Esther Gimeno Ugalde is a Postdoc Univ. Assistant in the Department of Romance Studies at the University of Vienna. Marta Pacheco Pinto is a research fellow at the Centre for Comparative Studies, University of Lisbon where she coordinates the project Texts and Contexts of Portuguese Orientalism: The International Congresses of Orientalists (1873-1973). Ângela Fernandes is a Researcher and Associate Professor in the School of Arts and Humanities at the University of Lisbon.

‘This publication is a fundamental reference for any scholar looking to investigate intra-Iberian translations in the near future.’ - Santiago Pérez Isasi, Universidade de Lisboa

• Introducing Iberian Translation Studies as a Literary Contact ZoneEsther Gimeno Ugalde, Marta Pacheco Pinto, Ângela FernandesPART I: Iberian and Translation Studies: Theoretical Contact Zones1. Paradoxes and Mediation Pitfalls of the Translational Contact ZoneEsther Gimeno Ugalde2. Literary Translation from Catalan within the Framework of the Iberian and Global Gravitational SystemsPere Comellas Casanova3. Theoretical Contact Zones between Translation and Iberian StudiesAna Belén Cao4. A (De)construction of Modern Literary Iberia: Translating Eugénio de CastroMiguel Filipe Mochila5. Between Recognition and Co-Optation: Translations of Present-day Galician Poetry in the Spanish Literary SystemIsaac LouridoPART II: Fluid Contact Zones: Indirect Translation, Self-Translation, Intersemiotic Translation6. The Picaresque Novel as Eclectic Translation: Composing HeteroglossiaRita Bueno Maia7. Estima de Oliveira’s Otoño en Pequín: Genetic Translation Approaches to Poetic AuthorshipAriadne Nunes and Marta Pacheco Pinto8. The Double Face of Translation in Joan MaragallRobert Newcomb9. Heterolingualism in the Novel. Soinujolearen semea and Its Adaptations for Theater and CinemaElizabete ManterolaPART III: Iberian Contact Zones: Crossing Times and Genres10. The Spanish Translations of Fernando Pessoa in the First Francoism: Ideological and Aesthetic FactorsAntonio Sáez Delgado11. Literary Tourism in a Contact Zone: The Spanish Translation of Lisbon – What the Tourist Should See, by Fernando PessoaSara Rodrigues de Sousa12. The Translations of Camilo José Cela’s La familia de Pascual Duarte into Portuguese, Catalan, Galician and BasqueMaria Dasca Batalla13. ‘Minotauro’ and ‘Confluências’: Two Portuguese Series Dedicated to Literature from Spain in the Twenty-First CenturyIsabel Araújo Branco14. The Nutcrackers: Iberian Variations on a Short FarceJosé Pedro Sousa and Andresa Fresta Marques15. Catalan and Spanish Drama in Contact (1890–1939)Enric Gallén and Miquel M. Gibert16. Iberian Theatre Translated into Portuguese in the Twenty-First CenturyÂngela Fernandes

Esther Gimeno Ugalde is a Postdoc Univ. Assistant in the Department of Romance Studies at the University of Vienna. Marta Pacheco Pinto is a research fellow at the Centre for Comparative Studies, University of Lisbon where she coordinates the project Texts and Contexts of Portuguese Orientalism: The International Congresses of Orientalists (1873-1973). Ângela Fernandes is a Researcher and Associate Professor in the School of Arts and Humanities at the University of Lisbon.

‘This publication is a fundamental reference for any scholar looking to investigate intra-Iberian translations in the near future.’ - Santiago Pérez Isasi, Universidade de Lisboa

• Introducing Iberian Translation Studies as a Literary Contact ZoneEsther Gimeno Ugalde, Marta Pacheco Pinto, Ângela FernandesPART I: Iberian and Translation Studies: Theoretical Contact Zones1. Paradoxes and Mediation Pitfalls of the Translational Contact ZoneEsther Gimeno Ugalde2. Literary Translation from Catalan within the Framework of the Iberian and Global Gravitational SystemsPere Comellas Casanova3. Theoretical Contact Zones between Translation and Iberian StudiesAna Belén Cao4. A (De)construction of Modern Literary Iberia: Translating Eugénio de CastroMiguel Filipe Mochila5. Between Recognition and Co-Optation: Translations of Present-day Galician Poetry in the Spanish Literary SystemIsaac LouridoPART II: Fluid Contact Zones: Indirect Translation, Self-Translation, Intersemiotic Translation6. The Picaresque Novel as Eclectic Translation: Composing HeteroglossiaRita Bueno Maia7. Estima de Oliveira’s Otoño en Pequín: Genetic Translation Approaches to Poetic AuthorshipAriadne Nunes and Marta Pacheco Pinto8. The Double Face of Translation in Joan MaragallRobert Newcomb9. Heterolingualism in the Novel. Soinujolearen semea and Its Adaptations for Theater and CinemaElizabete ManterolaPART III: Iberian Contact Zones: Crossing Times and Genres10. The Spanish Translations of Fernando Pessoa in the First Francoism: Ideological and Aesthetic FactorsAntonio Sáez Delgado11. Literary Tourism in a Contact Zone: The Spanish Translation of Lisbon – What the Tourist Should See, by Fernando PessoaSara Rodrigues de Sousa12. The Translations of Camilo José Cela’s La familia de Pascual Duarte into Portuguese, Catalan, Galician and BasqueMaria Dasca Batalla13. ‘Minotauro’ and ‘Confluências’: Two Portuguese Series Dedicated to Literature from Spain in the Twenty-First CenturyIsabel Araújo Branco14. The Nutcrackers: Iberian Variations on a Short FarceJosé Pedro Sousa and Andresa Fresta Marques15. Catalan and Spanish Drama in Contact (1890–1939)Enric Gallén and Miquel M. Gibert16. Iberian Theatre Translated into Portuguese in the Twenty-First CenturyÂngela Fernandes