Polish Cinema

Marek Haltof is a Professor at Northern Michigan University. His recent books include Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration (2018), Historical Dictionary of Polish Cinema (second edition, 2015), and Polish Film and the Holocaust: Politics and Memory (2012).

“This book is as much about the history of the Polish people as it is about Polish film history. Haltof makes a special effort to point out the non-derivative character and unique national flavor of Polish cinema. His analyses are lucid, engaging, and informed by both Polish and Western film scholarship. The narrative is interspersed with film stills that facilitate understanding of the discussed works.” • Choice“Haltof’s book is comprehensive, reliable, and holistic in its approach. It delivers rich, basic information in ways that are both enjoyable and intelligible for foreign readers…a challenge to generations of young scholars of Polish film all over the world, who will continue to write their own histories, always quoting Haltof’s groundbreaking work as their locus of historical reference.” • Cineaste“Marek Haltof is a genuine scholar, a historian who meticulously chronicles not only Polish film history, but all that has been written about it. The style of Polish Cinema: A History is both sophisticated and accessible. He is attentive to the details of motion pictures, able to discuss art films and genre movies with equal authority.” • Annette Insdorf, Columbia University and author of Intimations: The Cinema of Wojciech HasPRAISE FOR THE FIRST EDITION (originally published as Polish National Cinema)“Haltof's comprehensive, lucid, and refreshing critical history of Polish cinema significantly expands the existing literature on the topic in English… Essential for all serious libraries and very useful in the undergraduate or graduate classroom.” • Choice“What makes Haltof's book so wonderful is that, like a great filmmaker, he uses his subject to craft a much deeper and complex story of the Polish people and their search for a national identity ... With clarity and fluidity he makes Poland come alive.” • Film and History“An informed and concise yet exhaustive account of Polish cinema.” • Slavic Review

• List of IllustrationsAcknowledgmentsIntroductionChapter 1. Polish Silent Cinema (1896–1929)Chapter 2. The Sound Period of the 1930s: Adaptations, Patriotic Melodramas, and Films in YiddishChapter 3. Cinema, World War II, and the Postwar Construction of National Identity (1939–1948)Chapter 4. Screen Stalinism: Socialist Realist Films (1949–1954)Chapter 5. Ashes and Diamonds: The Polish School (1955–1963)Chapter 6. Adaptations, Personal Style, and Popular Cinema (1964–1975)Chapter 7. Camouflage and Rough Treatment: The “Cinema of Distrust” (1976–1981)Chapter 8. The Cinema of Martial Law and Afterward (1982–1988)Chapter 9. A Fistful of Dollars: Polish Cinema after the Wall Came Down (1989–1998)Chapter 10. Adapting the National Literary Canon and Reclaiming the Past (1999–2004)Chapter 11. The Transforming Years (2005–)AppendicesSelect FilmographySelect BibliographyIndex of NamesIndex of Films