Modernity for the Masses

Ana MarÍa LeÓn is an architect and a historian of objects, buildings, and landscapes. An assistant professor at the University of Michigan, LeÓn has cofounded several collaborations created to broaden the reach of architectural history, including the Feminist Art and Architecture Collaborative, the Settler Colonial City Project, and Nuestro Norte es el Sur. She sits on the board of the Global Architectural History Teaching Collaborative, the Architecture Lobby, and Anales de Arquitectura, and is an editor-at-large at the Avery Review.

LeÓn’s meticulous reading of [Antonio Bonet's] work in its architectural, political, and philosophical contexts underscores both the creativity and contradictions of trans-Atlantic modernities…Recommended. (CHOICE) A major contribution to the history of modern architecture in the Americas. (Latin American and Latinx Visual Culture) While Modernity for the Masses is indeed anchored by Bonet’s architectural designs, León is careful to paint a full picture of the vast, complex cultural and political context from which they emerged...Modernity for the Masses is instructive in the way it clearly distinguishes between architectural aspirations and the actual (or potential) impact a building has in the world. With a keen, skeptical eye, León shows what comes of form when it mixes with structural and systemic forces. Try as architects might, they will never control the conditions in which their designs are built, nor those by which their creations are received. (The Architect's Newspaper) [A] fascinating study...LeÓn extracts surprisingly revelatory insights...LeÓn’s analysis illuminates both the transnational history of modernist architecture and the twists and turns of Argentine politics in the middle decades of the twentieth century...The book raises provocative new questions about the role of transnational modernism in Argentina and about the efforts of governments and architects to house-and to control-the masses. (The Americas) Modernity for the Masses is thoroughly researched and beautifully written and edited. This is an evocative history, rich in intriguing crossings between Buenos Aires, Barcelona, Paris, and other cities. It will surely interest historians of architecture and historians of Latin America...LeÓn offers a rich account of the architectural field and the larger context in which architecture is conceived, consumed, and understood. (H-LatAm) [A] valuable contribution to architectural history and Latin American studies...Focused on the intersection of spatial politics and the politics of the Argentine state through the lens of Catalan architect Antonio Bonet, LeÓn reveals the intertwined histories of modern architecture and statecraft through an analysis of mass housing...Modernity for the Masses strikes a balance between the detail of a single architect and the broader social and cultural context within which he worked, offering a clear representation of how Bonet was both a product and a creator of the architectural milieu of his time. (caa.reviews) Modernity for the Masses makes a significant contribution to the history of modernist architecture and urban planning and to the history of modernist architecture’s connection with politics, ideology, and state-led modernizing projects in Latin America. Leo´ n achieves this via an interdisciplinary scope that connects architecture, art, literature, and psychoanalysis. For those interested in the history of the circulation of architectural and urban planning ideas, the book’s decolonial theoretical framework will also pose new questions about the role of experts and their dreams for modernity for the masses. (Hispanic American Historical Review) LeÓn’s book offers us a profound history of the illusory promises entwined in political and architectural histories in Argentina and globally. It is a narrative of shared and unrealized dreams . . . The stakes of those unrealized visions are by no means inconsequential. They represent the anxieties and desires at the root of modernist art and architecture, which at certain points and places in history become indistinguishable from the origins of totalitarianism. (Estudios Interdisciplinarios de América Latina y el Caribe)

• Introduction1. A Wandering Ship2. The Machine in the Pampas3. The Peronist Unconscious4. Eternal ReturnsConclusionAcknowledgmentsAbbreviationsNotesIndex