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      1. Kultur
      2. Designböcker
      3. Designhistoria

      Enduring Objects

      Legacies of World War Two in Japanese American Art, Architecture, and Design

      AvKelley Van Dyck Murphy,Heidi Aronson Kolk

      Inbunden, Engelska, 2027

      Del i serien Bloomsbury Visual Arts

      800 kr

      Kommande

      Beskrivning

      Drawing on the work of Japanese American designers, artists and architects, Moonscape of the Mind uncovers the hidden legacies of internment during World War Two.Shortly after the attack on Pearl Harbor, Executive Order 9066 authorized the forced removal of any suspected enemies of the state from the West Coast, including some 120,000 individuals of Japanese descent. There was, however, a bright spot in this otherwise dark chapter of US history: permission for 4,000 college-aged Japanese Americans to leave the camps and continue their education. Reflecting the shared and divergent experiences of internment, this volume spotlights those who made distinctive contributions across commercial and domestic architecture, graphic design, fine art, furniture design and activist design practices.Divided into three parts, contributors examine iconic modernist works, everyday objects and spaces, and objects of resistance. Chiura Obata’s Hatsuki Wakasa Shot by M.P. (1943), Yuri Kochiyama’s Kitchen Table (1961), Ruth Asawa’s abstract looped-wire sculptures, Minoru Yamasaki’s Japanese Cultural and Trade Center (1968) and George Nakashima’s Odakyu Cabinet (1973), among other works, are presented alongside descendant reflections, oral histories given by survivors, and a rich collection of 85 colour images. Presenting a diversity of renowned and lesser-known figures, chapters demonstrate that material and visual culture can serve as anchors of social identity and carriers of collective memory. They examine how acts of artistic self-definition intersected with issues of identity and belonging, displacement and confinement, racial exclusion and marginalization, and civic action and resistance, engaging them as part of the same worlds of post-war recovery and modern design.Weaving together object-focused and site-specific case studies with vernacular memory theory and methods, Moonscape of the Mind animates an understudied creative archive of internment and its aftermath.

      Produktinformation

      • Utgivningsdatum:2027-08-05
      • Mått:156 x 234 x 16 mm
      • Vikt:431 g
      • Format:Inbunden
      • Språk:Engelska
      • Serie:Bloomsbury Visual Arts
      • Antal sidor:304
      • Förlag:Bloomsbury Publishing PLC
      • ISBN:9781350559493

      Utforska kategorier

      • Designhistoria inom Kultur
      • Arkitektur inom Kultur
      • Arkitekturhistoria inom Kultur

      Mer om författaren

      Heidi Aronson Kolk is Assistant Professor at the Sam Fox School of Design & Visual Arts and Assistant Vice Provost, Academic Assessment, at Washington University in St. Louis, USA. Her research explores the politics and practices of memory in the United States, attending especially to issues of race, urban identity, materiality and trauma. Kolk is author of Taking Possession: The Politics of Memory in a St. Louis Town House (2019) and co-editor of The Material World of Modern Segregation: St. Louis in the Long Era of Ferguson (2022).Kelley Van Dyck Murphy is Assistant Professor at the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, USA, and a principal in the St. Louis based architecture practice, AVV A. Her research engages themes of identity, authorship, and context by investigating how materiality is entwined with larger cultural narratives. Work and teaching around this subject explore the use of the disciplinary tools of architecture to reveal histories, construct new narratives, or imagine futures.

      Innehållsförteckning

      • Foreword, Ken Tadashi Oshima (University of Washington, USA)Introduction, Uncovering the Lunar Landscape: St. Louis’s Hidden History of Incarceration, Heidi Aronson Kolk and Kelley Van Dyck Murphy (Washington University in St. Louis, USA)Part I: Modernist IconsIntroduction1. Gyo Obata, the Vision of Modernism and the ‘Heritage’ Old Courthouse, Michael Allen (West Virginia University, USA) [chapter title TBC]2. Between Two Worlds: Minoru Yamasaki’s Japanese Cultural and Trade Center, Dale Gyure (Lawrence Technological University, USA)3. Save the Flying Saucer! Richard Henmi’s Biggest Small Building and the Politics of Public Memory in St. Louis, Heidi Aronson Kolk (Washington University in St. Louis, USA)4. Learning Is Empowering: A Story Behind George Nakashima’s Odakyu Cabinet, Sanae Nakatani (Tokyo Metropolitan University, Japan)Descendant ReflectionMinoru Yamasaki & the Legacy of the World Trade Center, Katie Yamasaki, muralist, artist, illustrator and granddaughter of Minoru Yamasaki, in conversation with Justin Beal (Independent Scholar, USA)Descendant Reflection The Abbey Church at the Saint Louis Priory, Kiku Obata, architect and daughter of Gyo ObataDescendant Reflection The George and Kimi Matsumoto House, Mari Matsumoto, daughter of George MatsumotoPart II: Everyday ObjectsIntroduction5. Mail-Order Modern: The Woman’s Day Douglas Fir Plywood Association Cabin by George Matsumoto, David Hill (North Carolina State University, USA)6. Keeping the Calendar: Essential Elements of Tets Yamashita’s Photography, Mari Yamashita de Moya (Independent Artist, USA)7. Race, Identity, and the Post-War Suburban Home: Gyo Obata's Greeley House, Kelley Van Dyck Murphy (Washington University in St. Louis, USA)8. An Intimate Association with All Major Stones’: Kaneji Domoto’s Rock Garden at the Durst Residence, 1964, Lynnette Widder (Columbia University, USA)9. A Cross for Wakasa-San: Paper Flowers and Grief as Resistance, Elissa Yukikko Weichbrodt (Covenant College, USA)Descendant Reflection Following Nature’s Quiet Wisdom: Lakeland Community College, Betty Toguchi, wife of Fred ToguchiPart III: Objects of Activism and ResistanceIntroduction10. Glass, Paper, Ground: Paul Horiuchi’s Seattle Mural, Andrew Wasserman (American University, USA)11. Yuri Kochiyama’s Kitchen Table, Lisa Beyeler-Yvarra (Yale University, USA)12. Citizen 13600: Decolonizing Architectural Ethnography, Aki Ishida (Washington University in St. Louis, USA)13. Little Tokyo’s San Pedro Firm Building, Matthew Okazaki (Tufts University, USA) and Nate Imai (Texas Tech University, USA)14. Resistance, Reconciliation, and Remembrance: The Memorialization of James Hatsuki Wakasa in Chiura Obata’s Hatsuki Wakasa Shot by M.P., Gabriela Naomi Caden Senno (Museum of the City of New Yor, USA)15. Ruth Asawa, Materiality and Negative Space, Kelley Van Dyck Murphy (Washington University in St. Louis, USA) [chapter title TBC]Descendant Reflection Cochran Gardens: A Legacy of Public Housing, Rod Henmi, architect and son of Richard HenmiIndex
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