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      Literary Britten

      Words and Music in Benjamin Britten's Vocal Works

      AvKate, Kennedy,Kate Kennedy

      Inbunden, Engelska, 2018

      Del 13 i serien Aldeburgh Studies in Music

      1 707 kr

      Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

      Beskrivning

      Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself.Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language andhistory scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works.KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature.Contributors:JOANNA BULLIVANT, PHILIP ROSS BULLOCK, NICHOLAS CLARK, MERVYN COOKE, DAVID FULLER, JOHN FULLER, PETER HAPPÉ, J. P. E. HARPER-SCOTT, JOHN HOPKINS, KATE KENNEDY, ADRIAN POOLE, HANNA ROCHLITZ, PHILIP RUPPRECHT, REBEKAH SCOTT, VICKISTROEHER, JUSTIN VICKERS, LUCY WALKER, BRIAN YOUNG

      Produktinformation

      • Utgivningsdatum:2018-05-18
      • Mått:156 x 234 x 34 mm
      • Vikt:630 g
      • Format:Inbunden
      • Språk:Engelska
      • Serie:Aldeburgh Studies in Music
      • Antal sidor:426
      • Förlag:Boydell & Brewer Ltd
      • ISBN:9781783272853

      Utforska kategorier

      • Klassisk musik, konstmusik och orkestermusik inom Kultur
      • Tonsättare och låtskrivare inom Kultur

      Mer om författaren

      Justin Vickers is Distinguished Professor of Music at Illinois State University. He is presently completing The Aldeburgh Festival: A History of the Britten and Pears Era, 1948-1986, and with Philip Reed he is editing Britten's Sketchbooks, a forthcoming collection of essays. Vickers co-edited Childhood and the Operatic Imaginary since 1900 with Joy H. Calico, and Elizabeth Maconchy in Context with Lucy Walker. He is also co-editor of Benjamin Britten in Context and Benjamin Britten Studies: Essays on An Inexplicit Art, both with Vicki P. Stroeher. Lucy Walker is a freelance writer, researcher and public speaker on classical music, specialising in music of the twentieth and twenty-first centuries. PHILIP ROSS BULLOCK is Professor of Russian and Music at the University of Oxford, and Fellow and Tutor in Russian at Wadham College, Oxford. Previously for Boydell,he has published a translation of the correspondencence between Rosa Newmarch and Jean Sibelius, and in 2016, his biography of Tchaikovsky was published in the Critical Lives series by Reaktion.

      Recensioner i media

      This authoritative collection of studies on a composer steeped in literature ancient and modern should engage the interest not just of Britten specialists but of all those fascinated by the theory and practice of setting words to music.

      Innehållsförteckning

      • Introduction - Kate KennedyBritten and His Librettists: The Composer as Auteur - Mervyn CookeBritten, Auden and the 1930s - John FullerJames, Britten, Piper and the Literary Supernatural: The Changing 'vision of evil' in The Turn of the Screw and Owen Wingrave - Nick Clark'Thought's Wildernesses': The Development of Britten's Nocturne from Library to Score - Kate Kennedy'Reading at Intervals': Britten's Romantic Poetry - Brian YoungBritten's Drops: The Lyric into Song - Rebekah Scott'Without any tune': The Role of the Discursive Shift in Britten's Interpretation of Poetry - Vicki P. StroeherBritten and Modern Tragedy - Adrian PooleSettings from Boyhood - Lucy Walker'Practical Jokes': Britten and Auden's Our Hunting Fathers Revisited - Joanna BullivantChoice and Inevitability: The Moral Economy of Peter Grimes - Philip Ross BullockSin, Death, and Love: Britten's Holy Sonnets of John Donne - David FullerBritten's Donne Meditation - Justin VickersScenes from Britten's Spring Symphony - Philip Rupprecht'I have read Billy Budd': The Forster-Britten reading(s) of Melville - Hanna RochlitzMiles Must Die: Ideological Uses of 'innocence' in Britten's The Turn of the Screw - Benjamin Britten and Medieval Drama at Chester: From Abraham and Isaac to 'The Nativity' - Peter HappeAmbiguous Venice - John HopkinsBibliography
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