based violence on German television. A content analytical approach for researching and debating the issueChristine Linke and Ruth Kasdorf25. Criminal stories, gendered realities: gender-based violence in Italian TV dramasMaria Elena D’Amelio and Valentina Re26. Domestic abuse through the Brazilian telenovela gazeLorena Caminhas27. Drawing the binary. Domestic abuse against women and cisnormativity in institutional graphic brochures in BrazilNicoletta Mandolini28. Representations of sexual violence in the #MeToo era: the case of the Quebec series M’entends-tu?Amélie Cousineau 29. Dissecting rape culture in Sambre (2023)Dominique Carlini Versini30. Skemerdans: reinforcing colonial mores of women's modesty through surveillance and violence in South African noir televisionTina-Louise Smith and Alexia Smit31. African girl soldiers and the anti-war filmNorita Mdege32. Yo soy santera. Negotiations of gender and epistemic violence in Netflix’s Diablero (2018-2020)Valeria Villegas Lindvall PART 3Rereading, Rewriting, Reclaiming, ResistingRereading, rewriting, reclaiming, resisting: Introduction to Part 3Karen Boyle and Susan Berridge33. “The feminist case for Jordan Peterson”: sexual violence, reactionary feminism and the online mirror-world Jilly Boyce Kay34. Russian Vibe? Geopolitics of race, gender and sexuality and the affective remediations of Soviet anti-racism in a wartime drillDinara Yangeldina35. Aftercare: redressing Silence’s violenceCáel M. Keegan 36. “The rage you must feel as you choke on your own sorrow: ambivalence and bidirectional queer intimate partner violence in Interview with the Vampire (AMC, 2022-present)Darren Elliott-Smith37. “You’re sick, son”: how can comedy studies help us understand cultural discourses of child sexual abuse?Bethany Rose Lamont38. Through the lens of survival: violence against women in Portuguese contemporary non-mainstream filmsRita Alcaire39. Experiences “playing” and illustrating The Bingo of FearNatalia Stengel40. Merging the online and offline: public art responses to sexual violence in the digital ageFrankie Morgan41. Photography and sexual violence: Laia Abril’s On Rape Camila Cavalcante 42. “The personal is structural”: videographic analysis of cultures of abuse in TV series after #MeTooCatherine Fowler43. Double Takes: on set violation and the gender politics of film production labourSarah Atkinson44. “We just have to burn it all down”: the Drama Queens podcast as a space for reflection and resistanceKristina Brüning45. Survivor led podcasts: building survivor expertise and communityTanya Serisier46. Learning to listen: MeToo, the Adult Survivors Act and a hearing for survivorsLeigh GilmorePART 4AudiencesAudiences: Introduction to Part 4Susan Berridge and Karen Boyle 47. Misogyny in mainstream pornography: insights from AI-driven discourse analysisAlessia Tranchese48. Has women’s equality gone too far? Theorising gender-based violence in Singapore through RedditWi En Ng and Michelle H.S. Ho49. Lad rock loyalties: exploring Kasabian fan reactions to Tom Meighan’s act of domestic violenceJenessa N. Williams50. Men’s violence as entertainment: textual poaching and audience in the Depp v Heard trialMelody House51. “Pleasantly surprised”: investigating audience responses to (unexpected) fictional representations of child sexual abuse: A case study of the film Georgia Rule (2007)Ailise Bulfin, Caroline Dunne, Aleksandra Milenović, Victoria Pöhls and Giulia Scapin 52. “If you criticise us, you’re just an anti”: analysing contemporary conflicts in online media fandom communitiesRukmini Pande53. “An offensively bad decision”: violence against Voltron: Legendary Defender’s female and queer audiencesRenee Ann Drouin54. “Beauty is pain”: internalising, negotiating and resisting suffering in pursuit of the Instagram idealRachel Abreu55. “So, if you think like, ‘Oh trials are won,’ maybe it would encourage to report things”: legal dramas and viewers’ conversations on sexual violenceDacia Pajé56. A study of sexual violence in Tamil films and its reception among Malaysian Indian viewersPremalatha Karupiah57. Hope against violence: Chilean LGBTQ+ viewers and the televisual representation of discrimination, prejudice and stigmaRicardo Ramírez