Hip Hop and Social Change in Africa

Ni Wakati

AvMsia Kibona Clark,Mickie Mwanzia Koster

Häftad, Engelska, 2016

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Beskrivning

This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.

Produktinformation

Utgivningsdatum:2016-05-23
Mått:151 x 227 x 23 mm
Vikt:481 g
Format:Häftad
Språk:Engelska
Antal sidor:336
Förlag:Bloomsbury Publishing Plc
ISBN:9781498505802

Utforska kategorier

Kulturvetenskap inom Samhälle och politik
Antropologi inom Samhälle och politik
Populärmusik inom Kultur

Mer om författaren

Msia Kibona Clark is assistant professor of Pan African studies at California State University.Mickie Mwanzia Koster is assistant professor of history at the University of Texas at Tyler.

Recensioner i media

In recent years, several books have been published concerning African hip-hop, including Eric Charry’s Hip-hop Africa: New African Music in a Globalizing World (2012) and Mwenda Ntarangwi’s East African Hip-hop: Youth Culture and Globalization. While these books tackle some aspects of the societal implications of the music genre, they tend to focus on globalization, youth culture, or the music alone. The work under review is sharply focused on a critical examination of hip-hop and social change, whether by political and social commentary or by actually changing traditions and behavior. Furthermore, the book is unique in that it blends essays written by scholars as well as by some African hip-hop artists themselves, which allows for an exploration of the topic from both academic and firsthand perspectives. . . .The essays are thoughtful, insightful, and well written. All academic libraries with substantive African studies and/or world music collections. Summing Up: Highly recommended. All levels/libraries.

Innehållsförteckning

1. Introduction by Msia Kibona Clark and Mickie Mwanzia KosterPart I: “Social Ills”: Coming from Behind the Microphone to Effect Reform in Africa2. Hip-Hop Halisi: Continuities of Heroism on the African Political Landscape, Caroline Mose 3. Building Our Nation: Sénégalese Hip Hop Artists as Agents of Social and Political Change, Sheba Lo 4. Speaking Truth to Power: Hip-Hop and the African Awakening, Amentahru Wahlrab Essay 1 English. “Malian Hip Hop: Social Engagement through Music,” Amkoullel L'enfant Peulh Part II: “The Dusty Foot Philosopher”: Hip Hop Voices on Social Change in AfricaEssay 2. “How Hip Hop Impacts Social Change in Africa,” Malle Marxist 5. Redefining the Struggle: Remembering the Mau Mau through Hip-Hop Music, Mich Nyawalo 6. Khoi Hop: Hip Hop, Youth Activism and the Dilemma of Coloured Identity in South Africa, Shaheen Ariefdien and Rico Chapman 7. Beyond “Y’en a Marre”: Pikine’s Hip Hop Youth Say “Enough is Enough” and Pave the Way for Continuous Social Change, Asl