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    Music and Antifascism

    Cultures of Resistance in Europe and North America

    AvOndřej Daniel,Allyson Rogers

    Häftad, Engelska, 2026

    Del i serien Music and Politics

    677 kr

    Kommande

    Beskrivning

    Music and Antifascism brings together nineteen international scholars to critically assess the role of music in antifascist struggles in Europe and North America, from the establishment of historical antifascist collectives in the early twentieth century to contemporary antifascist movements today.From antifascist labour choirs in interwar England, to punk subcultures of the 1970s, resistance to fascism in contemporary Ukraine, and antifascist politics in contemporary music festivals, these essays explore the various ways in which music is used to create antifascist spaces, foster antifascist education and political consciousness, build capacity, and directly confront fascist threats. The current crisis of the capitalist project, the increasing concentration of wealth, and the concomitant climate emergency have ushered in a surge in ultranationalist, xenophobic, and authoritarian regimes throughout the world.The gravity of the issues at stake, and the current momentum of social movements worldwide opposing this resurgence of fascism, make this topic a timely one. Music and Antifascism will be valuable reading for students engaged with music and politics, music and social justice, music and culture, historical musicology, popular music studies, music and media, and politics and the arts.

    Produktinformation

    • Utgivningsdatum:2026-11-23
    • Mått:156 x 234 x undefined mm
    • Format:Häftad
    • Språk:Engelska
    • Serie:Music and Politics
    • Antal sidor:368
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781041100980

    Utforska kategorier

    • Klassisk musik, konstmusik och orkestermusik inom Kultur
    • Populärmusik inom Kultur
    • Kulturvetenskap inom Samhälle och politik

    Mer om författaren

    Ondřej Daniel is a co-founder of Prague-based Centre for the Study of Popular Culture (cspk.eu) and works as a historian in the Department of History of Charles University’s Faculty of Arts, Czechia.Allyson Rogers is a SSHRC Postdoctoral Fellow in the School for Studies in Art and Culture at Carleton University in Ottawa, Canada.James K. Wright is a Full Professor of Music in both the School for Studies in Art and Culture and The College of the Humanities at Carleton University, in Ottawa, Canada.

    Innehållsförteckning

    • Introduction PART ONE: CONFRONTING THE FAR-RIGHT 1. “Fascism, Antifascism, and Contested Ambiguities in Extreme Metal: The Steelfest 2022 Controversy” 2. “‘I Really Really Wannabe a Dictator’: A Music Mash-up’s Opposition to Trump’s Second Term” 3. “Czech Postsocialist Antifascism: A Battle for the Soul of Music Subcultures” PART TWO: COLLECTIVE ORGANIZATION AND RESISTANCE 4. “Antifascist Singing in Interwar England: Alan Bush, the Workers’ Music Association, and Handel’s Belshazzar” 5. “Punk Rock, Political Education, and Anti-fascism in 1970s Great Britain” 6. “Bicommunal Struggle in Europe’s Last Divided Capital: Antifascist Festivals as Models of Autonomous Self-Organization and Resistance” PART THREE: SONGS OF RESISTANCE 7. “Partisan Music in Contemporary European Youth Cultures: The Popularization, Contestation, and Persistence of ‘Bella Ciao'” 8. “‘Our Father is Bandera’: Fascism, Antifascism, and Memorialization in Ukrainian Resistance Songs” 9. “Antifascism, Rhetorical Framing, and Public Pedagogy in the Mid-Century American Folk Music of Woody Guthrie” 10. “‘Quake, Fascists! The Pir Sultans Are Coming’: Early Modern Alevi Song as Antifascist Poetics” 11. “Antifascist Music in Detention: Songs of the French Resistance in Nazi Camps and Prisons” PART FOUR: AESTHETICS AND ANTIFASCISM 12. “Third Reich 'n Roll: Popular Music and the Performative Antifascism of The Residents” 13. “A Sound Cartography of Antifascist Resistance of the Twentieth Century: Exploring Luigi Nono’s Für Paul Dessau”14. “The Songs of Accidente: Navigating the Multiple Meanings of Antifascist Punk in Spain after the 2010s” PART FIVE: THE POLITICS OF PERFORMANCE 15. “Opera as Antifascism in Postwar Hungary” 16. “(Not) the Enemy’s Music: Politics, Media, and the Reception of German Orchestral Music in the U.S., 1917-1945” 17. “Austrian Musical Antifascism in Exile, or Vienna on the Thames” 18. “‘Two Hours Alive on a Dead TV’: Music, Protest, and the Public Broadcaster during the Last Years of the Portuguese Estado Novo Dictatorship” Index
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