Philip Hayward is Professor in the School of Arts and Social Sciences at Southern Cross University, Australia.

• Introduction: Beyond the Axis Philip HaywardPart I – Music, Identity and Cultural Politics1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan5. Jawaiian Music and Local Cultural Identity in Hawai’i Andrew N. Weintraub6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku’uleialoha StillmanPart II – Music, Commerce and the Media Industries7. Developments in Papua New Guinea’s Popular Music Industry Malcolm Philpott8. Questions of Music Copyright in Papua New Guinea Don Niles9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward11. The Proud Project and the ‘Otara Sound’: Maori and Polynesian Pop in the Mid 1990s Tony MitchellPart III – Access to the Mainstream: The Case of Yothu Yindi12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt13. Culture, Custom and Collaboration: The Production of Yothu Yindi’s ‘Treaty’ Videos Lisa Nicol14. Safe, Exotic and Somewhere Else: Yothu Yindi, ‘Treaty’ and the Mediation of Aboriginality Philip Hayward15. Yothu Yindi: Agendas and Aspirations Karl NeuenfeldtBibliographyIndex

Philip Hayward is Professor in the School of Arts and Social Sciences at Southern Cross University, Australia.

• Introduction: Beyond the Axis Philip HaywardPart I – Music, Identity and Cultural Politics1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan5. Jawaiian Music and Local Cultural Identity in Hawai’i Andrew N. Weintraub6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku’uleialoha StillmanPart II – Music, Commerce and the Media Industries7. Developments in Papua New Guinea’s Popular Music Industry Malcolm Philpott8. Questions of Music Copyright in Papua New Guinea Don Niles9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward11. The Proud Project and the ‘Otara Sound’: Maori and Polynesian Pop in the Mid 1990s Tony MitchellPart III – Access to the Mainstream: The Case of Yothu Yindi12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt13. Culture, Custom and Collaboration: The Production of Yothu Yindi’s ‘Treaty’ Videos Lisa Nicol14. Safe, Exotic and Somewhere Else: Yothu Yindi, ‘Treaty’ and the Mediation of Aboriginality Philip Hayward15. Yothu Yindi: Agendas and Aspirations Karl NeuenfeldtBibliographyIndex

Philip Hayward is Professor in the School of Arts and Social Sciences at Southern Cross University, Australia.

• Introduction: Beyond the Axis Philip HaywardPart I – Music, Identity and Cultural Politics1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan5. Jawaiian Music and Local Cultural Identity in Hawai’i Andrew N. Weintraub6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku’uleialoha StillmanPart II – Music, Commerce and the Media Industries7. Developments in Papua New Guinea’s Popular Music Industry Malcolm Philpott8. Questions of Music Copyright in Papua New Guinea Don Niles9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward11. The Proud Project and the ‘Otara Sound’: Maori and Polynesian Pop in the Mid 1990s Tony MitchellPart III – Access to the Mainstream: The Case of Yothu Yindi12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt13. Culture, Custom and Collaboration: The Production of Yothu Yindi’s ‘Treaty’ Videos Lisa Nicol14. Safe, Exotic and Somewhere Else: Yothu Yindi, ‘Treaty’ and the Mediation of Aboriginality Philip Hayward15. Yothu Yindi: Agendas and Aspirations Karl NeuenfeldtBibliographyIndex