Jorge Pérez is Peter T. Flawn Centennial Professor of Spanish at the University of Texas at Austin.

"Fashioning Spanish Cinema draws on an impressive range of disciplines, from the history of dress (which it carefully distinguishes from the related but distinct terms of fashion, costume, and wardrobe) to celebrity and gender studies. And its new focus retrieves much valuable and piquant history." - Paul Julian Smith, CUNY Graduate Center (Revista Hispánica Moderna) "Fashioning Spanish Cinema draws on an impressive range of disciplines, from the history of dress (which it carefully distinguishes from the related but distinct terms of fashion, costume, and wardrobe) to celebrity and gender studies. And its new focus retrieves much valuable and piquant history." - Paul Julian Smith, CUNY Graduate Center (Revista Hispánica Moderna)

• AcknowledgmentsIntroduction: Fashion, Costume, and Spanish Cinema 1. Fashioning National Stars: Balenciaga and Spanish Cinema2. Almodóvar and Chanel: High Fashion, Desire, and Identity3. Men in Underwear in Spanish Cinema4. Dressing the Immigrant Other5. Self-Fashioning Stardom: The Red-Carpet MattersConclusion: Fashioning Identity and Stardom

Jorge Pérez is Peter T. Flawn Centennial Professor of Spanish at the University of Texas at Austin.

"Fashioning Spanish Cinema draws on an impressive range of disciplines, from the history of dress (which it carefully distinguishes from the related but distinct terms of fashion, costume, and wardrobe) to celebrity and gender studies. And its new focus retrieves much valuable and piquant history." - Paul Julian Smith, CUNY Graduate Center (Revista Hispánica Moderna) "Fashioning Spanish Cinema draws on an impressive range of disciplines, from the history of dress (which it carefully distinguishes from the related but distinct terms of fashion, costume, and wardrobe) to celebrity and gender studies. And its new focus retrieves much valuable and piquant history." - Paul Julian Smith, CUNY Graduate Center (Revista Hispánica Moderna)

• AcknowledgmentsIntroduction: Fashion, Costume, and Spanish Cinema 1. Fashioning National Stars: Balenciaga and Spanish Cinema2. Almodóvar and Chanel: High Fashion, Desire, and Identity3. Men in Underwear in Spanish Cinema4. Dressing the Immigrant Other5. Self-Fashioning Stardom: The Red-Carpet MattersConclusion: Fashioning Identity and Stardom

Jorge Pérez is Peter T. Flawn Centennial Professor of Spanish at the University of Texas at Austin.

"Fashioning Spanish Cinema draws on an impressive range of disciplines, from the history of dress (which it carefully distinguishes from the related but distinct terms of fashion, costume, and wardrobe) to celebrity and gender studies. And its new focus retrieves much valuable and piquant history." - Paul Julian Smith, CUNY Graduate Center (Revista Hispánica Moderna) "Fashioning Spanish Cinema draws on an impressive range of disciplines, from the history of dress (which it carefully distinguishes from the related but distinct terms of fashion, costume, and wardrobe) to celebrity and gender studies. And its new focus retrieves much valuable and piquant history." - Paul Julian Smith, CUNY Graduate Center (Revista Hispánica Moderna)

• AcknowledgmentsIntroduction: Fashion, Costume, and Spanish Cinema 1. Fashioning National Stars: Balenciaga and Spanish Cinema2. Almodóvar and Chanel: High Fashion, Desire, and Identity3. Men in Underwear in Spanish Cinema4. Dressing the Immigrant Other5. Self-Fashioning Stardom: The Red-Carpet MattersConclusion: Fashioning Identity and Stardom