Philip Hayward – författare

Long before virtual reality captured the imagination, holography provided artists with a new, challenging, three-dimensional medium. Its very immateriality demanded that artists approach its illusions in unforeseen and inventive ways. Apparition provides the first detailed study of holographic art in Australia, of the artists producing it and the scientific institutions assisting them. It includes examinations of the work of Paula Dawson, Alexander, and Margaret Benyon and of the institutional collaborations developed by artists such as George Gittoes and David Warren. The book also provides an important historical survey of this advanced-technology art and canvasses the theoretical, perceptual and philosophical issues posed by the hyperreality of the holographic medium.

Aquapelagos is a cross-disciplinary volume that is geared to a general undergraduate and non-specialist readership while also being rigorous and theoretically exciting for doctoral and advanced researchers of climate and ocean studies. It foregrounds marine-terrestrial assemblages as philosophical, navigational, and knowledge-making interfaces.

Drawing on ethnographic, geographic, architectural, sociological, and scientific methodogies, Aquapelagos sheds light on varied approaches, dialogues, and responses to the catastrophic and impending futures unfolding across waterfronts from the Andaman Islands, Maldives, and Indonesia to the Grand Banks and the Juan Fernandez Islands. It delves into pressing issues of human interrelations with aquatic environments, ocean volatility, ocean toxicity, flooding, inundation, mitigation, rising seas, and climate adaptation in interdisciplinary and comparative global terms. Within the conceptual framework of the aquapelago, the contributors to this volume explore aspects of integrated terrestrial and marine assemblages that enhance our understanding of the impact of global climate change and related rising sea levels on diverse planetary ecologies and the societies that depend on them.

The volume will be of interest to scholars, researchers, and students of ethnography, social anthropology, climate action, development studies, public policy, and climate change.

Aquapelagos is a cross-disciplinary volume that is geared to a general undergraduate and non-specialist readership while also being rigorous and theoretically exciting for doctoral and advanced researchers of climate and ocean studies. It foregrounds marine-terrestrial assemblages as philosophical, navigational, and knowledge-making interfaces.

Drawing on ethnographic, geographic, architectural, sociological, and scientific methodogies, Aquapelagos sheds light on varied approaches, dialogues, and responses to the catastrophic and impending futures unfolding across waterfronts from the Andaman Islands, Maldives, and Indonesia to the Grand Banks and the Juan Fernandez Islands. It delves into pressing issues of human interrelations with aquatic environments, ocean volatility, ocean toxicity, flooding, inundation, mitigation, rising seas, and climate adaptation in interdisciplinary and comparative global terms. Within the conceptual framework of the aquapelago, the contributors to this volume explore aspects of integrated terrestrial and marine assemblages that enhance our understanding of the impact of global climate change and related rising sea levels on diverse planetary ecologies and the societies that depend on them.

The volume will be of interest to scholars, researchers, and students of ethnography, social anthropology, climate action, development studies, public policy, and climate change.

The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds.

This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds.

This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

The study of television and music has expanded greatly in recent years, yet to date no book has focused on the genre of comedy television as it relates to music. Music in Comedy Television: Notes on Laughs fills that gap, breaking new critical ground. With contributions from an array of established and emerging scholars representing a range of disciplines, the twelve essays included cover a wide variety of topics and television shows, spanning nearly fifty years across network, cable, and online structures and capturing the latest research in this growing area of study. From Sesame Street to Saturday Night Live, from Monty Python to Flight of the Conchords, this book offers the perfect introduction for students and scholars in music and media studies seeking to understand the role of music in comedy onscreen and how it relates to the wider culture.