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Anne Gerritsen, Giorgio Riello - Writing Material Culture History, Häftad

Häftad, Engelska, 2021

Writing Material Culture History

Av Anne Gerritsen, Giorgio Riello

Del i serien Writing History

407 kr

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Beskrivning
Writing Material Culture History 2e examines the methodologies used in the historical study of material culture. Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives. The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes:A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ‘object in focus’ chapters consisting of case studies for classroom discussion.New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline.Offers global coverage and discussion of both the early modern and modern periods.Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.
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Anne Gerritsen is Professor of History at the University of Warwick, UK. Giorgio Riello is Professor of Global History and Culture at the European University Institute and University of Warwick, UK.

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Gerritsen and Riello offer us a rich and eclectic collection of essays devoted to the multiple methodologies associated with the study of material artifacts, as well as fascinating and instructive case studies of particular objects, all well-suited for undergraduate teaching and the training of future researchers. That this book should merit a second, and expanded, edition in so short a period (a scant five years) is testament to the vitality of the field of material culture studies. Noteworthy areas of new attention include the political study of objects, the material history of urban space, and the application of new technologies (3-D printing or big data for example) to the study of material culture. If historians have indeed “experienced a Damascene conversion to material culture” as Gerritsen and Riello argue, then surely they should be credited in large measure for bringing it intellectual coherence and a global reach. This book, now expanded, will be essential reading for those who join them.

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