Anthropological Filmmaking

Anthropological Perspectives on the Production of Film and Video for General Public Audiences

AvJ.R Rollwagen

Inbunden, Engelska, 2016

Del i serien Visual Anthropology

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Beskrivning

First Published in 1988. Visual Anthropology is a book series devoted to the illumination of the human condition through a systematic examination of all that is made to be seen. It is our intention to demonstrate the value of an anthropological approach to the study of the visual and pictorial world. The anthropological filmmaker, just like the ethnographer, must be content to present something about a dynamic process at a particular moment in time regardless of the fact that all of the variables are constantly in flux. The purpose of this work is to make available a collection of articles by individuals who are both anthropologists and filmmakers.

Produktinformation

Utgivningsdatum:2016-08-19
Mått:152 x 229 x undefined mm
Vikt:453 g
Format:Inbunden
Språk:Engelska
Serie:Visual Anthropology
Antal sidor:412
Förlag:Taylor & Francis Ltd
ISBN:9781138175136

Utforska kategorier

Antropologi inom Samhälle och politik
Medievetenskap inom Samhälle och politik
Film inom Kultur

Mer om författaren

Edited by J.R. Rollwagen State University of New York, Brockport.

Innehållsförteckning

Introduction to the Series, Introduction, Collaboration in Ethnographic Filmmaking: A Personal View, Anthropologists and Ethnographic Filmmaking, Against Reductionism and Idealist Self-Reflexivity: The Ilparakuyo Maasai Film Project, Visual Anthropology And The Future of Ethnographic Film, Third Eye: Some Reflections On Collaboration For Ethnographic Film, SOUTHEAST NUBA: A Biographical Statement, What To Tell And How To Show It: Issues In Anthropological Filmmaking, An Interview, Gone With The Gael: Filming In An Irish Village, The Controversy About Kypseli, New Guinea In Italy: An Analysis Of The Making Of An Italian Television Series From Research Footage Of The Maring People Of Papua New Guinea, On The Making Of EZE-NWATA - THE SMALL KING, Filming As Teleological Process, Structure and Message in TROBRIAND CRICKET, Autobiographical Filming As An Ethnographic Tool. Filming the Fidencistas: The Making of WE BELIEVE IN NINO FIDENCIO, European Visual Anthropology: Filming In A Greek Village, The Role of Anthropological Theory in Ethnographic” Filmmaking, Imaging Anthropology, Choices and Constraints in Filming in Central Asia, CONTRIBUTORS, INDEX