Corina L. Apostol is the curator of Tallinn Art Hall and previously served as the Andrew W. Mellon Fellow at Creative Time. She is the cofounder of the activist publishing collective ArtLeaks and editor in chief of the ArtLeaks Gazette. Her recent publications include the book Theories and Methodologies of Art History: A Guide (2016), as well as numerous essays for volumes, textbooks, and catalogues.Nato Thompson is the Sueyun and Gene Locks Artistic Director at Philadelphia Contemporary. He served as the curator of the Creative Time Summit from 2009 to 2017 and has written two books of cultural criticism: Seeing Power: Art and Activism in the 21st Century (2015) and Culture as Weapon: The Art of Influence in Everyday Life (2017). He has also edited Living as Form: Socially Engaged Art from 1991–2011, Experimental Geography, Ahistoric Occasion, Becoming Animal, and The Interventionists.

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• Biographies, List of Contributors, Acknowledgments, Part I: A Precarious Assembly: Ten Years of Art and Activism, Part II: On Arts, Politics, and Engagement: A Selected Timeline 1945 to Present, Part III: Major Issues in the Field of Socially Engaged Art, Part IV: Dialogue: 10 Global Issues, 100 Art Projects, Part V: Epilogue, Part VI: Glossary of Terms, Index

Corina L. Apostol is the curator of Tallinn Art Hall and previously served as the Andrew W. Mellon Fellow at Creative Time. She is the cofounder of the activist publishing collective ArtLeaks and editor in chief of the ArtLeaks Gazette. Her recent publications include the book Theories and Methodologies of Art History: A Guide (2016), as well as numerous essays for volumes, textbooks, and catalogues.Nato Thompson is the Sueyun and Gene Locks Artistic Director at Philadelphia Contemporary. He served as the curator of the Creative Time Summit from 2009 to 2017 and has written two books of cultural criticism: Seeing Power: Art and Activism in the 21st Century (2015) and Culture as Weapon: The Art of Influence in Everyday Life (2017). He has also edited Living as Form: Socially Engaged Art from 1991–2011, Experimental Geography, Ahistoric Occasion, Becoming Animal, and The Interventionists.

Select Guide Rating

• Biographies, List of Contributors, Acknowledgments, Part I: A Precarious Assembly: Ten Years of Art and Activism, Part II: On Arts, Politics, and Engagement: A Selected Timeline 1945 to Present, Part III: Major Issues in the Field of Socially Engaged Art, Part IV: Dialogue: 10 Global Issues, 100 Art Projects, Part V: Epilogue, Part VI: Glossary of Terms, Index