Carlo Ginzburg has taught at the University of Bologna, the University of California, Los Angeles, and the Scuola Normale Superiore di Pisa. He is the recipient of the 2010 International Balzan Prize and the author of Clues, Myths, and the Historical Method.

• ContentsPreface to the 2013 EditionTranslators' NotePreface to the English EditionPreface to the Italian EditionAcknowledgements1. Menocchio2. The town3. First interrogation4. "Possessed?"5. From Concordia to Portogruaro6. "To speak out against his superiors"7. An archaic society8. "They oppress the poor"9. "Lutherans" and Anabaptists10. A miller, a painter, a buffoon11. "My opinions came out of my head"12. The books13. Readers of the town14. Printed pages and "fantastic opinions"15. Blind alley?16. The temple of the virgins17. The funeral of the Madonna18. The father of Christ19. Judgment day20. Mandeville21. Pigmies and cannibals22. "God of nature"23. The three rings24. Written culture and oral culture25. Chaos26. Dialogue27. Mythical cheeses and real cheeses28. The monopoly over knowledge29. The words of the Fioretto30. The function of metaphors31. "Master," "steward," and "workers"32. An hypothesis33. Peasant religion34. The soul35. "I don't know"36. Two spirits, seven souls, four elements37. The flight of an idea38. Contradictions39. Paradise40. A new "way of life"41. "To kill priests"42. A "new world"43. End of the interrogations44. Letter to the judges45. Rhetorical figures46. First sentence47. Prison48. Return to the town49. Denunciations50. Nocturnal dialogue with the Jew51. Second trial52. "Fantasies"53. "Vanities and dreams"54. "Oh great, omnipotent, and holy God..."55. "If only I had died when I was fifteen"56. Second sentence57. Torture58. Scolio59. Pellegrino Baroni60. Two millers61. Dominant culture and subordinate culture62. Letters from RomeNotesIndex of Names

Carlo Ginzburg has taught at the University of Bologna, the University of California, Los Angeles, and the Scuola Normale Superiore di Pisa. He is the recipient of the 2010 International Balzan Prize and the author of Clues, Myths, and the Historical Method.

• ContentsPreface to the 2013 EditionTranslators' NotePreface to the English EditionPreface to the Italian EditionAcknowledgements1. Menocchio2. The town3. First interrogation4. "Possessed?"5. From Concordia to Portogruaro6. "To speak out against his superiors"7. An archaic society8. "They oppress the poor"9. "Lutherans" and Anabaptists10. A miller, a painter, a buffoon11. "My opinions came out of my head"12. The books13. Readers of the town14. Printed pages and "fantastic opinions"15. Blind alley?16. The temple of the virgins17. The funeral of the Madonna18. The father of Christ19. Judgment day20. Mandeville21. Pigmies and cannibals22. "God of nature"23. The three rings24. Written culture and oral culture25. Chaos26. Dialogue27. Mythical cheeses and real cheeses28. The monopoly over knowledge29. The words of the Fioretto30. The function of metaphors31. "Master," "steward," and "workers"32. An hypothesis33. Peasant religion34. The soul35. "I don't know"36. Two spirits, seven souls, four elements37. The flight of an idea38. Contradictions39. Paradise40. A new "way of life"41. "To kill priests"42. A "new world"43. End of the interrogations44. Letter to the judges45. Rhetorical figures46. First sentence47. Prison48. Return to the town49. Denunciations50. Nocturnal dialogue with the Jew51. Second trial52. "Fantasies"53. "Vanities and dreams"54. "Oh great, omnipotent, and holy God..."55. "If only I had died when I was fifteen"56. Second sentence57. Torture58. Scolio59. Pellegrino Baroni60. Two millers61. Dominant culture and subordinate culture62. Letters from RomeNotesIndex of Names

Carlo Ginzburg has taught at the University of Bologna, the University of California, Los Angeles, and the Scuola Normale Superiore di Pisa. He is the recipient of the 2010 International Balzan Prize and the author of Clues, Myths, and the Historical Method.

• ContentsPreface to the 2013 EditionTranslators' NotePreface to the English EditionPreface to the Italian EditionAcknowledgements1. Menocchio2. The town3. First interrogation4. "Possessed?"5. From Concordia to Portogruaro6. "To speak out against his superiors"7. An archaic society8. "They oppress the poor"9. "Lutherans" and Anabaptists10. A miller, a painter, a buffoon11. "My opinions came out of my head"12. The books13. Readers of the town14. Printed pages and "fantastic opinions"15. Blind alley?16. The temple of the virgins17. The funeral of the Madonna18. The father of Christ19. Judgment day20. Mandeville21. Pigmies and cannibals22. "God of nature"23. The three rings24. Written culture and oral culture25. Chaos26. Dialogue27. Mythical cheeses and real cheeses28. The monopoly over knowledge29. The words of the Fioretto30. The function of metaphors31. "Master," "steward," and "workers"32. An hypothesis33. Peasant religion34. The soul35. "I don't know"36. Two spirits, seven souls, four elements37. The flight of an idea38. Contradictions39. Paradise40. A new "way of life"41. "To kill priests"42. A "new world"43. End of the interrogations44. Letter to the judges45. Rhetorical figures46. First sentence47. Prison48. Return to the town49. Denunciations50. Nocturnal dialogue with the Jew51. Second trial52. "Fantasies"53. "Vanities and dreams"54. "Oh great, omnipotent, and holy God..."55. "If only I had died when I was fifteen"56. Second sentence57. Torture58. Scolio59. Pellegrino Baroni60. Two millers61. Dominant culture and subordinate culture62. Letters from RomeNotesIndex of Names