José Blanco F. is Professor and Department Chair at Dominican University, USA.Andrew Reilly is Associate Professor at the University of Hawai`i at Manoa, USA.

What does post post-modernism mean for fashion’s status in a world gone awry from technological, environmental and political change? At a time of radical transitions, this fresh, authoritative and critically engaging volume brings together original contributions that address this philosophical concept and its impact on the ways that fashion and dress are perceived and consumed. Read and learn.

• AcknowledgementsList of IllustrationsIntroduction1. Fashion Phenomena and the Post-postmodern Condition: Inquiry and Speculation, Marcia A. Morgado2.Fashion, Subjectivity, and Time: From Deleuze’s Transcendental Empiricism to Lipovetsky’s Hypermodernity, Eun Jung Kang3. With No Twist: The Metamodern Sartorial Statement of Vetements, Alla Eizenberg4. Intensified: Alessandro Michele’s Hyperaesthetic at Gucci, Nigel Lezama5. Hypermodern Branding: The Case of Uniqlo, Myles Ethan Lascity6. Post-Postmodernity and South Asian Muslim Women’s Fashion, Iqra Shagufta Cheema7. Lights, Camera, Fashion: Tom Ford’s A Single Man, Nocturnal Animals, and the Designer as Director, Grant Johnson8. Seeing Selves: The Absent Body in the Museum and the Work of Exhibition Maker Judith Clark, Caroline Bellios9. The Post-Postmodern Fashion Exhibition, Dennita Sewell10. Counter-fashion, Abigail Glaum-Lathbury and Maura BrewerConclusion, José Blanco FBibliographyIndex

José Blanco F. is Professor and Department Chair at Dominican University, USA.Andrew Reilly is Associate Professor at the University of Hawai`i at Manoa, USA.

What does post post-modernism mean for fashion’s status in a world gone awry from technological, environmental and political change? At a time of radical transitions, this fresh, authoritative and critically engaging volume brings together original contributions that address this philosophical concept and its impact on the ways that fashion and dress are perceived and consumed. Read and learn.

• AcknowledgementsList of IllustrationsIntroduction1. Fashion Phenomena and the Post-postmodern Condition: Inquiry and Speculation, Marcia A. Morgado2.Fashion, Subjectivity, and Time: From Deleuze’s Transcendental Empiricism to Lipovetsky’s Hypermodernity, Eun Jung Kang3. With No Twist: The Metamodern Sartorial Statement of Vetements, Alla Eizenberg4. Intensified: Alessandro Michele’s Hyperaesthetic at Gucci, Nigel Lezama5. Hypermodern Branding: The Case of Uniqlo, Myles Ethan Lascity6. Post-Postmodernity and South Asian Muslim Women’s Fashion, Iqra Shagufta Cheema7. Lights, Camera, Fashion: Tom Ford’s A Single Man, Nocturnal Animals, and the Designer as Director, Grant Johnson8. Seeing Selves: The Absent Body in the Museum and the Work of Exhibition Maker Judith Clark, Caroline Bellios9. The Post-Postmodern Fashion Exhibition, Dennita Sewell10. Counter-fashion, Abigail Glaum-Lathbury and Maura BrewerConclusion, José Blanco FBibliographyIndex

José Blanco F. is Professor and Department Chair at Dominican University, USA.Andrew Reilly is Associate Professor at the University of Hawai`i at Manoa, USA.

What does post post-modernism mean for fashion’s status in a world gone awry from technological, environmental and political change? At a time of radical transitions, this fresh, authoritative and critically engaging volume brings together original contributions that address this philosophical concept and its impact on the ways that fashion and dress are perceived and consumed. Read and learn.

• AcknowledgementsList of IllustrationsIntroduction1. Fashion Phenomena and the Post-postmodern Condition: Inquiry and Speculation, Marcia A. Morgado2.Fashion, Subjectivity, and Time: From Deleuze’s Transcendental Empiricism to Lipovetsky’s Hypermodernity, Eun Jung Kang3. With No Twist: The Metamodern Sartorial Statement of Vetements, Alla Eizenberg4. Intensified: Alessandro Michele’s Hyperaesthetic at Gucci, Nigel Lezama5. Hypermodern Branding: The Case of Uniqlo, Myles Ethan Lascity6. Post-Postmodernity and South Asian Muslim Women’s Fashion, Iqra Shagufta Cheema7. Lights, Camera, Fashion: Tom Ford’s A Single Man, Nocturnal Animals, and the Designer as Director, Grant Johnson8. Seeing Selves: The Absent Body in the Museum and the Work of Exhibition Maker Judith Clark, Caroline Bellios9. The Post-Postmodern Fashion Exhibition, Dennita Sewell10. Counter-fashion, Abigail Glaum-Lathbury and Maura BrewerConclusion, José Blanco FBibliographyIndex