Antony Augoustakis is Associate Professor of Classics at the University of Illinois at Urbana-Champaign. He is the author of Motherhood and the Other: Fashioning Female Power in Flavian Epic (2010) and Plautus' Mercator (2009). Ariana Traill is Associate Professor of Classics at the University of Illinois at Urbana-Champaign. She is the author of Women and the Comic Plot in Menander (2008) and numerous articles on Greek and Roman comedy and its reception.

"In this Volume, the editors have aimed to offer 'a wide-ranging guide to studying Terence's plays within the historical and social-political context in which they were produced'. Their goal has been realized- but neither fully nor without problems; and, although there is a wealth of information contextualizing the playright and his work, the notion that his plays were primarily comic strips designed for live performances should have been represented more strongly in the volume." (The Journal of Roman Studies, May 2016)

• Notes on Contributors viiiAcknowledgments xiiiIntroduction 1Antony Augoustakis and Ariana TraillPart I Terence and Ancient Comedy 151. Terence and Greek New Comedy 17Peter Brown2. Terence and the Traditions of Roman New Comedy 33George Fredric Franko3. Terence and Non-Comic Intertexts 52Alison Sharrock4. Fabula Stataria: Language and Humor in Terence 69Heather Vincent5. Meter and Music 89Timothy J. Moore Copyrighted MaterialPart II Contexts and Themes 1116. Terence and the Scipionic Grex 113Daniel P. Hanchey7. opera in bello, in otio, in negotio: Terence and Rome in the 160s bce 132John H. Starks, Jr.8. Religious Ritual and Family Dynamics in Terence 156T.H.M. Gellar-Goad9. Gender and Sexuality in Terence 175Sharon L. James10. Family and Household in the Comedies of Terence 195Z.M. Packman11. Masters and Slaves 211Evangelos KarakasisPart III The Plays 22312. Andria 225Robert Germany13. Heauton Timorumenos 243Eckard Lef èvre14. Eunuchus 262David M. Christenson15. Phormio 281Stavros Frangoulidis16. Hecyra 295Ortwin Knorr17. Adelphoe 318Ariana TraillPart IV Reception 34118. History of the Text and Scholia 343Benjamin Victor19. Terence in Latin Literature from the Second Century bce to the Second Century ce 363Roman Müller20. Terence in Late Antiquity 380Andrew Cain21. Hrotsvit of Gandersheim Christianizes Terence 397Antony Augoustakis22. ‘‘Thou shalt present me as an eunuch to him’’: Terence in Early Modern England 410Martine van Elk23. mulier inopia et cognatorum neglegentia coacta: Thornton Wilder’s Tragic Take on The Woman of Andros 429Mathias Hanses24. Terence in Translation 446John Barsby25. Performing Terence (and Hrotsvit) Now 466Mary-Kay GamelReferences 482General Index 515Index Locorum 523

Antony Augoustakis is Associate Professor of Classics at the University of Illinois at Urbana-Champaign. He is the author of Motherhood and the Other: Fashioning Female Power in Flavian Epic (2010) and Plautus' Mercator (2009). Ariana Traill is Associate Professor of Classics at the University of Illinois at Urbana-Champaign. She is the author of Women and the Comic Plot in Menander (2008) and numerous articles on Greek and Roman comedy and its reception.

"In this Volume, the editors have aimed to offer 'a wide-ranging guide to studying Terence's plays within the historical and social-political context in which they were produced'. Their goal has been realized- but neither fully nor without problems; and, although there is a wealth of information contextualizing the playright and his work, the notion that his plays were primarily comic strips designed for live performances should have been represented more strongly in the volume." (The Journal of Roman Studies, May 2016)

• Notes on Contributors viiiAcknowledgments xiiiIntroduction 1Antony Augoustakis and Ariana TraillPart I Terence and Ancient Comedy 151. Terence and Greek New Comedy 17Peter Brown2. Terence and the Traditions of Roman New Comedy 33George Fredric Franko3. Terence and Non-Comic Intertexts 52Alison Sharrock4. Fabula Stataria: Language and Humor in Terence 69Heather Vincent5. Meter and Music 89Timothy J. Moore Copyrighted MaterialPart II Contexts and Themes 1116. Terence and the Scipionic Grex 113Daniel P. Hanchey7. opera in bello, in otio, in negotio: Terence and Rome in the 160s bce 132John H. Starks, Jr.8. Religious Ritual and Family Dynamics in Terence 156T.H.M. Gellar-Goad9. Gender and Sexuality in Terence 175Sharon L. James10. Family and Household in the Comedies of Terence 195Z.M. Packman11. Masters and Slaves 211Evangelos KarakasisPart III The Plays 22312. Andria 225Robert Germany13. Heauton Timorumenos 243Eckard Lef èvre14. Eunuchus 262David M. Christenson15. Phormio 281Stavros Frangoulidis16. Hecyra 295Ortwin Knorr17. Adelphoe 318Ariana TraillPart IV Reception 34118. History of the Text and Scholia 343Benjamin Victor19. Terence in Latin Literature from the Second Century bce to the Second Century ce 363Roman Müller20. Terence in Late Antiquity 380Andrew Cain21. Hrotsvit of Gandersheim Christianizes Terence 397Antony Augoustakis22. ‘‘Thou shalt present me as an eunuch to him’’: Terence in Early Modern England 410Martine van Elk23. mulier inopia et cognatorum neglegentia coacta: Thornton Wilder’s Tragic Take on The Woman of Andros 429Mathias Hanses24. Terence in Translation 446John Barsby25. Performing Terence (and Hrotsvit) Now 466Mary-Kay GamelReferences 482General Index 515Index Locorum 523

Antony Augoustakis is Associate Professor of Classics at the University of Illinois at Urbana-Champaign. He is the author of Motherhood and the Other: Fashioning Female Power in Flavian Epic (2010) and Plautus' Mercator (2009). Ariana Traill is Associate Professor of Classics at the University of Illinois at Urbana-Champaign. She is the author of Women and the Comic Plot in Menander (2008) and numerous articles on Greek and Roman comedy and its reception.

"In this Volume, the editors have aimed to offer 'a wide-ranging guide to studying Terence's plays within the historical and social-political context in which they were produced'. Their goal has been realized- but neither fully nor without problems; and, although there is a wealth of information contextualizing the playright and his work, the notion that his plays were primarily comic strips designed for live performances should have been represented more strongly in the volume." (The Journal of Roman Studies, May 2016)

• Notes on Contributors viiiAcknowledgments xiiiIntroduction 1Antony Augoustakis and Ariana TraillPart I Terence and Ancient Comedy 151. Terence and Greek New Comedy 17Peter Brown2. Terence and the Traditions of Roman New Comedy 33George Fredric Franko3. Terence and Non-Comic Intertexts 52Alison Sharrock4. Fabula Stataria: Language and Humor in Terence 69Heather Vincent5. Meter and Music 89Timothy J. Moore Copyrighted MaterialPart II Contexts and Themes 1116. Terence and the Scipionic Grex 113Daniel P. Hanchey7. opera in bello, in otio, in negotio: Terence and Rome in the 160s bce 132John H. Starks, Jr.8. Religious Ritual and Family Dynamics in Terence 156T.H.M. Gellar-Goad9. Gender and Sexuality in Terence 175Sharon L. James10. Family and Household in the Comedies of Terence 195Z.M. Packman11. Masters and Slaves 211Evangelos KarakasisPart III The Plays 22312. Andria 225Robert Germany13. Heauton Timorumenos 243Eckard Lef èvre14. Eunuchus 262David M. Christenson15. Phormio 281Stavros Frangoulidis16. Hecyra 295Ortwin Knorr17. Adelphoe 318Ariana TraillPart IV Reception 34118. History of the Text and Scholia 343Benjamin Victor19. Terence in Latin Literature from the Second Century bce to the Second Century ce 363Roman Müller20. Terence in Late Antiquity 380Andrew Cain21. Hrotsvit of Gandersheim Christianizes Terence 397Antony Augoustakis22. ‘‘Thou shalt present me as an eunuch to him’’: Terence in Early Modern England 410Martine van Elk23. mulier inopia et cognatorum neglegentia coacta: Thornton Wilder’s Tragic Take on The Woman of Andros 429Mathias Hanses24. Terence in Translation 446John Barsby25. Performing Terence (and Hrotsvit) Now 466Mary-Kay GamelReferences 482General Index 515Index Locorum 523