Mark Shiel is Reader in Film Studies and Urbanism in the Department of Film Studies at King’s College London. He is the author of Hollywood Cinema and the Real Los Angeles, and Italian Neorealism: Rebuilding the Cinematic City, and the co-editor of Screening the City and Cinema and the City: Film and Urban Societies in a Global Context.

"Although studies of art and politics and their many intersections in the late 1960s abound, editor Mark Shiel's collection, Architectures of Revolt, is unique in its geographical scope. The variety of cities examined in the eight essays are a testament to 1968's ongoing importance on a global scale.... [T]his collection is a persuasive and illuminating addition to studies of the interconnections among the social, political, cinematic and architectural movements of that tumultuous, ever-prescient year.... [W]ell-written and often provocative."-- Film International

Mark Shiel is Reader in Film Studies and Urbanism in the Department of Film Studies at King’s College London. He is the author of Hollywood Cinema and the Real Los Angeles, and Italian Neorealism: Rebuilding the Cinematic City, and the co-editor of Screening the City and Cinema and the City: Film and Urban Societies in a Global Context.

"Although studies of art and politics and their many intersections in the late 1960s abound, editor Mark Shiel's collection, Architectures of Revolt, is unique in its geographical scope. The variety of cities examined in the eight essays are a testament to 1968's ongoing importance on a global scale.... [T]his collection is a persuasive and illuminating addition to studies of the interconnections among the social, political, cinematic and architectural movements of that tumultuous, ever-prescient year.... [W]ell-written and often provocative."-- Film International

Mark Shiel is Reader in Film Studies and Urbanism in the Department of Film Studies at King’s College London. He is the author of Hollywood Cinema and the Real Los Angeles, and Italian Neorealism: Rebuilding the Cinematic City, and the co-editor of Screening the City and Cinema and the City: Film and Urban Societies in a Global Context.

"Although studies of art and politics and their many intersections in the late 1960s abound, editor Mark Shiel's collection, Architectures of Revolt, is unique in its geographical scope. The variety of cities examined in the eight essays are a testament to 1968's ongoing importance on a global scale.... [T]his collection is a persuasive and illuminating addition to studies of the interconnections among the social, political, cinematic and architectural movements of that tumultuous, ever-prescient year.... [W]ell-written and often provocative."-- Film International