Erin McGlothlin is assistant professor of German at Washington University in St. Louis. Erin McGlothlin is assistant professor of German at Washington University in St. Louis. Richard Langston is Professor of German at the University of North Carolina-Chapel Hill.

Collectively, the volume offers a stimulating attempt to theorize an aesthetics of networked complexity where barriers between human creativity and technological processes are being rethought, creating artworks that in turn make us rethink how we relate to the world.

• Introduction - Lutz Koepnick and Erin McGlothlinFrom the Image to the Image File---and Back - Boris GroysDigital Sampling and Analogue Montage - Diedrich DiederichsenRemixability - Lev ManovichNew Media Aesthetics - Carsten StrathausenAura, Virtuality, and the Simulacrum - Sabine EckmannWhat Does It Mean to Read Online? On the Possibility of the Archive in Cyberspace - Michel ChaouliPlease Hold - Juliet KossArt, Medium, Progress - Juliane RebentischDigital Negation and the Fate of Shock after the Avant-Garde - Richard LangstonTransformations of the Archive - Nora M. AlterThe City in the Ages of New Media: From Ruttmann's Berlin: Die Sinfonie der Großstadt to Hypermedia Berlin - Todd Samuel PresnerFragging Fascism - Margit GriebNotes on ContributorsIndex

Erin McGlothlin is assistant professor of German at Washington University in St. Louis. Erin McGlothlin is assistant professor of German at Washington University in St. Louis. Richard Langston is Professor of German at the University of North Carolina-Chapel Hill.

Collectively, the volume offers a stimulating attempt to theorize an aesthetics of networked complexity where barriers between human creativity and technological processes are being rethought, creating artworks that in turn make us rethink how we relate to the world.

• Introduction - Lutz Koepnick and Erin McGlothlinFrom the Image to the Image File---and Back - Boris GroysDigital Sampling and Analogue Montage - Diedrich DiederichsenRemixability - Lev ManovichNew Media Aesthetics - Carsten StrathausenAura, Virtuality, and the Simulacrum - Sabine EckmannWhat Does It Mean to Read Online? On the Possibility of the Archive in Cyberspace - Michel ChaouliPlease Hold - Juliet KossArt, Medium, Progress - Juliane RebentischDigital Negation and the Fate of Shock after the Avant-Garde - Richard LangstonTransformations of the Archive - Nora M. AlterThe City in the Ages of New Media: From Ruttmann's Berlin: Die Sinfonie der Großstadt to Hypermedia Berlin - Todd Samuel PresnerFragging Fascism - Margit GriebNotes on ContributorsIndex

Erin McGlothlin is assistant professor of German at Washington University in St. Louis. Erin McGlothlin is assistant professor of German at Washington University in St. Louis. Richard Langston is Professor of German at the University of North Carolina-Chapel Hill.

Collectively, the volume offers a stimulating attempt to theorize an aesthetics of networked complexity where barriers between human creativity and technological processes are being rethought, creating artworks that in turn make us rethink how we relate to the world.

• Introduction - Lutz Koepnick and Erin McGlothlinFrom the Image to the Image File---and Back - Boris GroysDigital Sampling and Analogue Montage - Diedrich DiederichsenRemixability - Lev ManovichNew Media Aesthetics - Carsten StrathausenAura, Virtuality, and the Simulacrum - Sabine EckmannWhat Does It Mean to Read Online? On the Possibility of the Archive in Cyberspace - Michel ChaouliPlease Hold - Juliet KossArt, Medium, Progress - Juliane RebentischDigital Negation and the Fate of Shock after the Avant-Garde - Richard LangstonTransformations of the Archive - Nora M. AlterThe City in the Ages of New Media: From Ruttmann's Berlin: Die Sinfonie der Großstadt to Hypermedia Berlin - Todd Samuel PresnerFragging Fascism - Margit GriebNotes on ContributorsIndex