Bokus
Daniel P. Franklin - Politics and Film, Inbunden

Inbunden, Engelska, 2016

Politics and Film

The Political Culture of Television and Movies

Av Daniel P. Franklin

1305 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

Beskrivning
Politics and Film examines popular movies and television shows as indicators of social and political trends to explore the political culture of the United States. Updated to include the popular and controversial movies and shows American Sniper, House of Cards, Orange Is the New Black, and Twelve Years a Slave, the second edition investigates popular conceptions of government, the military, intelligence and terrorism, punishment and policing, providing valuable insights for students of film and American politics alike.
Produktinformation
  • Utgivningsdatum: 2016-07-26
  • Mått: 163 x 233 x 24 mm
  • Vikt: 549 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 246
  • Upplaga: 2
  • Förlag: Bloomsbury Publishing Plc
  • ISBN: 9781442262409
Utforska kategorier
Mer om författaren

Daniel P. Franklin is associate professor of political science at Georgia State University. His areas of specialization are American Chief Executives, budgeting and the legislative process. He is currently director of the Georgia Legislative Internship Program and a former Distinguished Honors Professor. He is the author of four books, numerous articles and reviews. His latest book, Pitiful Giants: Presidents in their Final Terms, is on the politics of presidential transitions from the perspective of leaving administrations.

Recensioner i media

In this second edition of a volume first published in 2006, Franklin some examples and sprinkles in discussion…of television as ‘film,’ but he keeps to his central thesis surrounding the interactive relationship between US political culture and the content of US films. Franklin explores cause and effect, looking at how films project the interests and events of the times during which they are made while responding to the economics of what the author projects as the changing audience for films. He argues that filmmaking can be thought of in terms of three eras of ‘monopolies’: the Edison Trust era; the ‘golden era,’ controlled by the studio system; and the modern era, with its disparate markets and responses to them (e.g., the rise of independent productions). In addition to exploring the relationship of political philosophies and movies, Franklin looks at the politics of censorship. Examples appear throughout, and each chapter concludes with a brief case study….Summing Up:Optional. Graduate students, researchers/faculty; general readers.

Betyg & recensioner

0 recensioner

Inga recensioner tillgängliga.