Sound Alliances

Indigenous Peoples, Cultural Politics, and Popular Music in the Pacific

AvPhilip Hayward,Philip Hayward

Inbunden, Engelska, 2016

Del i serien Cultural Studies: Bloomsbury Academic Collections

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Beskrivning

An anthology of essays on the new syncretic, or 'fusion', styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity. Its strength lies in the layering up of a sense of community of inquiry, and the fostering of an intertextual head of steam, grounded in a set of empirical, rather than theoretical, concerns. It considers the interrelation between music, popular culture, politics and (national) identity, but also looks at the business aspect of producing and distributing music in the Pacific region.

Produktinformation

Utgivningsdatum:2016-10-06
Mått:156 x 234 x 18 mm
Vikt:482 g
Format:Inbunden
Språk:Engelska
Serie:Cultural Studies: Bloomsbury Academic Collections
Antal sidor:240
Förlag:Bloomsbury Publishing PLC
ISBN:9781474289863

Utforska kategorier

Kulturvetenskap inom Samhälle och politik
Musikböcker inom Kultur
Etnicitet inom Samhälle och politik

Mer om författaren

Philip Hayward is Professor in the School of Arts and Social Sciences at Southern Cross University, Australia.

Innehållsförteckning

Introduction: Beyond the Axis Philip HaywardPart I – Music, Identity and Cultural Politics1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan5. Jawaiian Music and Local Cultural Identity in Hawai’i Andrew N. Weintraub6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku’uleialoha StillmanPart II – Music, Commerce and the Media Industries7. Developments in Papua New Guinea’s Popular Music Industry Malcolm Philpott8. Questions of Music Copyright in Papua New Guinea Don Niles9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward11. The Proud Project and the ‘Otara Sound’: Maori and Polynesian Pop in the Mid 1990s Tony MitchellPart III – Access to the Mainstream: The Case of Yothu Yindi12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt13. Culture, Custom and Collaboration: The Production of Yothu Yindi’s ‘Treaty’ Videos Lisa Nicol14. Safe, Exotic and Somewhere Else: Yothu Yindi, ‘Treaty’ and the Mediation of Aboriginality Philip Hayward15. Yothu Yindi: Agendas and Aspirations Karl NeuenfeldtBibliographyIndex