Aldeburgh Studies in Music – serie
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16 produkter
16 produkter
Del 3 - Aldeburgh Studies in Music
On Mahler and Britten
Essays in Honour of Donald Mitchell on his Seventieth Birthday
Häftad, Engelska, 1995
432 kr
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Critical essays and studies reflecting the latest thinking on two major figures in 20c music.In this Festschrift for Donald Mitchell, the foremost authority on the life and works of Gustav Mahler and Benjamin Britten, distinguished composers, scholars, colleagues and friends from around the world have written on aspects of these two composers closest to Mitchell's heart, producing a volume which not only reflects some of the latest thinking on this pair of remarkable figures in the music of our century, but which also pays full tribute to the impact of Mitchell's own work on these composers over the last fifty years. The volume includes the fullest bibliography of Mitchell's writings yet compiled.
365 kr
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Travel diaries reveal musical inspiration, personal encounters, notes on performances.This volume brings together all the travel diaries of Sir Peter Pears (1910-1986), principal interpreter of Britten's works. Pears accompanied Britten on many of his trips and the record of their tour of the Far East in 1955 is ofspecial interest. Here the sound of the gamelan orchestras enchanted Britten and deeply influenced his musical development.
Del 5 - Aldeburgh Studies in Music
Britten and Auden in the Thirties: The Year 1936
Häftad, Engelska, 1981
339 kr
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A crucial year in the Britten/Auden relationship, which reshaped and redefined artistic direction in the immediate pre-war period.Benjamin Britten and W.H. Auden were key figures of the 1930s, and here Donald Mitchell traces their lives during one crucial year, 1936. They worked hard to establish themselves, first through the GPO film unit, in a collaboration which flowered and spilled over into the theatre, and then radio - a new medium that the liveliest creative minds of the time were exploring and exploiting.Britten and Auden also joined forces in works destined for the recital room and concert hall, among them Our Hunting Fathers, the political symbolism of which Donald Mitchell examines in depth, and On the Island, settings of early Auden that comprised Britten's first important set of songs to English texts. Much use is made of Britten's private diaries, which he kept on a daily basis, and a revealing portrait emerges of the two men's relationship, of their work together in many different fields, and of the reflection within that work of political ideas current at the time.DONALD MITCHELL was Britten's close friend and publisher from 1964 until the end of the composer's life, and his authorised biographer. The T S Eliot Memorial Lectures delivered in 1979
350 kr
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Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera.The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of presenting the views of some of the creators of the opera, outlining the work's early history, and offeringcontemporary perspectives on its historical context and its message.Professor PAUL BANKS is Research Development Fellow at the Royal College of Music.Contributors: PAUL BANKS, PHILIP BRETT, BENJAMIN BRITTEN, ERIC CROZIER, DONALDMITCHELL, PETER PEARS, PHILIP REED, ROSAMUND STRODE. Packed away in its pages is a very large amount of new information. TIMES LITERARY SUPPLEMENT A fitting tribute to the opera's enduring international stature, and undoubtedly [a] significant achievement in Britten studies. MUSIC AND LETTERS
Del 4 - Aldeburgh Studies in Music
Britten and the Far East
Asian Influences in the Music of Benjamin Britten
Häftad, Engelska, 1998
350 kr
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Investigation into the influence of Eastern music on Britten's composition.Benjamin Britten's interest in the musical traditions of the Far East had a far-reaching influence on his compositional style; this book is the first to investigate the highly original cross-cultural synthesis he was able to achieve through the use of material borrowed from Balinese, Japanese and Indian music. Britten's visit to Indonesia and Japan in 1955-6 is reconstructed from archival sources, and shown to have had a profound impact on his subsequent work: the techniques of Balinese gamelan music were used in the ballet The Prince of the Pagodas (1957), and then became an essential feature of Britten's compositional style, at their most potent in Death in Venice(1973). The No drama and Gagaku court music of Japan were the inspiration for the trilogy of church parables Britten composed in the 1960s. The precise nature of these influences is discussed; Britten's sporadic borrowings from Indian music are also fully analysed. There is a survey of critical responses to Britten's cross-cultural experiments.Dr MERVYN COOKE lectures in music at the University of Nottingham.
Del 10 - Aldeburgh Studies in Music
My Beloved Man
The Letters of Benjamin Britten and Peter Pears
Inbunden, Engelska, 2016
433 kr
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It's a life of the two of us.' The complete surviving correspondence between Benjamin Britten and Peter Pears.To read these letters is to climb up a wall and peer into the secret garden of two giants.' From the Foreword by FIONA SHAWThis volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is the insight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentiethcentury, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', art collecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.VICKI P. STROEHER is Professor of Music History at Marshall University where she isalso Coordinator of the Music History & Literature area.NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk.JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.
514 kr
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Explores Benjamin Britten's deeply-felt cultural affinity with Russia and influences on the 'Russian' Britten.This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, but it also evaluates other key influences, particularly Britten's passion for Tchaikovsky, his more elusive fascination with Prokofiev, and his ambiguous attitude towards Stravinsky; and it places Britten's enduring friendships with Rostropovich, Vishnevskaya and Richter in the context of his musical output. The book also analyses Britten's responses to various Russian composers and musicians- why, for example, did he dislike Musorgsky? - and considers personal and political perceptions of Britten in the Soviet Union. Finally, it assesses the wider question of Russian influence on Britten's works and in turn whether Britten's music had any influence on the younger generation of Russian composers, such as Alfred Schnittke. This study draws on Foreign Office and British Council files at the National Archives, published and unpublished material from the former Soviet Union, including the Shostakovich Family Archive, and oral history, in addition to the Britten-related archives. Benjamin Britten and Russia will appeal not only to Britten scholars and students but also to those interested in twentieth-century culture, history and politics more widely.CAMERON PYKE is Deputy Master (External) at Dulwich College and part-time lecturer at the Centre of Russian Music, Goldsmiths, University of London.
Del 12 - Aldeburgh Studies in Music
Benjamin Britten Studies: Essays on An Inexplicit Art
Inbunden, Engelska, 2017
1 656 kr
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Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.VICKI P. STROEHER is Professor of Music History at Marshall University.JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell
Del 13 - Aldeburgh Studies in Music
Literary Britten
Words and Music in Benjamin Britten's Vocal Works
Inbunden, Engelska, 2018
1 656 kr
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Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself.Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language andhistory scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works.KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature.Contributors:JOANNA BULLIVANT, PHILIP ROSS BULLOCK, NICHOLAS CLARK, MERVYN COOKE, DAVID FULLER, JOHN FULLER, PETER HAPPÉ, J. P. E. HARPER-SCOTT, JOHN HOPKINS, KATE KENNEDY, ADRIAN POOLE, HANNA ROCHLITZ, PHILIP RUPPRECHT, REBEKAH SCOTT, VICKISTROEHER, JUSTIN VICKERS, LUCY WALKER, BRIAN YOUNG
1 212 kr
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By common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him.This collection of revised reprints of essays, reviews and analyses first published between 1995 and 2018 surveys a cross-section of contemporary classical composition in the UK. The governing perspective is the impact of the life and work of Benjamin Britten (1913-1976) on British composers who, with the exception of Michael Tippett and Robert Simpson, were born between the 1930s and the 1980s. Despite obvious and considerable differences in character and style, British composers like Harrison Birtwistle and Thomas Adès, Robin Holloway and James Dillon, have continued, like Britten himself, to seek personal perspectives on the still prominent procedures and personalities of more distant baroque, classical and romantic eras. Most if not all of these composers would deny being influenced by Britten, and many have reservations about his music. Yet, in light of the fact that British musical life and the institutions that support it have not changed radically since Britten's own time - the pace of technological change notwithstanding - to speak of 'British music after Britten' inevitably involves something more than mere chronology. As by common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him.
Del 15 - Aldeburgh Studies in Music
Britten’s Donne, Hardy and Blake Songs
Cyclic Design and Meaning
Inbunden, Engelska, 2023
1 212 kr
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Presents a first analytical study that looks at the overarching designs of Benjamin Britten's John Donne, Thomas Hardy and William Blake solo song cycles.By questioning when a group of songs ought to be understood not merely as a collection, but as a cycle, Sly shows that Britten's personal selection and arrangement is indispensable to understanding these cycles' extra-musical communication.The Holy Sonnets of John Donne, Winter Words (poems by Hardy) and Songs and Proverbs of William Blake - composed in 1945, 1953 and 1965 respectively - each represent a philosophical exploration. The terrains set out by the three poets are distinct, but also engage one another in important and unexpected ways. Their cyclic architectures are expressed not only in their poetic arrangement, but in their musical settings. Key relationships and motive remain central for Britten. Keys convey a network of interconnections, create groupings of songs, and establish levels of tonal affinity or distance. Motive - often intervals that can fit into any melodic, harmonic or rhythmic context - is used to create aural affinities between or among individual songs.This book also offers a broader narrative revealing Britten's evolving philosophical convictions in post-war Britain. While it may not be the case that Britten intended any broader philosophical comment, the works together outline the cold and brittle state that emerges from loss and aligns with their composer's increasingly stark outlook on humanity.
Del 16 - Aldeburgh Studies in Music
Britten, Opera and Film
Henry James’s The Turn of the Screw from Stage to Screen
Inbunden, Engelska, 2025
1 085 kr
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Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations.Benjamin Britten's 1954 opera The Turn of the Screw, based on Henry James's ghost story, has been described by many critics and commentators as cinematic. Along with Peter Grimes, The Turn of the Screw is one of the most frequently televised or filmed of Britten's operas. Some of these productions have used location footage and/or studio work, and others are based on theatrical settings. This book explores the notion of cinematic opera in the context of The Turn of the Screw and filmed opera in general, and questions what inherent cinematic qualities exist in the work which make it particularly conducive for screen interpretation, an aspect of Britten's compositional style which has rarely been examined in detail before.Contrary to the prevailing narrative around Britten's disdain for cinema and television, the composer engaged with film as both a cinemagoer and film music composer early in his career and these experiences informed his compositional and dramatic choices. Archival research reveals clues to the composer's adaptation process. By tracing the progress from Henry James's original novella to operatic stage and screen production, via the development of Myfanwy Piper's libretto and Britten's score, the journey of adaptation is discussed in detail. A key part of the book looks at the subsequent interpretation of the opera on screen. Case studies evaluate eight directors' interpretations of the opera ranging from 1959 up to the 2020s. Included is a special study of Peter Morley's 1959 ITV version, which had previously been thought lost. This reveals the roots of Britten's subsequent engagement with screen media, culminating in his television opera Owen Wingrave. The book also briefly explores the influence of cinema on stage productions of the opera which have not been filmed.
Del 8 - Aldeburgh Studies in Music
Benjamin Britten
New Perspectives on His Life and Work
Inbunden, Engelska, 2009
1 085 kr
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An essay collection which examines Britten's juvenilia, influences such as Shostakovich and Verdi, his opera Owen Wingrave and a libretto written by Australian novelist Patrick White with the hope of a future collaboration.Benjamin Britten: New Perspectives on his Life and Work reveals the extent to which Britten scholarship is reaching outside the confines of Anglo-American criticism. The volume engages with juvenilia and other orchestral works from the 1920s and examines a broad range of influences on Britten, including the works of Shostakovich and Verdi, the poetry of Ovid, and the cinema. Among his operatic works the dramatic qualities of Owen Wingrave arediscussed through a close study of Piper's libretto and we witness the genesis of a libretto written by Australian novelist Patrick White and submitted to Britten with the hope of a future collaboration. The volume uncovers the generally hostile reception Britten's operas received in Paris until around the 1990s. Britten's status as 'outsider' in both the USA and in his own country when he returned in 1942 is discussed: the possibility is that Britten wasbecoming nervous of the gathering US involvement in the war and the real chance he may be called up to serve in the US forces is also discussed here.
Del 7 - Aldeburgh Studies in Music
Imogen Holst: A Life in Music
Revised Edition
Häftad, Engelska, 2010
370 kr
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This paperback edition is updated to include new insights into Holst's life and work resulting from the discovery of important unseen archival materials.Imogen Holst was one of the most wide-ranging and highly regarded of musicians. Popular with all who knew her, she was intensively protective of her inner life, reminding one friend of a 'locked door of which she had thrown away the key'.Imogen Holst: A Life in Music uses a wealth of newly discovered material to explore the complexities and contradictions of her life and career, drawing on her own writings - ranging from heartfelt early poetry, through correspondence, to a series of journals that maintain a colourful record of her travels and achievements. Most revealing of these is the daily journal that she kept at the start of her working association with Britten, adocument that provides a unique insight both into her own thoughts, and into the professional and domestic life of a major composer.Extensively revised with new material, the book also includes a study of Imogen Holst's music and a chronological list of her works, revealing her as a composer of tremendous talent, whose music deserves to be much more familiar.CHRISTOPHER GROGAN is Director of Collections and Heritage at the Britten-Pears Foundation.
290 kr
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A collection of essays which explore the cultural background and creative evolution of this once-overlooked work.This volume is based on a selection of papers presented during a study course devoted to Gloriana held at the Britten-Pears School for Advanced Musical Studies in 1991.Glorianahas been a source of controversy since its première as part of the Coronation celebrations in 1953. It was planned as a national opera of broad appeal by its authors, Benjamin Britten and William Plomer, but, despite wide coverage in the media, the opera failed toestablish itself in the repertoire until a new production in 1966 revealed it to be a powerful and stageworthy work. In recent years it has attracted an increasing amount of scholarly attention.This volume offers essays byROBERT HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER EVANS which explore the opera's cultural background, the early stages of its creative evolution, the first critical responses, and various aspects of the workitself: these are supplemented by a list of source materials for the opera and the works derived from it, and an extensive bibliography.
Del 9 - Aldeburgh Studies in Music
Beyond Britten: The Composer and the Community
Inbunden, Engelska, 2015
578 kr
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Leading composers, producers and writers consider the role of the composer in the community in Britain today and over the last fifty years.With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years.Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures.All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role of music and the arts in the wider community and society.