Heiko Feldner - Böcker

The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing. Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work. This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as:- new chapters on postcolonial, environmental and transnational history;- chapter introductions setting them within the context of historiography;- a new substantive introduction from the editors, providing a useful road-map for students;- an expanded glossary.In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.

Writing Queer History introduces and surveys the ways in which historians and others have researched and written about the lesbian, gay and queer past. It pinpoints some of the key themes, issues and questions they have sought to address, looks at the kinds of sources they have used and suggests ways in which queer theory since the early 1990s has shifted approaches and perspectives for historians. Section One gives an overview of uses and accounts of the queer past from the late 19th century to the present. Section Two explores key questions and themes that have exercised historians by focusing on key texts ranging from the Medieval to the contemporary. Section Three focuses in further on different kinds of source material, examining specific archives to demonstrate how we might understand the past through particular documents, artifacts, voices and images. Finally, the author describes how his work has been shaped by his own biography, changing academic fashion, new theoretical perspectives and the particularities of archive collections.The book shows how histories of queer life have implications for the broader understanding of culture, society and politics, as well as demonstrating how queer history writing has been influenced and shaped by activist and community groups and by scholars working in and across different disciplines. Rich in case studies and including practical guidance on approaching queer history, Writing Queer History is an invaluable text for those studying the history of sexuality, gender history, the history of the emotions and historiography.

Writing Postcolonial History addresses the relationship between postcolonial theory and history. It provides students with critical analyses of postcolonial histories from around the world. In addition, it discusses the benefits and shortcomings of this form of writing by situating postcolonial history amidst other modes of historical inquiry. The field of postcolonial history is complex. Even though many scholars share a set of commonalities, there are still important differences in emphasis. Through discussion of key texts, Writing Postcolonial History provides students with an accessible analysis and overview of the key areas of debate. This book is an effort to address the relationship between postcolonial theory and history; a regional critique of postcolonial theory; a consideration of the relative merits and drawbacks of postcolonial historical writing.

Writing Contemporary History brings together some of the world's most pre-eminent historians to discuss the core issues confronting students of contemporary history today. Tackling ten key questions of current historiographical debate, each chapter sets in parallel and in opposition the contributions of two scholars. Questions include: Does gender history have a future? When does colonial history end? What is cultural history now about? This volume takes to heart the central rationale of the Writing History series, namely to combine theoretical reflection with the practice of producing historical texts. It introduces the reader to a variety of important theoretical approaches in the field of contemporary history writing and asks how these approaches have shaped historical writing in this important sub-discipline. Writing Contemporary History is an invaluable introduction to the central debates that have shaped the field of contemporary history.

How has feminist scholarship changed history? Writing Gender History explores the evolution of historical writing about women and gender from the 1930s until the early twenty-first century. With chapters on the history of Europe, the USA, colonial India and Africa, the disucssion moves from women's history to gender history, and then to poststructuralist challenges to that history. This revised edition includes an exciting new chapter looking at recent scholarship on race, gender and sexuality in colonial and transnational history, and on the history of the body. Highly accessibly but also encouraging new debate, this book provides students with a comprehensive understanding of gender history, as well as its possible future. Reviews of the first edition: 'Ingenuity and perspicuity shine through Laura Lee Downs' superb distillation and analysis of women's and gender history. To understand accomplishments and changes in the field, put this book at the top of your list.' Nancy F. Cott, Professor of American History, Harvard University.'Puts the entire range of women's and gender history into context, showing how it challenges the conventional pieties, opens up new veins of research, and transforms our understanding of every aspect of history. Her command of the literature is simply astounding...Sure to be seen as a landmark in the development of the field of history in the broadest sense.' Lynn Hunt, Professor of Modern European History, UCLA.

Writing the Holocaust provides students and teachers with an accessibly written overview of the key themes and major theoretical developments which continue to inform the nature of historical writing on the Holocaust. Holocaust studies is at a paradox: while historians of the Holocaust defend it as a legitimate and well-defined area of research, they write against a complex political and ideological background that undermines any claim for it as a normative field of historical study. Writing the Holocaust offers a lucid enquiry into this complex field by demonstrating the impact of current theories from the humanities and social sciences upon the treatment of Holocaust studies.

States of Crisis and Post-Capitalist Scenarios engages with the crisis of our capitalist world, with a view to explaining its origins, unravelling its symptoms, and demystifying the anodyne corrective solutions so far proposed. At the same time, it endorses the necessity for utopian interventions aimed at drastically rethinking our social order. Organised around the themes of economy and politics, critical theory, and culture in order to offer an impressive range of thematic perspectives and critical angles, the book delves into the most pressing of today’s quandaries by combining stringent critical analysis with creative foresight. A rigorous examination of the current crisis of late-capitalist society, States of Crisis and Post-Capitalist Scenarios develops paradigms that promise to rekindle the desire to move beyond capitalism towards a different social order. As such, it will appeal to scholars and students across the humanities and social sciences with particular interests in social and political theory, contemporary philosophy and the crises faced by the current capitalist order.

Writing the History of Modern Revolutions provides students with a comprehensive overview of the history of revolutions and how these histories have been framed, debated, and understood since the nineteenth century.Beginning in the 19th century with historical accounts of the French Revolution, the book traces how contemporary politics and new developments in the humanities and social sciences have shaped existing scholarship and analysis of revolutionary phenomenon. Not only this, but the book also offers a concise and synthetic account of how scholars have addressed contemporary critical political and social issues in a historical context, which will be of value to both scholars across disciplines as well as students taking courses in political science, sociology, and modern history.The book will provide students with a solid understanding of some of the most dramatic moments in modern history, including Revolutions relevant to Europe, the Americas, Asia, and the post-colonial world. It will encourage students to think critically about how the history of modern revolutions have been written and provide them with a thorough understanding of the approaches to revolution, key works and scholars in the field, as well as an understanding of the wider contexts in which these revolutions occurred.

Writing the History of Modern Revolutions provides students with a comprehensive overview of the history of revolutions and how these histories have been framed, debated, and understood since the nineteenth century.Beginning in the 19th century with historical accounts of the French Revolution, the book traces how contemporary politics and new developments in the humanities and social sciences have shaped existing scholarship and analysis of revolutionary phenomenon. Not only this, but the book also offers a concise and synthetic account of how scholars have addressed contemporary critical political and social issues in a historical context, which will be of value to both scholars across disciplines as well as students taking courses in political science, sociology, and modern history.The book will provide students with a solid understanding of some of the most dramatic moments in modern history, including Revolutions relevant to Europe, the Americas, Asia, and the post-colonial world. It will encourage students to think critically about how the history of modern revolutions have been written and provide them with a thorough understanding of the approaches to revolution, key works and scholars in the field, as well as an understanding of the wider contexts in which these revolutions occurred.

Emotions make history, and they have a history. They influence historical events such as revolutions, riots and protest movements. At the same time, they are shaped by historical experiences tied to family upbringing, educational and cultural institutions, work and the home.Writing the History of Emotions shows how emotions like love, trust, honour, pride, shame, empathy and greed have impacted historical change since the 18th century and were themselves dependent on social, political and economic environments. Importantly, this book provides a timely exploration of racialized, gendered, class-based notions of emotions. This exciting addition to Bloomsbury’s successful Writing History series analyses how emotions matter in and to history, and how they are themselves objects of history.Here, leading scholar Ute Frevert eschews a traditional chronological history of emotions in favour of an innovative collection which transgresses time periods to illustrate the different emotional meanings one particular material object has had throughout history. This book sheds light on how emotions have been used, instrumentalised and manipulated both to propel and suspend democratic politics. In doing so, it opens a rich new avenue of research for the history of emotions.

Emotions make history, and they have a history. They influence historical events such as revolutions, riots and protest movements. At the same time, they are shaped by historical experiences tied to family upbringing, educational and cultural institutions, work and the home.Writing the History of Emotions shows how emotions like love, trust, honour, pride, shame, empathy and greed have impacted historical change since the 18th century and were themselves dependent on social, political and economic environments. Importantly, this book provides a timely exploration of racialized, gendered, class-based notions of emotions. This exciting addition to Bloomsbury’s successful Writing History series analyses how emotions matter in and to history, and how they are themselves objects of history.Here, leading scholar Ute Frevert eschews a traditional chronological history of emotions in favour of an innovative collection which transgresses time periods to illustrate the different emotional meanings one particular material object has had throughout history. This book sheds light on how emotions have been used, instrumentalised and manipulated both to propel and suspend democratic politics. In doing so, it opens a rich new avenue of research for the history of emotions.

This book charts the evolution of animal history from 1800 to the present day, and is an essential companion for students navigating the methodological practices of the field.Organised by theme, Writing Animal History takes readers through a variety of approaches to animal-human interactions, against the backdrop of key historiographical questions: such as agency, acculturation, and power hierarchies. With chapters on wilderness and civilisation, industrialised animals, and animals in science and technology – discussion moves from the origins of the field, to the evolving place of animals in society, and then to the future of animal history.Schönfelder analyses a wealth of case studies in each chapter, highlighting to students how a variety of sources, theories, and methods can be employed when writing and reflecting on animal histories. The author’s use of practical examples not only demonstrates the dynamic nature of the field, and its wide geographical applications, but encourages students to approach and develop their own research questions and ideas.Writing Animal History is a key touchstone for students learning about the practice of animal history, and is an essential tool for analysing and developing historiographical writing.

This book charts the evolution of animal history from 1800 to the present day, and is an essential companion for students navigating the methodological practices of the field.Organised by theme, Writing Animal History takes readers through a variety of approaches to animal-human interactions, against the backdrop of key historiographical questions: such as agency, acculturation, and power hierarchies. With chapters on wilderness and civilisation, industrialised animals, and animals in science and technology – discussion moves from the origins of the field, to the evolving place of animals in society, and then to the future of animal history.Schönfelder analyses a wealth of case studies in each chapter, highlighting to students how a variety of sources, theories, and methods can be employed when writing and reflecting on animal histories. The author’s use of practical examples not only demonstrates the dynamic nature of the field, and its wide geographical applications, but encourages students to approach and develop their own research questions and ideas.Writing Animal History is a key touchstone for students learning about the practice of animal history, and is an essential tool for analysing and developing historiographical writing.

States of Crisis and Post-Capitalist Scenarios engages with the crisis of our capitalist world, with a view to explaining its origins, unravelling its symptoms, and demystifying the anodyne corrective solutions so far proposed. At the same time, it endorses the necessity for utopian interventions aimed at drastically rethinking our social order. Organised around the themes of economy and politics, critical theory, and culture in order to offer an impressive range of thematic perspectives and critical angles, the book delves into the most pressing of today’s quandaries by combining stringent critical analysis with creative foresight. A rigorous examination of the current crisis of late-capitalist society, States of Crisis and Post-Capitalist Scenarios develops paradigms that promise to rekindle the desire to move beyond capitalism towards a different social order. As such, it will appeal to scholars and students across the humanities and social sciences with particular interests in social and political theory, contemporary philosophy and the crises faced by the current capitalist order.

This volume reassesses the nature of the current global economic crisis and its implication for the 21st century, through the unique lens of Marx's theory of the value-form as the unconscious matrix of modern society.Going beyond orthodox Marxist and postmodernist accounts, the author offers fresh new readings of Marx, Benjamin, Foucault, and Žižek. Here he argues that capitalism has not only entered its greatest crisis since WWII, but has in fact reached its historical limit and is in terminal decline. In this light, the book seeks to answer how a rerun of Keynesian regulations could possibly resolve the crisis. It also inquires as to whether a Green New Deal might succeed when the gap between work to be had and work to be done widens, and what alternatives neo-Marxian approaches offer considering the failure of Marxism in the 20th century.This far-reaching, critical examination of the crisis not only builds on critical theory, but also offers new readings of key theorists that will appeal to anyone interested in political theory, critical theory, and political economy.

Writing the History of Crime investigates the development of historical writing on the subject of crime and its wider place in social and cultural history. It examines long-standing and emerging traditions in history writing, with separate chapters on legal and scientific approaches, as well as on urban, Marxist, gender and empire history. Each chapter then explores these historical approaches in relation to crime, paying particular attention to the relationship between theory and the interpretation of evidence.Rather than a timeline for the historical appearance of ideas about crime or a catalogue of the range of topics that comprise the subject matter, Writing the History of Crime reveals the ideas behind crime as a subject of historical investigation; it looks at how these ideas generate questions that may be asked about the past and the way in which these questions are answered. This is a crucial analysis for anyone interested in the history of crime, the historiography of social history or the art of history writing more broadly.

Writing Queer History introduces and surveys the ways in which historians and others have researched and written about the lesbian, gay and queer past. It pinpoints some of the key themes, issues and questions they have sought to address, looks at the kinds of sources they have used and suggests ways in which queer theory since the early 1990s has shifted approaches and perspectives for historians. Section One gives an overview of uses and accounts of the queer past from the late 19th century to the present. Section Two explores key questions and themes that have exercised historians by focusing on key texts ranging from the Medieval to the contemporary. Section Three focuses in further on different kinds of source material, examining specific archives to demonstrate how we might understand the past through particular documents, artifacts, voices and images. Finally, the author describes how his work has been shaped by his own biography, changing academic fashion, new theoretical perspectives and the particularities of archive collections.The book shows how histories of queer life have implications for the broader understanding of culture, society and politics, as well as demonstrating how queer history writing has been influenced and shaped by activist and community groups and by scholars working in and across different disciplines. Rich in case studies and including practical guidance on approaching queer history, Writing Queer History is an invaluable text for those studying the history of sexuality, gender history, the history of the emotions and historiography.

The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing. Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work. This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as:- new chapters on postcolonial, environmental and transnational history;- chapter introductions setting them within the context of historiography;- a new substantive introduction from the editors, providing a useful road-map for students;- an expanded glossary.In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.

Over the past two decades, transnational history has become an established term describing approaches to the writing of world or global history that emphasise movement, dynamism and diversity. This book investigates the emergence of the ‘transnational’ as an approach, its limits, and parameters.It focuses particular attention on the contributions of postcolonial and feminist studies in reformulating transnational historiography as a move beyond the national to one focusing on oceans, the movement of people, and the contributions of the margins. It ends with a consideration of developing approaches such as translocalism. The book considers the new kinds of history that need to be written now that the transnational perspective has become widespread. Providing an accessible and engaging chronology of the field, it will be key reading for students of historiography and world history.