Offers a stimulating reading with insights into the act of creation, the compositional process, and the vantage point of the modern creative artist in the twenty-first century.

• Peter Wiegold and Ghislaine Kenyon: Introduction - Peter Wiegold and Ghislaine KenyonBenjamin Britten: On Receiving the First Aspen Award (reprint)Colin Matthews: 'Music is now free for all': Britten's Aspen Award Speech - Colin MatthewsHoward Skempton: Britten and Cardew - Howard SkemptonChristopher Fox: After the Fludde: ambitious music for all-comers - Christopher FoxGillian Moore: 'A vigorous unbroken tradition': British composers and the community since the beginning of the twentieth century - Gillian MooreEugene Skeef: 'I am because you are' - Eugene SkeefTommy Pearson: 'A real composer coming talk to us' - Tommy PearsonNigel Osborne: Running away from rock 'n' roll - Nigel OsborneJohn Barber: Finding a place in Society; finding a voice - John BarberJames Redwood: A matrix of possibilities - James RedwoodKatie Tearle: 'I was St Francis' - Katie TearleJudith Webster: Reflections on Composers, Orchestras and Communities: motivation, music and meaning' - Judith WebsterDouglas Mitchell: 'Sounding good with other people' - Douglas MitchellPeter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Peter WiegoldPeter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Amoret AbisJohn Sloboda: The Composer and the Audience - John SlobodaAmoret Abis:The Composer in the Classroom - Amoret AbisSean Gregory: Unleashed: Collaboration, Connectivity and Creativity - Sean GregoryDetta Danford and Natasha Zielazinski: One Equal Music - Detta Danford and Natasha ZielazinskiPeter Wiegold: That's how it happens - Peter WiegoldJonathan Reekie: Britten's Holy Triangle - Jonathan ReekiePostludePeter Wiegold: Appendix: A Practice - Peter Wiegold

Offers a stimulating reading with insights into the act of creation, the compositional process, and the vantage point of the modern creative artist in the twenty-first century.

• Peter Wiegold and Ghislaine Kenyon: Introduction - Peter Wiegold and Ghislaine KenyonBenjamin Britten: On Receiving the First Aspen Award (reprint)Colin Matthews: 'Music is now free for all': Britten's Aspen Award Speech - Colin MatthewsHoward Skempton: Britten and Cardew - Howard SkemptonChristopher Fox: After the Fludde: ambitious music for all-comers - Christopher FoxGillian Moore: 'A vigorous unbroken tradition': British composers and the community since the beginning of the twentieth century - Gillian MooreEugene Skeef: 'I am because you are' - Eugene SkeefTommy Pearson: 'A real composer coming talk to us' - Tommy PearsonNigel Osborne: Running away from rock 'n' roll - Nigel OsborneJohn Barber: Finding a place in Society; finding a voice - John BarberJames Redwood: A matrix of possibilities - James RedwoodKatie Tearle: 'I was St Francis' - Katie TearleJudith Webster: Reflections on Composers, Orchestras and Communities: motivation, music and meaning' - Judith WebsterDouglas Mitchell: 'Sounding good with other people' - Douglas MitchellPeter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Peter WiegoldPeter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Amoret AbisJohn Sloboda: The Composer and the Audience - John SlobodaAmoret Abis:The Composer in the Classroom - Amoret AbisSean Gregory: Unleashed: Collaboration, Connectivity and Creativity - Sean GregoryDetta Danford and Natasha Zielazinski: One Equal Music - Detta Danford and Natasha ZielazinskiPeter Wiegold: That's how it happens - Peter WiegoldJonathan Reekie: Britten's Holy Triangle - Jonathan ReekiePostludePeter Wiegold: Appendix: A Practice - Peter Wiegold

Offers a stimulating reading with insights into the act of creation, the compositional process, and the vantage point of the modern creative artist in the twenty-first century.

• Peter Wiegold and Ghislaine Kenyon: Introduction - Peter Wiegold and Ghislaine KenyonBenjamin Britten: On Receiving the First Aspen Award (reprint)Colin Matthews: 'Music is now free for all': Britten's Aspen Award Speech - Colin MatthewsHoward Skempton: Britten and Cardew - Howard SkemptonChristopher Fox: After the Fludde: ambitious music for all-comers - Christopher FoxGillian Moore: 'A vigorous unbroken tradition': British composers and the community since the beginning of the twentieth century - Gillian MooreEugene Skeef: 'I am because you are' - Eugene SkeefTommy Pearson: 'A real composer coming talk to us' - Tommy PearsonNigel Osborne: Running away from rock 'n' roll - Nigel OsborneJohn Barber: Finding a place in Society; finding a voice - John BarberJames Redwood: A matrix of possibilities - James RedwoodKatie Tearle: 'I was St Francis' - Katie TearleJudith Webster: Reflections on Composers, Orchestras and Communities: motivation, music and meaning' - Judith WebsterDouglas Mitchell: 'Sounding good with other people' - Douglas MitchellPeter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Peter WiegoldPeter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Amoret AbisJohn Sloboda: The Composer and the Audience - John SlobodaAmoret Abis:The Composer in the Classroom - Amoret AbisSean Gregory: Unleashed: Collaboration, Connectivity and Creativity - Sean GregoryDetta Danford and Natasha Zielazinski: One Equal Music - Detta Danford and Natasha ZielazinskiPeter Wiegold: That's how it happens - Peter WiegoldJonathan Reekie: Britten's Holy Triangle - Jonathan ReekiePostludePeter Wiegold: Appendix: A Practice - Peter Wiegold