Alison K. Brown is a research fellow with the Department of Anthropology at the University of Aberdeen. Laura Peers is a lecturer and curator with the Pitt Rivers Museum and the School of Anthropology at the University of Oxford.

• List of IllustrationsForeword by Narcisse Blood, Chair, Mookaakin FoundationAcknowledgmentsProject Participants Introduction The Photographs and Their Contexts: Kainai HistoryAnthropological ContextsWorking TogetherReading the PhotographsThe Past in the Present: Community ConclusionsMoving Forward: Institutional ImplicationsConclusionsStatement of ConsentAppendix 1: Itinerary of Beatrice Blackwood’s North AmericanFieldwork, 1924–7 Appendix 2: Beatrice Blackwood’s Notations on Her Photographs with Kainai IdentificationsAppendix 3: Protocol Agreement Appendix 4: Kainai Reflectionson Beatrice Blackwood’s DiaryNotesBibliographyIndex

Alison K. Brown is a research fellow with the Department of Anthropology at the University of Aberdeen. Laura Peers is a lecturer and curator with the Pitt Rivers Museum and the School of Anthropology at the University of Oxford.

• List of IllustrationsForeword by Narcisse Blood, Chair, Mookaakin FoundationAcknowledgmentsProject Participants Introduction The Photographs and Their Contexts: Kainai HistoryAnthropological ContextsWorking TogetherReading the PhotographsThe Past in the Present: Community ConclusionsMoving Forward: Institutional ImplicationsConclusionsStatement of ConsentAppendix 1: Itinerary of Beatrice Blackwood’s North AmericanFieldwork, 1924–7 Appendix 2: Beatrice Blackwood’s Notations on Her Photographs with Kainai IdentificationsAppendix 3: Protocol Agreement Appendix 4: Kainai Reflectionson Beatrice Blackwood’s DiaryNotesBibliographyIndex

Alison K. Brown is a research fellow with the Department of Anthropology at the University of Aberdeen. Laura Peers is a lecturer and curator with the Pitt Rivers Museum and the School of Anthropology at the University of Oxford.

• List of IllustrationsForeword by Narcisse Blood, Chair, Mookaakin FoundationAcknowledgmentsProject Participants Introduction The Photographs and Their Contexts: Kainai HistoryAnthropological ContextsWorking TogetherReading the PhotographsThe Past in the Present: Community ConclusionsMoving Forward: Institutional ImplicationsConclusionsStatement of ConsentAppendix 1: Itinerary of Beatrice Blackwood’s North AmericanFieldwork, 1924–7 Appendix 2: Beatrice Blackwood’s Notations on Her Photographs with Kainai IdentificationsAppendix 3: Protocol Agreement Appendix 4: Kainai Reflectionson Beatrice Blackwood’s DiaryNotesBibliographyIndex