Louisa Ellen Stein is Associate Professor of Film and Media Culture at Middlebury College, USA. She is the author of Millennial Fandom: Television Audiences in the Transmedia Age (2015) and co-editor of A Tumblr Book: Platforms and Cultures (2020), Sherlock and Transmedia Fandom (2012), and Teen Television: Programming and Fandom (2008). Her work explores audience engagement in transmedia culture, with emphasis on cultural and digital contexts, gender, and generation.Samantha Close is Associate Professor of Media and Popular Culture at DePaul University, USA. She writes about fan video and creates scholarly video work that mixes fan video with videographic criticism. Her writing has appeared in edited volumes and academic journals such as Feminist Media Studies, Transformative Works and Cultures, and the International Journal of Communication. Her research interests include digital media, theory-practice, fan studies, gender, race, and Japanese media. She focuses particularly on labor and transforming models of creative industries and capitalism.

The transcultural orientation of The Routledge Handbook of Fan Video and Digital Authorship reflects and elucidates the geographical, cultural, and material diversity of contemporary digital fan production. Essays ranging from the broadly theoretical to intricate case studies open up new paths for further research.Lori Morimoto, Temple University Japan - Kyoto, Japan

• List of ContributorsIntroductionPART 1 Forms and Platforms1 Fandom and the Interrogative Gaze Francesca Coppa2 Reclaiming the Wizarding World: Self-Insert Fanvids, TikTok, and the Reimagining of Representation in Fandom Effie Sapuridis3 The Danmu Interface–Supported Translational Remix on Bilibili Dingkun Wang and Jiahua Bu4 Everything Everywhere All Xuanni: Chinese Fan Vids, Music, Emotions and Self-Orientalism Yifei Yang5 TV Series Fanvids on TikTok Claire Cornillon6 Fan Video of Attractions: From Loop to Video Essay Louisa Ellen SteinPART 2 Evolving Genres 7 (Re)Making Raiders of the Lost Ark: Affirmation, Transformation, and Identity in the Fan Remake Film Emma Lynn8 Remixing Queer Pleasure in Riverdale’s Fan Crack Videos Victoria Serafini9 To Boldly Critique: Participatory Fan Practices in the Online Video Essay Tara Coughlin10 Ambiences, ASMR Roleplays, and Reality Shifting: Inhabiting Fictional Worlds via Fan Videos Joyce Cimper11 The Metamodernism of Minecraft Picture Music Videos Samantha Close12 (Voiceover) Imagine A World…: Fan Animatics for TTRPG Shows Maria K. Alberto and Yvonne GonzalesPART 3 Community and Authorship 13 Common, Purple, and Red Mushrooms: Performative Authorship and Collective Agency in the Stardew Valley Community Megan Bédard and Roxanne Chartrand14 A Truth Universally Remixed: How YouTube and TikTok Users Adapt Jane Austen’s World for Twenty-First Century Audiences Maria Juko15 Constructing a Rogue Archive on Bilibili: A Case Study of Leslie Cheung’s Fan-Made Videos Ning Zhang16 Disidentifications on the Death Star: Queer of Color Cosplay on TikTok Elissa Domingo Badique17 Vidding Italian Style: Collabs, Fan Edits, and the Fannish Bilingualism of the Italian Fan Video Community Lucia Tralli18 Digital Echoes of Indian Dance through Fan Videos of Japanese Women InfluencersShweta Arora19 Reinventing Desi Masculinity: Sigma Male Videos on YouTube Pratiksha Thangam MenonPART 4 Expanding Contexts 20 Teaching with Fan Video E. Charlotte Stevens and Nick Webber21 The Distributed Creative Process: Narremes, Obstacles, and Twitch Plays Pokémon John Kirwan22 r/Roastme as a Collective Community Storytelling: Memetics and Fanvid ProductionGabriele Forte23 Spores Productions: From Cosplay to Fan Filmmaking José Blázquez and Giulio Olesen24 The Intersection of Fan Video and K-pop Photocard Collecting Kaitlyn Lane25 Fair Use and Bullsh*t: Vidders and Copyright Sebastian F. K. Svegaard26 Deepfake Fantasies: Fan Practices in Deepfake Creator Communities Amber Davisson27 From Amateur Filmmaker to Content Producer: Emerging Narrative Strategies on Social Media Gustavo Soranz28 Cinephilia and Digital Authorship: Audiovisual Scrapbooks, Reaction Videos, and Fake AI-Trailers Philipp Dominik KeidlIndex

Louisa Ellen Stein is Associate Professor of Film and Media Culture at Middlebury College, USA. She is the author of Millennial Fandom: Television Audiences in the Transmedia Age (2015) and co-editor of A Tumblr Book: Platforms and Cultures (2020), Sherlock and Transmedia Fandom (2012), and Teen Television: Programming and Fandom (2008). Her work explores audience engagement in transmedia culture, with emphasis on cultural and digital contexts, gender, and generation.Samantha Close is Associate Professor of Media and Popular Culture at DePaul University, USA. She writes about fan video and creates scholarly video work that mixes fan video with videographic criticism. Her writing has appeared in edited volumes and academic journals such as Feminist Media Studies, Transformative Works and Cultures, and the International Journal of Communication. Her research interests include digital media, theory-practice, fan studies, gender, race, and Japanese media. She focuses particularly on labor and transforming models of creative industries and capitalism.

The transcultural orientation of The Routledge Handbook of Fan Video and Digital Authorship reflects and elucidates the geographical, cultural, and material diversity of contemporary digital fan production. Essays ranging from the broadly theoretical to intricate case studies open up new paths for further research.Lori Morimoto, Temple University Japan - Kyoto, Japan

• List of ContributorsIntroductionPART 1 Forms and Platforms1 Fandom and the Interrogative Gaze Francesca Coppa2 Reclaiming the Wizarding World: Self-Insert Fanvids, TikTok, and the Reimagining of Representation in Fandom Effie Sapuridis3 The Danmu Interface–Supported Translational Remix on Bilibili Dingkun Wang and Jiahua Bu4 Everything Everywhere All Xuanni: Chinese Fan Vids, Music, Emotions and Self-Orientalism Yifei Yang5 TV Series Fanvids on TikTok Claire Cornillon6 Fan Video of Attractions: From Loop to Video Essay Louisa Ellen SteinPART 2 Evolving Genres 7 (Re)Making Raiders of the Lost Ark: Affirmation, Transformation, and Identity in the Fan Remake Film Emma Lynn8 Remixing Queer Pleasure in Riverdale’s Fan Crack Videos Victoria Serafini9 To Boldly Critique: Participatory Fan Practices in the Online Video Essay Tara Coughlin10 Ambiences, ASMR Roleplays, and Reality Shifting: Inhabiting Fictional Worlds via Fan Videos Joyce Cimper11 The Metamodernism of Minecraft Picture Music Videos Samantha Close12 (Voiceover) Imagine A World…: Fan Animatics for TTRPG Shows Maria K. Alberto and Yvonne GonzalesPART 3 Community and Authorship 13 Common, Purple, and Red Mushrooms: Performative Authorship and Collective Agency in the Stardew Valley Community Megan Bédard and Roxanne Chartrand14 A Truth Universally Remixed: How YouTube and TikTok Users Adapt Jane Austen’s World for Twenty-First Century Audiences Maria Juko15 Constructing a Rogue Archive on Bilibili: A Case Study of Leslie Cheung’s Fan-Made Videos Ning Zhang16 Disidentifications on the Death Star: Queer of Color Cosplay on TikTok Elissa Domingo Badique17 Vidding Italian Style: Collabs, Fan Edits, and the Fannish Bilingualism of the Italian Fan Video Community Lucia Tralli18 Digital Echoes of Indian Dance through Fan Videos of Japanese Women InfluencersShweta Arora19 Reinventing Desi Masculinity: Sigma Male Videos on YouTube Pratiksha Thangam MenonPART 4 Expanding Contexts 20 Teaching with Fan Video E. Charlotte Stevens and Nick Webber21 The Distributed Creative Process: Narremes, Obstacles, and Twitch Plays Pokémon John Kirwan22 r/Roastme as a Collective Community Storytelling: Memetics and Fanvid ProductionGabriele Forte23 Spores Productions: From Cosplay to Fan Filmmaking José Blázquez and Giulio Olesen24 The Intersection of Fan Video and K-pop Photocard Collecting Kaitlyn Lane25 Fair Use and Bullsh*t: Vidders and Copyright Sebastian F. K. Svegaard26 Deepfake Fantasies: Fan Practices in Deepfake Creator Communities Amber Davisson27 From Amateur Filmmaker to Content Producer: Emerging Narrative Strategies on Social Media Gustavo Soranz28 Cinephilia and Digital Authorship: Audiovisual Scrapbooks, Reaction Videos, and Fake AI-Trailers Philipp Dominik KeidlIndex

Louisa Ellen Stein is Associate Professor of Film and Media Culture at Middlebury College, USA. She is the author of Millennial Fandom: Television Audiences in the Transmedia Age (2015) and co-editor of A Tumblr Book: Platforms and Cultures (2020), Sherlock and Transmedia Fandom (2012), and Teen Television: Programming and Fandom (2008). Her work explores audience engagement in transmedia culture, with emphasis on cultural and digital contexts, gender, and generation.Samantha Close is Associate Professor of Media and Popular Culture at DePaul University, USA. She writes about fan video and creates scholarly video work that mixes fan video with videographic criticism. Her writing has appeared in edited volumes and academic journals such as Feminist Media Studies, Transformative Works and Cultures, and the International Journal of Communication. Her research interests include digital media, theory-practice, fan studies, gender, race, and Japanese media. She focuses particularly on labor and transforming models of creative industries and capitalism.

The transcultural orientation of The Routledge Handbook of Fan Video and Digital Authorship reflects and elucidates the geographical, cultural, and material diversity of contemporary digital fan production. Essays ranging from the broadly theoretical to intricate case studies open up new paths for further research.Lori Morimoto, Temple University Japan - Kyoto, Japan

• List of ContributorsIntroductionPART 1 Forms and Platforms1 Fandom and the Interrogative Gaze Francesca Coppa2 Reclaiming the Wizarding World: Self-Insert Fanvids, TikTok, and the Reimagining of Representation in Fandom Effie Sapuridis3 The Danmu Interface–Supported Translational Remix on Bilibili Dingkun Wang and Jiahua Bu4 Everything Everywhere All Xuanni: Chinese Fan Vids, Music, Emotions and Self-Orientalism Yifei Yang5 TV Series Fanvids on TikTok Claire Cornillon6 Fan Video of Attractions: From Loop to Video Essay Louisa Ellen SteinPART 2 Evolving Genres 7 (Re)Making Raiders of the Lost Ark: Affirmation, Transformation, and Identity in the Fan Remake Film Emma Lynn8 Remixing Queer Pleasure in Riverdale’s Fan Crack Videos Victoria Serafini9 To Boldly Critique: Participatory Fan Practices in the Online Video Essay Tara Coughlin10 Ambiences, ASMR Roleplays, and Reality Shifting: Inhabiting Fictional Worlds via Fan Videos Joyce Cimper11 The Metamodernism of Minecraft Picture Music Videos Samantha Close12 (Voiceover) Imagine A World…: Fan Animatics for TTRPG Shows Maria K. Alberto and Yvonne GonzalesPART 3 Community and Authorship 13 Common, Purple, and Red Mushrooms: Performative Authorship and Collective Agency in the Stardew Valley Community Megan Bédard and Roxanne Chartrand14 A Truth Universally Remixed: How YouTube and TikTok Users Adapt Jane Austen’s World for Twenty-First Century Audiences Maria Juko15 Constructing a Rogue Archive on Bilibili: A Case Study of Leslie Cheung’s Fan-Made Videos Ning Zhang16 Disidentifications on the Death Star: Queer of Color Cosplay on TikTok Elissa Domingo Badique17 Vidding Italian Style: Collabs, Fan Edits, and the Fannish Bilingualism of the Italian Fan Video Community Lucia Tralli18 Digital Echoes of Indian Dance through Fan Videos of Japanese Women InfluencersShweta Arora19 Reinventing Desi Masculinity: Sigma Male Videos on YouTube Pratiksha Thangam MenonPART 4 Expanding Contexts 20 Teaching with Fan Video E. Charlotte Stevens and Nick Webber21 The Distributed Creative Process: Narremes, Obstacles, and Twitch Plays Pokémon John Kirwan22 r/Roastme as a Collective Community Storytelling: Memetics and Fanvid ProductionGabriele Forte23 Spores Productions: From Cosplay to Fan Filmmaking José Blázquez and Giulio Olesen24 The Intersection of Fan Video and K-pop Photocard Collecting Kaitlyn Lane25 Fair Use and Bullsh*t: Vidders and Copyright Sebastian F. K. Svegaard26 Deepfake Fantasies: Fan Practices in Deepfake Creator Communities Amber Davisson27 From Amateur Filmmaker to Content Producer: Emerging Narrative Strategies on Social Media Gustavo Soranz28 Cinephilia and Digital Authorship: Audiovisual Scrapbooks, Reaction Videos, and Fake AI-Trailers Philipp Dominik KeidlIndex