Underglobalization

Joshua Neves is Associate Professor and Canada Research Chair, Film Studies at Concordia University and coeditor of Asian Video Cultures: In the Penumbra of the Global, also published by Duke University Press.

“Through a meticulous and multivalent study of the many discourses and practices around the fake, Joshua Neves provides us a kaleidoscopic and fascinating view of the sociality and media culture of contemporary Beijing, China, Asia, and the world. This truly interdisciplinary work draws resources from many fields and many cultures, and it demonstrates vividly how the logic of development densely infiltrates our mentality and ways of living.” - Laikwan Pang, author of (Creativity and Its Discontents: China's Creative Industries and Intellectual Property Rights Offense) “Joshua Neves treats the transformations of Beijing's cityscape as an experienced physical reality, an imagined construct in popular culture and art, and representative of what is happening in China. By disclosing what is distinctive and elusive about China's seemingly triumphant developmental nation-building project, Neves makes a provocative intervention at the nexus of several interdisciplinary subfields, from urban media studies and Asian developmental studies to postsocialism studies and global subaltern studies.” - Dilip P. Gaonkar, Professor in Rhetoric and Public Culture, Northwestern University "Neves has written a meticulously sourced analysis of the cultural transformation of societies, focusing on the appearance of fakes and forgeries in China. . . . Recommended. Graduate students and faculty researchers." - S. C. Hart (Choice) "The experience of reading Joshua Neves's Underglobalization is a bit like watching an experimental film.… Bringing an innovative approach to media that focuses on forms, technologies, practices, and infrastructures, Neves has produced a captivating account that challenges the methodological complacencies of much scholarship at the intersection of China, media, and globalization." - Fan Yang (Film Quarterly)

• Acknowledgments  viiIntroduction. After Legitimacy  11. Rendering the City: Between Ruins and Blueprints  332. Digital Urbanism: Piratical Citizenship and the Infrastructure of Dissensus  613. Bricks and Media: Cinema's Technologized Spatiality  944. Beijing en Abyme: Television and the Unhomely Social  1205. Videation: Technological Intimacy and the Politics of Global Connection  1506. People as Media Infrastructure: Illicit Culture and the Pornographics of Globalization  169Notes  169Bibliography  227Index  245