Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK, and specialises in environmental performance, performer training and blended learning. He is a keen hill walker and completed the Wainwright challenge of climbing 214 summits in the Lake District along with his family in 2018.

“There is much in this book, and indeed the Performing Landscapes series, that is crying out for further ecocritical discussion.” (Terry Gifford, Green Letters, February 21, 2021)

• 1. Handrail 1: Beginnings: Pavey Ark and Harrison Stickle (W#1 and 2/214).- 2. Part 1: Mountain Studies meets Performance.- 3. Part 2: Mountains in Ritual, Drama and Site-related Performance.- 4. Handrail 2: Little Rituals: Bowfell (W#9/214).- 5. Part 2.1: Mountain Rituals.- 6. Handrail 3: Narrative paths: The Fairfield Horseshoe (W#18-25/214).- 7. Part 2.2: Mountain Drama.- 8. Handrail 4: Site, light and a dark memory put to rest: Barrow and Outerside (W#41-42/214).- 9. Part 2.3: Mountain Site-related Performance.- 10. Handrail 5: Stepping up, training and a new urgency: Skiddaw and its neighbours (W#135-140/214).- 11. Part 3.1: Mountains in Microcosm: The Artistry of Training in the Studio and on the Wall.- 12. Part 3.2: Skywalk scenography: stage-managing fear and delight in mountain.- 13. Part 3.3: From Mont Blanc to the Matterhorn: Deep and Dark Play in the Alps.- 14. General Conclusion.- 15. Handrail 6: Endings: Pillar (W#214)

Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK, and specialises in environmental performance, performer training and blended learning. He is a keen hill walker and completed the Wainwright challenge of climbing 214 summits in the Lake District along with his family in 2018.

“There is much in this book, and indeed the Performing Landscapes series, that is crying out for further ecocritical discussion.” (Terry Gifford, Green Letters, February 21, 2021)

• 1. Handrail 1: Beginnings: Pavey Ark and Harrison Stickle (W#1 and 2/214).- 2. Part 1: Mountain Studies meets Performance.- 3. Part 2: Mountains in Ritual, Drama and Site-related Performance.- 4. Handrail 2: Little Rituals: Bowfell (W#9/214).- 5. Part 2.1: Mountain Rituals.- 6. Handrail 3: Narrative paths: The Fairfield Horseshoe (W#18-25/214).- 7. Part 2.2: Mountain Drama.- 8. Handrail 4: Site, light and a dark memory put to rest: Barrow and Outerside (W#41-42/214).- 9. Part 2.3: Mountain Site-related Performance.- 10. Handrail 5: Stepping up, training and a new urgency: Skiddaw and its neighbours (W#135-140/214).- 11. Part 3.1: Mountains in Microcosm: The Artistry of Training in the Studio and on the Wall.- 12. Part 3.2: Skywalk scenography: stage-managing fear and delight in mountain.- 13. Part 3.3: From Mont Blanc to the Matterhorn: Deep and Dark Play in the Alps.- 14. General Conclusion.- 15. Handrail 6: Endings: Pillar (W#214)

Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK, and specialises in environmental performance, performer training and blended learning. He is a keen hill walker and completed the Wainwright challenge of climbing 214 summits in the Lake District along with his family in 2018.

“There is much in this book, and indeed the Performing Landscapes series, that is crying out for further ecocritical discussion.” (Terry Gifford, Green Letters, February 21, 2021)

• 1. Handrail 1: Beginnings: Pavey Ark and Harrison Stickle (W#1 and 2/214).- 2. Part 1: Mountain Studies meets Performance.- 3. Part 2: Mountains in Ritual, Drama and Site-related Performance.- 4. Handrail 2: Little Rituals: Bowfell (W#9/214).- 5. Part 2.1: Mountain Rituals.- 6. Handrail 3: Narrative paths: The Fairfield Horseshoe (W#18-25/214).- 7. Part 2.2: Mountain Drama.- 8. Handrail 4: Site, light and a dark memory put to rest: Barrow and Outerside (W#41-42/214).- 9. Part 2.3: Mountain Site-related Performance.- 10. Handrail 5: Stepping up, training and a new urgency: Skiddaw and its neighbours (W#135-140/214).- 11. Part 3.1: Mountains in Microcosm: The Artistry of Training in the Studio and on the Wall.- 12. Part 3.2: Skywalk scenography: stage-managing fear and delight in mountain.- 13. Part 3.3: From Mont Blanc to the Matterhorn: Deep and Dark Play in the Alps.- 14. General Conclusion.- 15. Handrail 6: Endings: Pillar (W#214)