Natalia Brizuela is Professor of Spanish & Portuguese and Film & Media at the University of California, Berkeley. She is the author (with Jodi Roberts) of The Matter of Photography in the Americas, among other books. Krista Brune is Associate Professor of Portuguese and Spanish and Director of the Global and International Studies program at Pennsylvania State University. She is the author of Creative Transformations: Travels and Translations of Brazil in the Americas, also published by SUNY Press.

"Listening to Others offers diverse engagement with the work of Eduardo Coutinho and its various ethics of open conversation between cinematic subjects. While nearly all of Coutinho's films are examined, many of the essays dialogue with one another and offer analyses of the same films from different critical angles. The result is a rich reading experience that allows for further critical engagement with Coutinho's work and with documentary cinema as a whole." — Andrew C. Rajca, author of Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay

• List of IllustrationsIntroduction: Listening to Others in Eduardo Coutinho's Documentary CinemaNatalia BrizuelaPart I: Media Ecologies 1. Coutinho's Ecology: Space, Place, and the Disappearing LocationJens Andermann2. Returning to the Sertão in the Films of Eduardo CoutinhoAshley Brock3. The Audiovisual Record and the Corporeal Present: Another Dialogue in Eduardo Coutinho's Cinema of ConversationGustavo Procopio FurtadoPart II: Politics and the Documentary Image 4. From CPC to Videofilmes: Eduardo Coutinho's Trajectory as a Political FilmmakerKrista Brune5. Cinema of/as Garbage: Eduardo Coutinho's Politics of Image from Jogo de cena to Boca de lixoLuz Horne6. Eduardo Coutinho and Globo Repórter: Between Social Documentary and the Mass Media in Dictatorship-Era BrazilRielle NavitskiPart III: Performing the Self and Others 7. Um dia na vida: Copy, Enunciation, ChatterAdriana Johnson8. To Act or to Act: Present, Presence, and Representation in Eduardo Coutinho's Jogo de cenaBrenno Kenji Kaneyasu9. Song, Self, and Sound in Eduardo Coutinho's CinemaFernando Pérez VillalónPart IV: On Time and Endings 10. Open Futures: On Ends and Endings in the Conversational Documentaries of Eduardo Coutinho and Errol MorrisBruno Carvalho11. Parting Glances: The Posthumous CoutinhoNilo Fernando Couret12. The Right Moment: Kairos and the Documentary Cinema of Eduardo CoutinhoVinicius NavarroPart V: Coutinho in His Own Words (translations by Flora Thomson-DeVeaux) 13. Gaze in Documentary: Statement/Letter to Paulo ParanaguáEduardo Coutinho14. The Melancholy of TwilightEduardo Coutinho15. A Latin Hollywood in Search of MarketsEduardo Coutinho16. A Chess Match Between Death and the KnightEduardo CoutinhoPart VI: Critical Insights from Coutinho's Contemporaries (translations by Flora Thomson-DeVeaux) 17. On the Film That Never WasFerreira Gullar18. Brazil by Our Own SelvesJosé Carlos Avellar19. Mouth Full of TrashJosé Carlos Avellar20. Victory Over the Ash Heap of HistoryJean-Claude Bernardet21. Jogo de cenaJean-Claude BernardetContributorsIndex

Natalia Brizuela is Professor of Spanish & Portuguese and Film & Media at the University of California, Berkeley. She is the author (with Jodi Roberts) of The Matter of Photography in the Americas, among other books. Krista Brune is Associate Professor of Portuguese and Spanish and Director of the Global and International Studies program at Pennsylvania State University. She is the author of Creative Transformations: Travels and Translations of Brazil in the Americas, also published by SUNY Press.

"Listening to Others offers diverse engagement with the work of Eduardo Coutinho and its various ethics of open conversation between cinematic subjects. While nearly all of Coutinho's films are examined, many of the essays dialogue with one another and offer analyses of the same films from different critical angles. The result is a rich reading experience that allows for further critical engagement with Coutinho's work and with documentary cinema as a whole." — Andrew C. Rajca, author of Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay

• List of IllustrationsIntroduction: Listening to Others in Eduardo Coutinho's Documentary CinemaNatalia BrizuelaPart I: Media Ecologies 1. Coutinho's Ecology: Space, Place, and the Disappearing LocationJens Andermann2. Returning to the Sertão in the Films of Eduardo CoutinhoAshley Brock3. The Audiovisual Record and the Corporeal Present: Another Dialogue in Eduardo Coutinho's Cinema of ConversationGustavo Procopio FurtadoPart II: Politics and the Documentary Image 4. From CPC to Videofilmes: Eduardo Coutinho's Trajectory as a Political FilmmakerKrista Brune5. Cinema of/as Garbage: Eduardo Coutinho's Politics of Image from Jogo de cena to Boca de lixoLuz Horne6. Eduardo Coutinho and Globo Repórter: Between Social Documentary and the Mass Media in Dictatorship-Era BrazilRielle NavitskiPart III: Performing the Self and Others 7. Um dia na vida: Copy, Enunciation, ChatterAdriana Johnson8. To Act or to Act: Present, Presence, and Representation in Eduardo Coutinho's Jogo de cenaBrenno Kenji Kaneyasu9. Song, Self, and Sound in Eduardo Coutinho's CinemaFernando Pérez VillalónPart IV: On Time and Endings 10. Open Futures: On Ends and Endings in the Conversational Documentaries of Eduardo Coutinho and Errol MorrisBruno Carvalho11. Parting Glances: The Posthumous CoutinhoNilo Fernando Couret12. The Right Moment: Kairos and the Documentary Cinema of Eduardo CoutinhoVinicius NavarroPart V: Coutinho in His Own Words (translations by Flora Thomson-DeVeaux) 13. Gaze in Documentary: Statement/Letter to Paulo ParanaguáEduardo Coutinho14. The Melancholy of TwilightEduardo Coutinho15. A Latin Hollywood in Search of MarketsEduardo Coutinho16. A Chess Match Between Death and the KnightEduardo CoutinhoPart VI: Critical Insights from Coutinho's Contemporaries (translations by Flora Thomson-DeVeaux) 17. On the Film That Never WasFerreira Gullar18. Brazil by Our Own SelvesJosé Carlos Avellar19. Mouth Full of TrashJosé Carlos Avellar20. Victory Over the Ash Heap of HistoryJean-Claude Bernardet21. Jogo de cenaJean-Claude BernardetContributorsIndex

Natalia Brizuela is Professor of Spanish & Portuguese and Film & Media at the University of California, Berkeley. She is the author (with Jodi Roberts) of The Matter of Photography in the Americas, among other books. Krista Brune is Associate Professor of Portuguese and Spanish and Director of the Global and International Studies program at Pennsylvania State University. She is the author of Creative Transformations: Travels and Translations of Brazil in the Americas, also published by SUNY Press.

"Listening to Others offers diverse engagement with the work of Eduardo Coutinho and its various ethics of open conversation between cinematic subjects. While nearly all of Coutinho's films are examined, many of the essays dialogue with one another and offer analyses of the same films from different critical angles. The result is a rich reading experience that allows for further critical engagement with Coutinho's work and with documentary cinema as a whole." — Andrew C. Rajca, author of Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay

• List of IllustrationsIntroduction: Listening to Others in Eduardo Coutinho's Documentary CinemaNatalia BrizuelaPart I: Media Ecologies 1. Coutinho's Ecology: Space, Place, and the Disappearing LocationJens Andermann2. Returning to the Sertão in the Films of Eduardo CoutinhoAshley Brock3. The Audiovisual Record and the Corporeal Present: Another Dialogue in Eduardo Coutinho's Cinema of ConversationGustavo Procopio FurtadoPart II: Politics and the Documentary Image 4. From CPC to Videofilmes: Eduardo Coutinho's Trajectory as a Political FilmmakerKrista Brune5. Cinema of/as Garbage: Eduardo Coutinho's Politics of Image from Jogo de cena to Boca de lixoLuz Horne6. Eduardo Coutinho and Globo Repórter: Between Social Documentary and the Mass Media in Dictatorship-Era BrazilRielle NavitskiPart III: Performing the Self and Others 7. Um dia na vida: Copy, Enunciation, ChatterAdriana Johnson8. To Act or to Act: Present, Presence, and Representation in Eduardo Coutinho's Jogo de cenaBrenno Kenji Kaneyasu9. Song, Self, and Sound in Eduardo Coutinho's CinemaFernando Pérez VillalónPart IV: On Time and Endings 10. Open Futures: On Ends and Endings in the Conversational Documentaries of Eduardo Coutinho and Errol MorrisBruno Carvalho11. Parting Glances: The Posthumous CoutinhoNilo Fernando Couret12. The Right Moment: Kairos and the Documentary Cinema of Eduardo CoutinhoVinicius NavarroPart V: Coutinho in His Own Words (translations by Flora Thomson-DeVeaux) 13. Gaze in Documentary: Statement/Letter to Paulo ParanaguáEduardo Coutinho14. The Melancholy of TwilightEduardo Coutinho15. A Latin Hollywood in Search of MarketsEduardo Coutinho16. A Chess Match Between Death and the KnightEduardo CoutinhoPart VI: Critical Insights from Coutinho's Contemporaries (translations by Flora Thomson-DeVeaux) 17. On the Film That Never WasFerreira Gullar18. Brazil by Our Own SelvesJosé Carlos Avellar19. Mouth Full of TrashJosé Carlos Avellar20. Victory Over the Ash Heap of HistoryJean-Claude Bernardet21. Jogo de cenaJean-Claude BernardetContributorsIndex