Jeffrey W. Cupchik is an ethnomusicologist specializing in Buddhist studies, ritual music, and anthropology of religion. He has spent over twenty years studying Tibetan language, music, culture, and religion in Tibetan communities in India, Nepal, Tibet, Canada, and the United States.

"A major contribution of Cupchik's project is that it extends research on the integration of sound and performative context. This is an important contribution not only for ethnomusicology but for contemplative studies and ritual studies." — Yale Journal of Music & Religion"…a valuable and immensely welcome addition to the literature on Tibetan ritual music … This book is immensely immersive, and contains a wealth of insights, experience, and information, and succeeds in analyzing this esoteric practice for the first time in its multifaceted musical, textual, and performative dimensions." — Journal of the American Academy of Religion"This book is clearly an original contribution to scholarly knowledge in ethnomusicology, anthropology, Buddhist, and Tibetan studies—not just in terms of filling gaps in the individual disciplines, but more importantly in mapping out some of the complex interactions in the vitally productive mindspace that forms the field of interaction of Buddhist ideas, actions, and performances in the context of Tibetan ritual. It has some of the most skillfully drawn and solidly supported analyses of Tibetan ritual since Beyer's classic Cult of Tārā, two generations ago." — Ter Ellingson, author of Mandala of Sound: Sound and Concept in Tibetan Ritual Music"The melodies and meditation exercises that accompany the Chöd ritual texts were passed down by oral tradition, from master to disciple, to the present day and have reached this author through long and arduous training as an insider. Thus, this work is one of a kind, and with its technical analysis of rhythm and melody in Chöd, will enhance and inspire the work of future historians of religion and music." — Guy L. Beck, author of Sonic Liturgy: Ritual and Music in Hindu Tradition"This impressive work elucidates the dynamic symbolism in Buddhist liturgical rites and music's key role in enhancing ritual efficacy. Cupchik's insights will benefit scholars and Buddhist practitioners alike." — Sarah Morelli, author of A Guru's Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora

• List of IllustrationsNote on TerminologyNote on the Meaning of the TitleForewordPreface AcknowledgmentsIntroduction: Approaching Chöd Ritual StudiesPart I: Chöd Ritual Practice in Context 1 Ritual Efficacy: Musical Performance in Chöd Practice2. Musical Character of the Chöd GenrePart II: Elements of Chöd Practice 3. The Sound of Vultures' Wings: Ritual Mapping the Chöd Practice4 The Chöd Damaru Drum: Symbolism, Function, and Variation in an Interpretive Community5. Mantric Utterance in Chöd6. The Four Ritual ActivitiesPart III: Meaning and Application of Chöd Practice 7. Mind and Sound in Chöd8. Transmission and Transformation9. Gift of the Body in Chöd: Healing the Suffering from "Self-Interest"Conclusion: Continuity of the Chöd Ritual TraditionNote on Chöd ResearchNotesGlossaryBibliographyIndex