Anatomical Drawing

A Scenographic Intersection Between Science, the Visual Arts and Performance

AvSue Field,Russell Marshall

Inbunden, Engelska, 2024

Del i serien Drawing In

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Beskrivning

Intersecting art, science and the scenographic mise-en-scène, this book provides a new approach to anatomical drawing, viewed through the contemporary lens of scenographic theory.Sue Field traces the evolution of anatomical drawing from its historical background of hand-drawn observational scientific investigations to the contemporary, complex visualization tools that inform visual art practice, performance, film and screen-based installations. Presenting an overview of traditional approaches across centuries, the opening chapters explore the extraordinary work of scientists and artists such as Andreas Vesalius, Gérard de Lairesse, Santiago Ramón y Cajal and Dorothy Foster Chubb who, through the medium of drawing dissect, dismember and anatomize the human form.Anatomical Drawing examines how forms, fluids and systems are entangled within the labyrinthine two-dimensional drawn space and how the body has been the subject of the spectacle. Corporeal proportions continue to be embodied within the designs of structures, buildings and visual art. Illustrated throughout, the book explores the drawings of 17th-century architect and scenographer Inigo Jones, through to the ghostly, spectral forms illuminated in the present-day X-ray drawings of the artist Angela Palmer, and the visceral and deeply personal works of Kiki Smith. Field analyses the contemporary skeletal manifestations that have been spawned from the medieval Danse Macabre, such as Walt Disney’s drawn animations and the theatrical staging, metaphor and allegorical intent in the contemporary drawn artworks of William Kentridge, Peter Greenaway, Mark Dion and Dann Barber.This rigorous study illustrates how the anatomical drawing shapes multiple scenographic encounters, both on a two-dimensional plane and within a three-dimensional space, as the site of imaginative agency across the breadth of the visual and performance arts. These drawings are where a corporeal, spectacularized representation of the human body is staged and performed within an expanded drawn space, generating something new and unforeseen - a scenographic worlding.

Produktinformation

Utgivningsdatum:2024-06-27
Mått:160 x 236 x 18 mm
Vikt:600 g
Format:Inbunden
Språk:Engelska
Serie:Drawing In
Antal sidor:224
Förlag:Bloomsbury Publishing PLC
ISBN:9781350285569

Utforska kategorier

Designböcker inom Kultur
Teckningskonst inom Kultur
Naturvetenskapens historia inom Naturvetenskap och teknik

Mer om författaren

Sue Field is a researcher at UNSW Art and Design, Australia, and a lecturer in the School of Architecture at the University of Technology Sydney, Australia. She has written scholarly papers for journals, national and international conferences, published academic book chapters, and is the author of Scenographic Design Drawing (Bloomsbury, 2021).

Innehållsförteckning

List of FiguresIntroductionChapter One: Drawn Beneath the FleshChapter Two: Anatomy of the TheatreChapter Three: The Danse MacabreChapter Four: The Vanitas: Fragments of DeathChapter Five: The Dissected StageChapter Six: Hidden in the ShadowsIntroductionDrawn Beneath the FleshScenographicsTheatricalityWorldingHistorical OverviewAndreas Vesalius (1514–1564)The Anatomist Govard Bidloo (1649-1713) and the Artist Gérard de Lairesse (1640-1711)Frank Netter (1906–1991)Santiago Ramón y Cajal (1852 - 1934)Twentieth Century Female Anatomical IllustratorsEpilogueAnatomy of the TheatreAnthropomorphic RepresentationThe Renaissance “Man” as the Center of the UniverseTheatrum Mundi, or Theatre of the WorldInigo Jones (1573-1652)The Cockpit-in-CourtThe Royal Court Masques at the Cockpit-in-CourtBarber Surgeon's Anatomy TheatreThe Anatomical Theatre as a Site of SpectacleThe Fleshly GazeEpilogueThe Danse MacabreOsteological Evidence in the Danse MacabrePerformance and the Danse MacabreThe Danse at the Charner et Cimetière des Innocents, Paris, 1424-1425Medieval Spectatorship and the Danse MacabreMedieval Spectatorship and PresenceGuyot MarchantHans Holbein the Younger (1497? – 1543)Christiaan Huygens (1629-1695)Walt Disney’s The Skeleton Dance (1929)William Kentridge, More Sweetly Play the Dance, 2015Peter Greenaway (1942-)Representing the UnrepresentableEpilogueThe Vanitas: Fragments of DeathVanitasMaria van Oosterwijck (1630-1693)Sue FieldAnatomical DrawingLeft on Hold (2023)Kiki Smith (1954-)Possession Is Nine-Tenths of the Law (1985)Drift (2022)The Mind’s EyeLiminal SpaceWorld Seen and the World UnseenKiki Smith - How I Know I’m Here (1985)AI Can Do Many Things, but Can It Replicate These Drawings?EpilogueThe Dissected StageThe Anatomical Drawing and Scenographic Worlding TheoryTristan Fou (Mad Tristan), 1944Paranoiac - Critical MethodArtistic Motifs and SymbolismLegacyM Is for Man, Music, Mozart, 1991Teatro Anatomico Padua, 1595Animated Anatomical Drawings in Vesalius SongSaint Orlan (1947-)The Staging of “Female Beauty” as a Spectacle of Violence and TraumaLanger’s LinesAnatomy Theatre (2017)Dann BarberThe Medieval Morality PlayMedieval Theatricality and SpectatorshipAnatomical Drawing as a Meta-Theatrical TropeEpilogueHidden in the ShadowsThe X-Ray Drawings ofAustralia’s First Nation PeoplesX-Ray Bark ArtX-Ray Rock ArtDorothy Crowfoot Hodgkin (1910 -1994)Oppenheim (1913 - 1985)Elizabeth Diller and Ricardo ScofidioWilliam Kentridge (1955 -)Angela Palmer (1957-)Brain of the Artist (2012)2020: The Sphere That Changed the WorldEpilogueAll That RemainsVisible Human Project (VHP)The Spectacular Anatomical BodyHoloman; Digital CadaverGunther von Hagens (1945-)The Spectacle of the ScreenEpilogueReferencesNotes