José Duarte teaches cinema at the School of Arts and Humanities, Universidade de Lisboa.Timothy Corrigan is professor of English and cinema studies at the University of Pennsylvania and the author of The Essay Film: From Montaigne, After Marker.

'In addition to this eclectic focus on Asia, other sections consider the road movies of The Americas, Africa and Europe, issues as wide-ranging as the thawing of US–Cuban relations, the debate about Afropolitanism in representations of Africa and the traces of Romanticism found in the contemporary British road movie. In their introduction, Corrigan and Duarte state that "there is perhaps no film culture across the globe that has not embraced the road movie". The diversity of contributors, approaches and films discussed in The Global Road Movie goes some way towards proving this claim.'

• Introduction: From American Roads to Global HighwaysTimothy Corrigan and José Duarte Section 1: The AmericasChapter 1: Learning to Drive: Midcentury Guidance Films and the  Middle-of-the-Road Politics of the American Road Movie by Devin OrgeronChapter 2: The Colombian Road Movie: Uses and Abuses of a Film Genre by Jamie CorreaChapter 3: Notes on a Journey from Guantánamo to Havana: Guantanamera Revisited as Winds of Change Hit US-Cuba Relations by Hermínia Sol Section 2: Africa Chapter 4: Departing from Anti-Colonialism, Arriving at Afropolitanism: Africa United as an African Road Movie by James M. HodappChapter 5: The Road and Transatlantic Currents in the Cinema of Licínio Azevedo by Sara Brandellero  Section 3: Asia and Australia Chapter 6: The Palestinian Road(block) Movie: Interrupted Journeys in Elia Suleiman’s Divine Intervention by Drew PaulChapter 7: Song of the Big Road: Negotiating Scale in the Road Films of Twenty-First-Century India by Lars Erik Larson Chapter 8: Provincializing the Road Movie: Realism, Epic and Mobility in Ritwik Ghatak’s Ajantrik by Moira WeigalChapter 9: Navigating Gender, Ethnicity and Space: Five Golden Flowers as a Socialist Road Movie by Ling ZhangChapter 10: Genre at a Crossroads: The Korean Road Movie by Joseph PompChapter 11: Wrong Side of the Road: Crossing Cultures, Traversing Forms and the Blackfella Road Movie by Keith Beattie  Section 4: Europe Chapter 12: Et in Arcadia Ego: Precarious Romaniticism and the English Road Movie by Neil ArcherChapter 13: Bumps on the ‘Road to Europe’: Remaking the Road Movies and Re-mapping the Nation in Post-2004 Central Europe by Micheal Gott and Kris Van HeuckelomChapter 14: The Road Movie in Portuguese Cinema by Filipa RosárioNotes on EditorsNotes on Contributors

José Duarte teaches cinema at the School of Arts and Humanities, Universidade de Lisboa.Timothy Corrigan is professor of English and cinema studies at the University of Pennsylvania and the author of The Essay Film: From Montaigne, After Marker.

'In addition to this eclectic focus on Asia, other sections consider the road movies of The Americas, Africa and Europe, issues as wide-ranging as the thawing of US–Cuban relations, the debate about Afropolitanism in representations of Africa and the traces of Romanticism found in the contemporary British road movie. In their introduction, Corrigan and Duarte state that "there is perhaps no film culture across the globe that has not embraced the road movie". The diversity of contributors, approaches and films discussed in The Global Road Movie goes some way towards proving this claim.'

• Introduction: From American Roads to Global HighwaysTimothy Corrigan and José Duarte Section 1: The AmericasChapter 1: Learning to Drive: Midcentury Guidance Films and the  Middle-of-the-Road Politics of the American Road Movie by Devin OrgeronChapter 2: The Colombian Road Movie: Uses and Abuses of a Film Genre by Jamie CorreaChapter 3: Notes on a Journey from Guantánamo to Havana: Guantanamera Revisited as Winds of Change Hit US-Cuba Relations by Hermínia Sol Section 2: Africa Chapter 4: Departing from Anti-Colonialism, Arriving at Afropolitanism: Africa United as an African Road Movie by James M. HodappChapter 5: The Road and Transatlantic Currents in the Cinema of Licínio Azevedo by Sara Brandellero  Section 3: Asia and Australia Chapter 6: The Palestinian Road(block) Movie: Interrupted Journeys in Elia Suleiman’s Divine Intervention by Drew PaulChapter 7: Song of the Big Road: Negotiating Scale in the Road Films of Twenty-First-Century India by Lars Erik Larson Chapter 8: Provincializing the Road Movie: Realism, Epic and Mobility in Ritwik Ghatak’s Ajantrik by Moira WeigalChapter 9: Navigating Gender, Ethnicity and Space: Five Golden Flowers as a Socialist Road Movie by Ling ZhangChapter 10: Genre at a Crossroads: The Korean Road Movie by Joseph PompChapter 11: Wrong Side of the Road: Crossing Cultures, Traversing Forms and the Blackfella Road Movie by Keith Beattie  Section 4: Europe Chapter 12: Et in Arcadia Ego: Precarious Romaniticism and the English Road Movie by Neil ArcherChapter 13: Bumps on the ‘Road to Europe’: Remaking the Road Movies and Re-mapping the Nation in Post-2004 Central Europe by Micheal Gott and Kris Van HeuckelomChapter 14: The Road Movie in Portuguese Cinema by Filipa RosárioNotes on EditorsNotes on Contributors

José Duarte teaches cinema at the School of Arts and Humanities, Universidade de Lisboa.Timothy Corrigan is professor of English and cinema studies at the University of Pennsylvania and the author of The Essay Film: From Montaigne, After Marker.

'In addition to this eclectic focus on Asia, other sections consider the road movies of The Americas, Africa and Europe, issues as wide-ranging as the thawing of US–Cuban relations, the debate about Afropolitanism in representations of Africa and the traces of Romanticism found in the contemporary British road movie. In their introduction, Corrigan and Duarte state that "there is perhaps no film culture across the globe that has not embraced the road movie". The diversity of contributors, approaches and films discussed in The Global Road Movie goes some way towards proving this claim.'

• Introduction: From American Roads to Global HighwaysTimothy Corrigan and José Duarte Section 1: The AmericasChapter 1: Learning to Drive: Midcentury Guidance Films and the  Middle-of-the-Road Politics of the American Road Movie by Devin OrgeronChapter 2: The Colombian Road Movie: Uses and Abuses of a Film Genre by Jamie CorreaChapter 3: Notes on a Journey from Guantánamo to Havana: Guantanamera Revisited as Winds of Change Hit US-Cuba Relations by Hermínia Sol Section 2: Africa Chapter 4: Departing from Anti-Colonialism, Arriving at Afropolitanism: Africa United as an African Road Movie by James M. HodappChapter 5: The Road and Transatlantic Currents in the Cinema of Licínio Azevedo by Sara Brandellero  Section 3: Asia and Australia Chapter 6: The Palestinian Road(block) Movie: Interrupted Journeys in Elia Suleiman’s Divine Intervention by Drew PaulChapter 7: Song of the Big Road: Negotiating Scale in the Road Films of Twenty-First-Century India by Lars Erik Larson Chapter 8: Provincializing the Road Movie: Realism, Epic and Mobility in Ritwik Ghatak’s Ajantrik by Moira WeigalChapter 9: Navigating Gender, Ethnicity and Space: Five Golden Flowers as a Socialist Road Movie by Ling ZhangChapter 10: Genre at a Crossroads: The Korean Road Movie by Joseph PompChapter 11: Wrong Side of the Road: Crossing Cultures, Traversing Forms and the Blackfella Road Movie by Keith Beattie  Section 4: Europe Chapter 12: Et in Arcadia Ego: Precarious Romaniticism and the English Road Movie by Neil ArcherChapter 13: Bumps on the ‘Road to Europe’: Remaking the Road Movies and Re-mapping the Nation in Post-2004 Central Europe by Micheal Gott and Kris Van HeuckelomChapter 14: The Road Movie in Portuguese Cinema by Filipa RosárioNotes on EditorsNotes on Contributors