Annika Bunz is a senior lecturer in Museology at the Dept. of Culture and Media Studies, Umea University, Sweden. She has a PhD in archaeology and multidisciplinary expertise in museum studies, visual culture studies, phenomenological architectural theory, and gender studies. She has previously published: 'Is it enough to make the main characters female? An Intersectional and Social Semiotic Reading of the Exhibition Prehistories 1 at the National Historical Museum in Stockholm, Sweden' in Robin Skeates (ed.) Museums and Archaeology. The research presented in this book has been financed by a research grant from the Swedish Research Council.

• Introduction: The Maritime Museum in Time and SpacePart I: The Museum in the Landscape and the Landscape in the MuseumChapter 1. A Phenomenological JourneyChapter 2. Ancient and Modern Ideals EntwinedChapter 3. Human and Ocean - Land and SeaChapter 4. New Museum - Old ArchitecturePart II: Staged StoryscapesChapter 5. In the Waves of the Ocean and the Depths of EmotionChapter 6. Men of Iron and Women of WoodChapter 7. Worldviews and Images of the WorldChapter 8. Global Trade and Cultural EncountersChapter 9. A World without Borders but with High WallsConclusion: How Maritime Museums (re)Present the WorldReferences

Annika Bunz is a senior lecturer in Museology at the Dept. of Culture and Media Studies, Umea University, Sweden. She has a PhD in archaeology and multidisciplinary expertise in museum studies, visual culture studies, phenomenological architectural theory, and gender studies. She has previously published: 'Is it enough to make the main characters female? An Intersectional and Social Semiotic Reading of the Exhibition Prehistories 1 at the National Historical Museum in Stockholm, Sweden' in Robin Skeates (ed.) Museums and Archaeology. The research presented in this book has been financed by a research grant from the Swedish Research Council.

• Introduction: The Maritime Museum in Time and SpacePart I: The Museum in the Landscape and the Landscape in the MuseumChapter 1. A Phenomenological JourneyChapter 2. Ancient and Modern Ideals EntwinedChapter 3. Human and Ocean - Land and SeaChapter 4. New Museum - Old ArchitecturePart II: Staged StoryscapesChapter 5. In the Waves of the Ocean and the Depths of EmotionChapter 6. Men of Iron and Women of WoodChapter 7. Worldviews and Images of the WorldChapter 8. Global Trade and Cultural EncountersChapter 9. A World without Borders but with High WallsConclusion: How Maritime Museums (re)Present the WorldReferences