Writing History – serie

Writing Material Culture History 2e examines the methodologies used in the historical study of material culture. Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives. The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes:A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ‘object in focus’ chapters consisting of case studies for classroom discussion.New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline.Offers global coverage and discussion of both the early modern and modern periods.Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.

The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing. Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work. This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as:- new chapters on postcolonial, environmental and transnational history;- chapter introductions setting them within the context of historiography;- a new substantive introduction from the editors, providing a useful road-map for students;- an expanded glossary.In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.

Writing Queer History explores the remarkable and various ways in which historians and others have contended with the queer past. From the radical ferment of the 1960s and the emergence of lesbian and gay history, the book charts a course to the culture wars and queer history of our present day. How have LGBT and queer historians responded to their cultural and political contexts, to broader and shifting historical practices, and to queer and other theoretical perspectives? How have they navigated sources, fragments, gaps and silences? And what has their work revealed and achieved? In this state-of-field guide, Matt Cook surveys research and writing from across the last 60 years by activist, community and academic historians, working within and beyond university settings, and across different disciplines and genres. He argues that queer history has been a connective, intersectional and boundary-crossing practice. At its best, it has illuminated broad social, cultural, political and historical dynamics, and multivalent ideas and experiences of desire, identity, and community. Over five chapters, each with an autobiographical coda, the book shows how the personal is not only political but profoundly historical.

This volume of the Writing History series examines how theory has contributed, both explicitly and implicitly, to the writing of early modern history. It focuses upon neither abstract theory nor historiography per se, but upon the practical application and influence of theory in early modern scholarship. Throughout the book, practicing historians address theories and concepts in the light of their distinctive contribution to the period c.1500 to c.1800. Part 1 evaluates the contribution of certain influential schools of thought by offering an accessible explanation of particular theories, demonstrating their merits and demerits through examples of historical writing about a range of topics (from witchcraft to work, social relations to science, the family to dreams, the English Civil War to the French Revolution). Switching the focus on to key organizing themes such as the economy, politics and religion, Part 2 demonstrates how various theories and assumptions have informed the development of historical work on these topics. By enhancing our comprehension of each topic, this approach also offers a greater understanding of the contours of early modern history as a discipline.

In recent times postmodernism has influenced all areas of the humanistic disciplines, challenging our most fundamental assumptions about the meaning of historical evidence and our ability to read and interpret it. Medievalists have been notably present in these debates, bringing 'the linguistic turn' to medieval sources and renewing a traditional field with non-traditional subjects and approaches. Writing Medieval History surveys those aspects of theory and its related new subject matters that have become part of the mainstream discipline of medieval history. This book is organised around three major themes: the self or recognizing people in premodern society; literary techniques for reading historical texts; and historicizing sexuality and gender. Within each section are essays on subjects such as the social self, use of psychoanalysis, and sex and gender in medieval life. This text clearly articulates concepts, defines critical vocabulary and demonstrates how the theory is applied in practice.

Writing Postcolonial History addresses the relationship between postcolonial theory and history. It provides students with critical analyses of postcolonial histories from around the world. In addition, it discusses the benefits and shortcomings of this form of writing by situating postcolonial history amidst other modes of historical inquiry. The field of postcolonial history is complex. Even though many scholars share a set of commonalities, there are still important differences in emphasis. Through discussion of key texts, Writing Postcolonial History provides students with an accessible analysis and overview of the key areas of debate. This book is an effort to address the relationship between postcolonial theory and history; a regional critique of postcolonial theory; a consideration of the relative merits and drawbacks of postcolonial historical writing.

Writing Contemporary History brings together some of the world's most pre-eminent historians to discuss the core issues confronting students of contemporary history today. Tackling ten key questions of current historiographical debate, each chapter sets in parallel and in opposition the contributions of two scholars. Questions include: Does gender history have a future? When does colonial history end? What is cultural history now about? This volume takes to heart the central rationale of the Writing History series, namely to combine theoretical reflection with the practice of producing historical texts. It introduces the reader to a variety of important theoretical approaches in the field of contemporary history writing and asks how these approaches have shaped historical writing in this important sub-discipline. Writing Contemporary History is an invaluable introduction to the central debates that have shaped the field of contemporary history.

How has feminist scholarship changed history? Writing Gender History explores the evolution of historical writing about women and gender from the 1930s until the early twenty-first century. With chapters on the history of Europe, the USA, colonial India and Africa, the disucssion moves from women's history to gender history, and then to poststructuralist challenges to that history. This revised edition includes an exciting new chapter looking at recent scholarship on race, gender and sexuality in colonial and transnational history, and on the history of the body. Highly accessibly but also encouraging new debate, this book provides students with a comprehensive understanding of gender history, as well as its possible future. Reviews of the first edition: 'Ingenuity and perspicuity shine through Laura Lee Downs' superb distillation and analysis of women's and gender history. To understand accomplishments and changes in the field, put this book at the top of your list.' Nancy F. Cott, Professor of American History, Harvard University.'Puts the entire range of women's and gender history into context, showing how it challenges the conventional pieties, opens up new veins of research, and transforms our understanding of every aspect of history. Her command of the literature is simply astounding...Sure to be seen as a landmark in the development of the field of history in the broadest sense.' Lynn Hunt, Professor of Modern European History, UCLA.

How objective are our history books? This addition to the Writing History series examines the critical role that memory plays in the writing of history.This book includes:- Essays from an international team of historians, bringing together analysis of forms of public history such as museums, exhibitions, memorials and speeches- Coverage of the ancient world to the present, on topics such as oral history and generational and collective memory- Two key case studies on Holocaust memorialisation and the memory of Communism

Writing the Holocaust provides students and teachers with an accessibly written overview of the key themes and major theoretical developments which continue to inform the nature of historical writing on the Holocaust. Holocaust studies is at a paradox: while historians of the Holocaust defend it as a legitimate and well-defined area of research, they write against a complex political and ideological background that undermines any claim for it as a normative field of historical study. Writing the Holocaust offers a lucid enquiry into this complex field by demonstrating the impact of current theories from the humanities and social sciences upon the treatment of Holocaust studies.

What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, Writing Visual Histories equips students to answer these questions, showing visual analysis to be a key skill in historical research.A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies -- on topics ranging from medieval heraldry to Life magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate.This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.

What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, Writing Visual Histories equips students to answer these questions, showing visual analysis to be a key skill in historical research. A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies -- on topics ranging from medieval heraldry to Life magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate. This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.

What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, Writing Visual Histories equips students to answer these questions, showing visual analysis to be a key skill in historical research. A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies -- on topics ranging from medieval heraldry to Life magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate. This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.

What is nationalism and how can we study it from a historical perspective? Writing the History of Nationalism answers this question by examining eleven historical approaches to nationalism studies in theory and practice.An impressive cast of contributors cover the history of nationalism from a wide range of thematic approaches, from traditional modernist and Marxist perspectives to more recent debates around gender. postcolonialism and the global turn in history writing.This book is essential reading for undergraduate students of history, politics and sociology wanting to understand the complex yet fascinating history of nationalism.

What is nationalism and how can we study it from a historical perspective? Writing the History of Nationalism answers this question by examining eleven historical approaches to nationalism studies in theory and practice.An impressive cast of contributors cover the history of nationalism from a wide range of thematic approaches, from traditional modernist and Marxist perspectives to more recent debates around gender. postcolonialism and the global turn in history writing.This book is essential reading for undergraduate students of history, politics and sociology wanting to understand the complex yet fascinating history of nationalism.

What is nationalism and how can we study it from a historical perspective? Writing the History of Nationalism answers this question by examining eleven historical approaches to nationalism studies in theory and practice.An impressive cast of contributors cover the history of nationalism from a wide range of thematic approaches, from traditional modernist and Marxist perspectives to more recent debates around gender. postcolonialism and the global turn in history writing.This book is essential reading for undergraduate students of history, politics and sociology wanting to understand the complex yet fascinating history of nationalism.

What is nationalism and how can we study it from a historical perspective? Writing the History of Nationalism answers this question by examining eleven historical approaches to nationalism studies in theory and practice.An impressive cast of contributors cover the history of nationalism from a wide range of thematic approaches, from traditional modernist and Marxist perspectives to more recent debates around gender. postcolonialism and the global turn in history writing.This book is essential reading for undergraduate students of history, politics and sociology wanting to understand the complex yet fascinating history of nationalism.

Writing Material Culture History 2e examines the methodologies used in the historical study of material culture. Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives. The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes:A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ‘object in focus’ chapters consisting of case studies for classroom discussion.New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline.Offers global coverage and discussion of both the early modern and modern periods.Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.

Writing Material Culture History 2e examines the methodologies used in the historical study of material culture. Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives. The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes: A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ''object in focus'' chapters consisting of case studies for classroom discussion. New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline. Offers global coverage and discussion of both the early modern and modern periods.Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.

Writing Material Culture History 2e examines the methodologies used in the historical study of material culture. Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives. The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes: A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ''object in focus'' chapters consisting of case studies for classroom discussion. New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline. Offers global coverage and discussion of both the early modern and modern periods.Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.

Choice Outstanding Academic Title 2023What are the humanities? As the cluster of disciplines historically grouped together as “humanities” has grown and diversified to include media studies and digital studies alongside philosophy, art history and musicology to name a few, the need to clearly define the field is pertinent.Herman Paul leads a stellar line-up of esteemed and early-career scholars to provide an overview of the themes, questions and methods that are central to current research on the history of the nineteenth- and twentieth-century humanities. This exciting addition to the successful Writing History series will draw from a wide range of case-studies from diverse fields, as classical philology, art history, and Biblical studies, to provide a state-of-the-art overview of the field.In doing so, this ground-breaking book challenges the rigid distinctions between disciplines and show the variety of prisms through which historians of the humanities study the past.

Choice Outstanding Academic Title 2023What are the humanities? As the cluster of disciplines historically grouped together as “humanities” has grown and diversified to include media studies and digital studies alongside philosophy, art history and musicology to name a few, the need to clearly define the field is pertinent. Herman Paul leads a stellar line-up of esteemed and early-career scholars to provide an overview of the themes, questions and methods that are central to current research on the history of the nineteenth- and twentieth-century humanities. This exciting addition to the successful Writing History series will draw from a wide range of case-studies from diverse fields, as classical philology, art history, and Biblical studies, to provide a state-of-the-art overview of the field.In doing so, this ground-breaking book challenges the rigid distinctions between disciplines and show the variety of prisms through which historians of the humanities study the past.

Choice Outstanding Academic Title 2023What are the humanities? As the cluster of disciplines historically grouped together as “humanities” has grown and diversified to include media studies and digital studies alongside philosophy, art history and musicology to name a few, the need to clearly define the field is pertinent. Herman Paul leads a stellar line-up of esteemed and early-career scholars to provide an overview of the themes, questions and methods that are central to current research on the history of the nineteenth- and twentieth-century humanities. This exciting addition to the successful Writing History series will draw from a wide range of case-studies from diverse fields, as classical philology, art history, and Biblical studies, to provide a state-of-the-art overview of the field.In doing so, this ground-breaking book challenges the rigid distinctions between disciplines and show the variety of prisms through which historians of the humanities study the past.

Choice Outstanding Academic Title 2023What are the humanities? As the cluster of disciplines historically grouped together as “humanities” has grown and diversified to include media studies and digital studies alongside philosophy, art history and musicology to name a few, the need to clearly define the field is pertinent.Herman Paul leads a stellar line-up of esteemed and early-career scholars to provide an overview of the themes, questions and methods that are central to current research on the history of the nineteenth- and twentieth-century humanities. This exciting addition to the successful Writing History series will draw from a wide range of case-studies from diverse fields, as classical philology, art history, and Biblical studies, to provide a state-of-the-art overview of the field.In doing so, this ground-breaking book challenges the rigid distinctions between disciplines and show the variety of prisms through which historians of the humanities study the past.

Writing the History of Modern Revolutions provides students with a comprehensive overview of the history of revolutions and how these histories have been framed, debated, and understood since the nineteenth century.Beginning in the 19th century with historical accounts of the French Revolution, the book traces how contemporary politics and new developments in the humanities and social sciences have shaped existing scholarship and analysis of revolutionary phenomenon. Not only this, but the book also offers a concise and synthetic account of how scholars have addressed contemporary critical political and social issues in a historical context, which will be of value to both scholars across disciplines as well as students taking courses in political science, sociology, and modern history.The book will provide students with a solid understanding of some of the most dramatic moments in modern history, including Revolutions relevant to Europe, the Americas, Asia, and the post-colonial world. It will encourage students to think critically about how the history of modern revolutions have been written and provide them with a thorough understanding of the approaches to revolution, key works and scholars in the field, as well as an understanding of the wider contexts in which these revolutions occurred.

Writing the History of Modern Revolutions provides students with a comprehensive overview of the history of revolutions and how these histories have been framed, debated, and understood since the nineteenth century.Beginning in the 19th century with historical accounts of the French Revolution, the book traces how contemporary politics and new developments in the humanities and social sciences have shaped existing scholarship and analysis of revolutionary phenomenon. Not only this, but the book also offers a concise and synthetic account of how scholars have addressed contemporary critical political and social issues in a historical context, which will be of value to both scholars across disciplines as well as students taking courses in political science, sociology, and modern history.The book will provide students with a solid understanding of some of the most dramatic moments in modern history, including Revolutions relevant to Europe, the Americas, Asia, and the post-colonial world. It will encourage students to think critically about how the history of modern revolutions have been written and provide them with a thorough understanding of the approaches to revolution, key works and scholars in the field, as well as an understanding of the wider contexts in which these revolutions occurred.

Writing the History of Modern Revolutions provides students with a comprehensive overview of the history of revolutions and how these histories have been framed, debated, and understood since the nineteenth century.Beginning in the 19th century with historical accounts of the French Revolution, the book traces how contemporary politics and new developments in the humanities and social sciences have shaped existing scholarship and analysis of revolutionary phenomenon. Not only this, but the book also offers a concise and synthetic account of how scholars have addressed contemporary critical political and social issues in a historical context, which will be of value to both scholars across disciplines as well as students taking courses in political science, sociology, and modern history.The book will provide students with a solid understanding of some of the most dramatic moments in modern history, including Revolutions relevant to Europe, the Americas, Asia, and the post-colonial world. It will encourage students to think critically about how the history of modern revolutions have been written and provide them with a thorough understanding of the approaches to revolution, key works and scholars in the field, as well as an understanding of the wider contexts in which these revolutions occurred.

Writing the History of Modern Revolutions provides students with a comprehensive overview of the history of revolutions and how these histories have been framed, debated, and understood since the nineteenth century.Beginning in the 19th century with historical accounts of the French Revolution, the book traces how contemporary politics and new developments in the humanities and social sciences have shaped existing scholarship and analysis of revolutionary phenomenon. Not only this, but the book also offers a concise and synthetic account of how scholars have addressed contemporary critical political and social issues in a historical context, which will be of value to both scholars across disciplines as well as students taking courses in political science, sociology, and modern history.The book will provide students with a solid understanding of some of the most dramatic moments in modern history, including Revolutions relevant to Europe, the Americas, Asia, and the post-colonial world. It will encourage students to think critically about how the history of modern revolutions have been written and provide them with a thorough understanding of the approaches to revolution, key works and scholars in the field, as well as an understanding of the wider contexts in which these revolutions occurred.

Writing Conceptual Histories introduces conceptual history as a research perspective and as a lens through which we can study the past and present. This book provides students and researchers with an overview of, and easy access to, central concepts of conceptual history and its practical applications.With an introduction that relates conceptual history to historical semantics, rhetoric, intellectual history and discourse analysis, a glossary explaining central analytical concepts, and inspiring case studies of various types of conceptual history, the volume serves readers interested in the theory of conceptual history and those seeking concrete methods for analysis.Writing Conceptual Histories adopts an innovative case study approach showcasing novel histories of democracy, ideologies, science and technology studies, human rights, compassion, sexual identity, climate change and crisis. The case studies concretely present different ways of writing conceptual history, guiding readers on how to write conceptual history and encouraging them to experiment with a variety of methods.The volume boasts a variety of pedagogical features, including:- A glossary of key terms and concepts- A unique case study approach to theory and method- Recommended readings at the end of each chapter