Carl Good is Assistant Professor of Spanish at Emory University. John V. Waldron is an independent scholar living in Connecticut. CONTRIBUTORS: Danny J. Anderson, Rebecca E. Biron, Bruce-Novoa, Debra A. Castillo, Karen Cordero Reiman, Olivier Debroise, Montserrat Gali Boadella, Rolando Romero, Susan C. Schaffer, Jacobo Sefami, and the editors.

"Broad enough to appeal to a wide audience of Mexicanists, while at the same time focused around a specific set of issues, The Effects of the Nation is a strong collection of essays, both well-conceived and well written. The dual focus on literature and visual art strengthens the book by suggesting connections among various Mexican intellectual circles and the cultural industries. The result should appeal to both literary scholars and art historians." -Claire Fox, author of The Fence and the River: Culture and Politics at the U.S.-Mexican Border "The diversity of these essays reveals an interlocking strength built upon a common thematic, without coming across individually as narrowly construed or atomized. There is a wonderful overlap as well as tension between the essays, notably in the ways that the authors approach the question of representation and power in the Mexican national (and transnational) space. The publication of this collection will come at a fortuitous moment, when academic interest in Mexican studies is breaking free of earlier agendas." -Eric Zolov, Assistant Professor of Latin American History at Franklin and Marshall College and author of Refried Elvis: The Rise of the Mexican Counterculture "The essays in this book use the arts in Mexico to move away from the national and the global, to look at the activity of a community continually recreating itself within and beyond its own borders. The essays examine a wide range of aesthetic productions-especially literature and the visual arts-that give context to how art and society interact." -Hispanic Outlook

• Introduction: Ungoverned Specificities - Carl Good 1. Mexican Art on Display - Olivier Debroise 2. Mathias Goeritz: Emotional Architecture and Creating a Mexican National Art - Juan Bruce-Novoa 3. Corporeal Identities in Mexican Art: Modern and Postmodern Strategies - Karen Cordero Reiman 4. Elena Poniatowska's Querido Diego, te abraza Quiela: A Revision of Her Story - Susan C. Schaffer 5. "Un octubre manchado se detiene": Memory and Testimony in the Poetry of David Huerta - Jacobo Sefami 6. Aesthetic Criteria and the Literary Market in Mexico: The Changing Shape of Quality, 1982-1994 - Danny J. Anderson 7. Un hogar insolito: Elena Garro and Mexican Literary Culture - Rebecca E. Biron 8. Rene Derouin: Dialogues with Mexico - Montserrat Gali Boadella 9. Unhomely Feminine: Rosina Conde - Debra A. Castillo 10. The Postmodern Hybrid: Do Aliens Dream of Alien Sheep? - Rolando Romero About the Contributors Index

Carl Good is Assistant Professor of Spanish at Emory University. John V. Waldron is an independent scholar living in Connecticut. CONTRIBUTORS: Danny J. Anderson, Rebecca E. Biron, Bruce-Novoa, Debra A. Castillo, Karen Cordero Reiman, Olivier Debroise, Montserrat Gali Boadella, Rolando Romero, Susan C. Schaffer, Jacobo Sefami, and the editors.

"Broad enough to appeal to a wide audience of Mexicanists, while at the same time focused around a specific set of issues, The Effects of the Nation is a strong collection of essays, both well-conceived and well written. The dual focus on literature and visual art strengthens the book by suggesting connections among various Mexican intellectual circles and the cultural industries. The result should appeal to both literary scholars and art historians." -Claire Fox, author of The Fence and the River: Culture and Politics at the U.S.-Mexican Border "The diversity of these essays reveals an interlocking strength built upon a common thematic, without coming across individually as narrowly construed or atomized. There is a wonderful overlap as well as tension between the essays, notably in the ways that the authors approach the question of representation and power in the Mexican national (and transnational) space. The publication of this collection will come at a fortuitous moment, when academic interest in Mexican studies is breaking free of earlier agendas." -Eric Zolov, Assistant Professor of Latin American History at Franklin and Marshall College and author of Refried Elvis: The Rise of the Mexican Counterculture "The essays in this book use the arts in Mexico to move away from the national and the global, to look at the activity of a community continually recreating itself within and beyond its own borders. The essays examine a wide range of aesthetic productions-especially literature and the visual arts-that give context to how art and society interact." -Hispanic Outlook

• Introduction: Ungoverned Specificities - Carl Good 1. Mexican Art on Display - Olivier Debroise 2. Mathias Goeritz: Emotional Architecture and Creating a Mexican National Art - Juan Bruce-Novoa 3. Corporeal Identities in Mexican Art: Modern and Postmodern Strategies - Karen Cordero Reiman 4. Elena Poniatowska's Querido Diego, te abraza Quiela: A Revision of Her Story - Susan C. Schaffer 5. "Un octubre manchado se detiene": Memory and Testimony in the Poetry of David Huerta - Jacobo Sefami 6. Aesthetic Criteria and the Literary Market in Mexico: The Changing Shape of Quality, 1982-1994 - Danny J. Anderson 7. Un hogar insolito: Elena Garro and Mexican Literary Culture - Rebecca E. Biron 8. Rene Derouin: Dialogues with Mexico - Montserrat Gali Boadella 9. Unhomely Feminine: Rosina Conde - Debra A. Castillo 10. The Postmodern Hybrid: Do Aliens Dream of Alien Sheep? - Rolando Romero About the Contributors Index