Maria Chatzichristodoulou is Reader in Performance and New Media, Director of Enterprise, Head of Division of Creative Industries and Director of the Centre for Research in Digital Storymaking at the School of Arts and Creative Industries, London South Bank University, UK.

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• List of IllustrationsNotes on ContributorsAcknowledgementsIntroduction Maria Chatzichristodoullou (London South Bank University, UK) : Live Art in the UK: Shaping a FieldSection One: Experiments in Life and in Art· Chapter 1. Sara Jane Bailes (University of Sussex, UK) : ‘All We Have is Words, All We Have is Worlds’ - language, looping and the work of Tim Etchells’· Chapter 2.Roberta Mock (University of Plymouth, UK): ‘Marisa Carnesky: Showwoman’· Chapter 3.Deirdre Heddon (University of Glasgow, UK): ‘Marcia Farquhar: Divergent auto/biographies and lines of hope’Section Two: Performances of Conflict, Resolution, Hurt and HealingChapter 4. Dominic Johnson (Queen Mary, University of London, UK): ‘The Gold Standard: The Performances of Franko B’Chapter 5. Gianna Bouchard (University of Birmingham, UK): ‘Sparkles and Sputum: The Sick Body of Martin O’Brien’ Chapter 6. Joanna Linsley (University of Roehampton, UK) : ‘The Artist Is No Longer Present: Encounter, Assembly and Withdrawal in the work of Oreet Ashery’ Section Three: Camp, Comedy And LaughsChapter 7. Gavin Butt (University of Sussex, UK): ‘Just a Camp Laugh? David Hoyle’s Laden Levity’Chapter 8. Katie Beswick (University of Exeter, UK): ‘Jordan McKenzie: Three Works’ Chapter 9. Eleanor Roberts (University of Roehampton, UK): ‘Performance and Prostitution: The Magazine Actions of Cosey Fanni Tutti’ Index

Maria Chatzichristodoulou is Reader in Performance and New Media, Director of Enterprise, Head of Division of Creative Industries and Director of the Centre for Research in Digital Storymaking at the School of Arts and Creative Industries, London South Bank University, UK.

Select Guide Rating

• List of IllustrationsNotes on ContributorsAcknowledgementsIntroduction Maria Chatzichristodoullou (London South Bank University, UK) : Live Art in the UK: Shaping a FieldSection One: Experiments in Life and in Art· Chapter 1. Sara Jane Bailes (University of Sussex, UK) : ‘All We Have is Words, All We Have is Worlds’ - language, looping and the work of Tim Etchells’· Chapter 2.Roberta Mock (University of Plymouth, UK): ‘Marisa Carnesky: Showwoman’· Chapter 3.Deirdre Heddon (University of Glasgow, UK): ‘Marcia Farquhar: Divergent auto/biographies and lines of hope’Section Two: Performances of Conflict, Resolution, Hurt and HealingChapter 4. Dominic Johnson (Queen Mary, University of London, UK): ‘The Gold Standard: The Performances of Franko B’Chapter 5. Gianna Bouchard (University of Birmingham, UK): ‘Sparkles and Sputum: The Sick Body of Martin O’Brien’ Chapter 6. Joanna Linsley (University of Roehampton, UK) : ‘The Artist Is No Longer Present: Encounter, Assembly and Withdrawal in the work of Oreet Ashery’ Section Three: Camp, Comedy And LaughsChapter 7. Gavin Butt (University of Sussex, UK): ‘Just a Camp Laugh? David Hoyle’s Laden Levity’Chapter 8. Katie Beswick (University of Exeter, UK): ‘Jordan McKenzie: Three Works’ Chapter 9. Eleanor Roberts (University of Roehampton, UK): ‘Performance and Prostitution: The Magazine Actions of Cosey Fanni Tutti’ Index

Maria Chatzichristodoulou is Reader in Performance and New Media, Director of Enterprise, Head of Division of Creative Industries and Director of the Centre for Research in Digital Storymaking at the School of Arts and Creative Industries, London South Bank University, UK.

Select Guide Rating

• List of IllustrationsNotes on ContributorsAcknowledgementsIntroduction Maria Chatzichristodoullou (London South Bank University, UK) : Live Art in the UK: Shaping a FieldSection One: Experiments in Life and in Art· Chapter 1. Sara Jane Bailes (University of Sussex, UK) : ‘All We Have is Words, All We Have is Worlds’ - language, looping and the work of Tim Etchells’· Chapter 2.Roberta Mock (University of Plymouth, UK): ‘Marisa Carnesky: Showwoman’· Chapter 3.Deirdre Heddon (University of Glasgow, UK): ‘Marcia Farquhar: Divergent auto/biographies and lines of hope’Section Two: Performances of Conflict, Resolution, Hurt and HealingChapter 4. Dominic Johnson (Queen Mary, University of London, UK): ‘The Gold Standard: The Performances of Franko B’Chapter 5. Gianna Bouchard (University of Birmingham, UK): ‘Sparkles and Sputum: The Sick Body of Martin O’Brien’ Chapter 6. Joanna Linsley (University of Roehampton, UK) : ‘The Artist Is No Longer Present: Encounter, Assembly and Withdrawal in the work of Oreet Ashery’ Section Three: Camp, Comedy And LaughsChapter 7. Gavin Butt (University of Sussex, UK): ‘Just a Camp Laugh? David Hoyle’s Laden Levity’Chapter 8. Katie Beswick (University of Exeter, UK): ‘Jordan McKenzie: Three Works’ Chapter 9. Eleanor Roberts (University of Roehampton, UK): ‘Performance and Prostitution: The Magazine Actions of Cosey Fanni Tutti’ Index