Häftad, Engelska, 2013
Beyond Writing Culture
Current Intersections of Epistemologies and Representational Practices
Av Olaf Zenker, Karsten Kumoll
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Beskrivning
Produktinformation
- Utgivningsdatum: 2013-10-01
- Mått: 152 x 229 x 15 mm
- Vikt: 349 g
- Format: Häftad
- Språk: Engelska
- Antal sidor: 256
- Förlag: Berghahn Books
- ISBN: 9781782383338
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Olaf Zenker is Junior Professor at the Institute of Social and Cultural Anthropology, Freie Universität Berlin. He received his PhD from the Martin Luther University and the Max Planck Institute for Social Anthropology, Halle/Saale, Germany, and obtained his habilitation from the University of Bern, Switzerland. His publications include the co-edited volume Irish/ness Is All Around Us: Language Revivalism and the Culture of Ethnic Identity in Northern Ireland (Berghahn Books, 2013).
Recensioner i media
“…an excellent recent example [of less ideologically driven analyses of Writing Culture]… this volume is the only one … that presents a serious, sustained analysis of the intersections between epistemology and representational practice…More so than the edited volumes on this topic that preceded it, Beyond Writing Culture attempts to strike a balance between acknowledging the contribution of Writing Culture and trying to learn from its mistakes.” · Collaborative Anthropologies“This volume represents the collection of a number of arguments presently raging in the halls of academia regarding the future of ethnography. By returning to Writing Culture over two decades after its first appearance, Zenker and Kumoll attest to the persistence of the landmark book’s ideas. While not an introduction to Writing Culture, this book is highly recommended to scholars interested in the current state of anthropology and the future potential of ethnographic work to move ‘beyond’ Writing Culture without abandoning its important contribution altogether.” · Anthropology and Education Quarterly“This is a book that will attract a great deal of attention among anthropologists and social scientists in general. It is a great advance on earlier critiques of Writing Culture (1986) that have emerged at intervals, a large number of them cited by the contributors. Its strength lies particularly in its transdisciplinary perspectives and the clarity of both critique and new representations. The prologue is a tour de force.” · Joan Vincent, Professor Emerita, Barnard College/Columbia University
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